Futurist Painting Sculpture Plastic Dynamism
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Author |
: Umberto Boccioni |
Publisher |
: Getty Publications |
Total Pages |
: 306 |
Release |
: 2016-06-01 |
ISBN-10 |
: 9781606064757 |
ISBN-13 |
: 1606064754 |
Rating |
: 4/5 (57 Downloads) |
Synopsis Futurist Painting Sculpture (Plastic Dynamism) by : Umberto Boccioni
Futurist Painting Sculpture (Plastic Dynamism), a truly radical book by Umberto Boccioni (1882–1916), claimed a central position in artistic debates of the 1910s and 1920s, exerting a powerful influence on the Italian Futurist movement as well as on the entire European historical avant-garde, including Dada and Constructivism. Today, Boccioni is best known as an artist whose paintings and sculptures are prized for their revolutionary aesthetic by American and European museums. But Futurist Painting Sculpture demonstrates that he was also the foremost avant-garde theorist of his time. In his distinctive, exhilarating prose style, Boccioni not only articulates his own ideas about the Italian movement’s underpinnings and goals but also systematizes the principles expressed in the vast array of manifestos that the Futurists had already produced. Featuring photographs of fifty-one key works and a large selection of manifestos devoted to the visual arts, Boccioni’s book established the canon of Italian Futurist art for many years to come. First published in Italian in 1914, Futurist Painting Sculpture has never been available in English—until now. This edition includes a critical introduction by Maria Elena Versari. Drawing on the extensive Futurist archives at the Getty Research Institute, Versari systematically retraces, for the first time, the evolution of Boccioni’s ideas and arguments; his attitude toward contemporary political, racial, philosophical, and scientific debates; and his polemical view of Futurism’s role in the development of modern art.
Author |
: |
Publisher |
: |
Total Pages |
: 0 |
Release |
: 2016 |
ISBN-10 |
: 1606064754 |
ISBN-13 |
: 9781606064757 |
Rating |
: 4/5 (54 Downloads) |
Synopsis Futurist Painting Sculpture (Plastic Dynamism). Umberto Boccioni by :
This fiery and influential book, available for the first time in English, presents an Italian Futurist's radical ideas about art and architecture 'Futurist Painting Sculpture (Plastic Dynamism)', a truly radical book by Umberto Boccioni (1882-1916), claimed a central position in artistic debates of the 1910s and 1920s, exerting a powerful influence on the Italian Futurist movement as well as on the entire European historical avant-garde, including Dada and Constructivism. Today, Boccioni is best known as an artist whose paintings and sculptures are prized for their revolutionary aesthetic by American and European museums. But 'Futurist Painting Sculpture' demonstrates that he was also the foremost avant-garde theorist of his time. In his distinctive, exhilarating prose style, Boccioni not only articulates his own ideas about the Italian movement's underpinnings and goals but also systematizes the principles expressed in the vast array of manifestos that the Futurists had already produced. Featuring photographs of fifty-one key works and a large selection of manifestos devoted to the visual arts, Boccioni's book established the canon of Italian Futurist art for many years to come. First published in Italian in 1914, 'Futurist Painting Sculpture' has never been available in English-until now.0This edition includes a critical introduction by Maria Elena Versari. Drawing on the extensive Futurist archives at the Getty Research Institute, Versari systematically retraces, for the first time, the evolution of Boccioni's ideas and arguments; his attitude toward contemporary political, racial, philosophical, and scientific debates; and his polemical view of Futurism's role in the development of modern art.
Author |
: David Mather |
Publisher |
: Bloomsbury Publishing USA |
Total Pages |
: 247 |
Release |
: 2020-10-29 |
ISBN-10 |
: 9781501343100 |
ISBN-13 |
: 1501343106 |
Rating |
: 4/5 (00 Downloads) |
Synopsis Futurist Conditions by : David Mather
Italian futurism visualized diverse types of motion, which had been rooted in pervasive kinetic and vehicular forces generated during a period of dramatic modernization in the early 20th century. Yet, as David Mather's sweeping intellectual and art historical scholarship demonstrates, it was the camera-not the engine-that proved to be the primary invention against which many futurist ideas and practices were measured. Overturning several misconceptions about Italian futurism's interest in the disruptive and destructive effects of technology, Futurist Conditions provides a refreshing update to the historical narrative by arguing that the formal and conceptual approaches by futurist visual artists reoriented the possibly dehumanizing effects of mechanized imagery toward more humanizing, spiritual aims. Through its sustained analysis of the artworks and writings of Umberto Boccioni, Giacomo Balla, and the Bragaglia brothers, dating to the first decade after the movement's founding in 1909, Mather's account of their obsession with kinetic motion pivots around a 1913 debate on the place and relative import of photography among traditional artistic mediums-a debate culminating in the expulsion of the Bragaglias, but one that also prompted a range of productive responses by other futurist artists to world-changing social, political, and economic conditions.
Author |
: Umbro Apollonio |
Publisher |
: Viking Adult |
Total Pages |
: 240 |
Release |
: 1973 |
ISBN-10 |
: IND:30000004153825 |
ISBN-13 |
: |
Rating |
: 4/5 (25 Downloads) |
Synopsis Futurist Manifestos by : Umbro Apollonio
This translation from the Italian first published in the US by Viking Press presents F.T. Marinetti's The Founding and Manifesto of Futurism (1909) rejecting classical art, manifestos and art influenced by it, historical perspective, photos of futurists, a chronology, and new afterword. c. Book News Inc.
