In classical Athens, a funeral speech was delivered for dead combatants almost every year, the most famous being that by Pericles in 430 BC. In 1981, Nicole Loraux transformed our understanding of this genre. Her The Invention of Athens showed how it reminded the Athenians who they were as a people. Loraux demonstrated how each speech helped them to maintain the same self-identity for two centuries. But The Invention of Athens was far from complete. This volume brings together top-ranked experts to finish Loraux's book. It answers the important questions about the numerous surviving funeral speeches that she ignored. It also undertakes a comparison of the funeral oration with other genres that is missing in her famous book. What emerges is a speech that had a much greater political impact than Loraux thought. This volume puts the study of war in Athenian culture on a completely new footing.

"In The Invention of Athens, her first book, Nicole Loraux launched her exploration of Greek - and more particularly Athenian - self-representations: in this case, through the funeral oration. Coordinating past, present, and future generations, the funeral oration emerges in Loraux's account as the state institution and genre through which official memory is performed, cultivated, and transmitted. In her anatomy of the institution and genre of the epitaphics, Loraux illuminates the politics, myths, and gendered discourses and institutions of Antiquity. Loraux shows us again and again how the field of representation, particularly as it emerges in a democratic terrain, is the field of contest. Loraux's work was always concerned with the politics of memory - What shall be remembered? And how? And by whom? And for whom? - the way in which the city represents itself, how it constitutes itself, how it remembers and members itself are among Loraux's central preoccupations, and she makes them ours."--BOOK JACKET.

There’s a certain kind of lost a boy feels in this world without a father. Tim felt it. I felt it. And we realized our only way out would be together. In an openhearted memoir of faith on the fringe, Roger Thompson meditates on the life and premature death of his best friend and business partner, Tim Garrety, cofounder of Skate Street Ventura. Roger and Tim’s twenty-year friendship was forged in the surf and on the streets of 1980s California. Together they hazarded countless waves and every rite of passage—from guitars to girls to God—and influenced the lives of thousands of skateboarders, musicians, surfers, and otherwise disconnected youth in the process. With unrestrained honesty and a punk-rock soundtrack, My Best Friend’s Funeral is a memoir of friendship, doubt, surfing, and the complex relationships between fathers and sons. If life has ever left you feeling abandoned—or if you simply prefer a rock show to a sermon—My Best Friend’s Funeral is a memoir you won’t want to miss, and a confirmation that you are never alone.

Includes its Report, 1896-19 .