Author |
: Giovanni Lista |
Publisher |
: Vilo International |
Total Pages |
: 214 |
Release |
: 2001 |
ISBN-10 |
: UOM:39015053509637 |
ISBN-13 |
: |
Rating |
: 4/5 (37 Downloads) |
Synopsis Futurism by : Giovanni Lista
"In this reference summing-up, the author reviews the different aesthetic stages of the movement, from "plastic dynamism" in the 1910s to aeropainting in the 1930s, and examines the relationship, long the object of controversy, between the movement and the Italian Fascist government."--BOOK JACKET.
Author |
: Solomon R. Guggenheim Museum |
Publisher |
: Guggenheim Museum |
Total Pages |
: 0 |
Release |
: 2014 |
ISBN-10 |
: 089207499X |
ISBN-13 |
: 9780892074990 |
Rating |
: 4/5 (9X Downloads) |
Synopsis Italian Futurism 1909-1944 by : Solomon R. Guggenheim Museum
February 21-September 1, 2014 The first comprehensive overview of Italian Futurism to be presented in the United States, this multidisciplinary exhibition examines the historical sweep of the movement from its inception with F.T. Marinetti's Futurist manifesto in 1909 through its demise at the end of World War II. Presenting over 300 works executed between 1909 and 1944, the chronological exhibition encompasses not only painting and sculpture, but also architecture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theater, and performance. To convey the myriad artistic languages employed by the Futurists as they evolved over a 35-year period, the exhibition integrates multiple disciplines in each section. Italian Futurism is organized by Vivien Greene, Curator, 19th- and Early 20th-Century Art, Solomon R. Guggenheim Museum. In addition, a distinguished international advisory committee has been assembled to provide expertise and guidance.
Author |
: Marianne W. Martin |
Publisher |
: |
Total Pages |
: 428 |
Release |
: 1978 |
ISBN-10 |
: UOM:39076006337484 |
ISBN-13 |
: |
Rating |
: 4/5 (84 Downloads) |
Synopsis Futurist Art and Theory, 1909-1915 by : Marianne W. Martin
Author |
: John Golding |
Publisher |
: |
Total Pages |
: 40 |
Release |
: 1972 |
ISBN-10 |
: UOM:39015015268264 |
ISBN-13 |
: |
Rating |
: 4/5 (64 Downloads) |
Synopsis Boccioni's Unique Forms of Continuity in Space by : John Golding
Author |
: Günter Berghaus |
Publisher |
: Walter de Gruyter GmbH & Co KG |
Total Pages |
: 612 |
Release |
: 2023-12-04 |
ISBN-10 |
: 9783111318394 |
ISBN-13 |
: 3111318397 |
Rating |
: 4/5 (94 Downloads) |
Synopsis 2023 by : Günter Berghaus
This thirteenth volume of the International Yearbook of Futurism Studies explores some of the many facets of Neo-Futurism from the second half of the twentieth century to the present day. It looks both at the revival and the continuation of Futurist aesthetics, whether in explicit or palimpsest form, in a variety of media: literature, visual art, design, music, architecture, theatre and photography. The essays delve into the broad spectrum of artistic research and offer a good dozen case studies that document, with a transnational and interdisciplinary orientation, the manifold forms of Neo-Futurism in various parts of the world. They investigate how historical Futurism's intellectual and artistic perspective was appropriated and developed further in a more or less conscious, faithful and original way, all the while confronting its progenitor's cultural, social and political misconceptions. Interdisciplinary contributions to neo-futurism as a global phenomenon
Author |
: Günter Berghaus |
Publisher |
: Walter de Gruyter GmbH & Co KG |
Total Pages |
: 552 |
Release |
: 2018-04-09 |
ISBN-10 |
: 9783110575361 |
ISBN-13 |
: 3110575361 |
Rating |
: 4/5 (61 Downloads) |
Synopsis 2018 by : Günter Berghaus
The eighth volume of the International Yearbook of Futurism Studies is again an open issue and presents in its first section new research into the international impact of Futurism on artists and artistic movements in France, Great Britain, Hungary and Sweden. This is followed by a study that investigates a variety of Futurist inspired developments in architecture, and an essay that demonstrates that the Futurist heritage was far from forgotten after the Second World War. These papers show how a wealth of connections linked Futurism with Archigram, Metabolism, Archizoom and Deconstructivism, as well as the Nuclear Art movement, Spatialism, Environmental Art, Neon Art, Kinetic Art and many other trends of the 1960s and 70s. The second section focuses on Futurism and Science and contains a number of papers that were first presented atthe fifth bi-annual conference of the European Network for Avant-Garde and Modernism Studies (EAM), held on 1–3 June 2016 in Rennes. They investigate the impact of science on Futurist aesthetics and the Futurist quest for a new perception and rational understanding of the world, as well as the movement’s connection with the esoteric domain, especially in the field of theosophy, the Hermetic tradition, Gnostic mysticism and a whole phalanx of Spiritualist beliefs. The Archive section offers a survey of collections and archives in Northern Italy that are concerned with Futurist ceramics, and a report on the Fondazione Primo Conti in Fiesole, established in April 1980 as a museum, library and archive devoted to the documentation of the international avant-garde, and to Italian Futurism in particular. A review section dedicated to exhibitions, conferences and publications is followed by an annual bibliography of international Futurism studies, exhibition catalogues, special issues of periodicals and new editions.