Dark Light is the first book on the ceramics of the great Navajo ceramist Christine Nofchissey McHorse and features her award-winning sculptural black series begun in 1998. Authors Clark and Del Vecchio, the two foremost experts on international contemporary ceramics, give respect to the artist's Native roots while also exploring her art in a mainstream context, a breakthrough in evaluating Indian pottery today. Dark Light refers to the mica-rich clay McHorse uses in her vessels. When fired, the mica glows and shimmers against the black of the reduction-fired surfaces, advancing and receding, giving McHorse's elegant, matt-black biomorphic shapes a retinal vibrance and a sensual life.

In this book, I will show you how you can start your painting journey in Adobe Fresco, even if you never painted before. A step-by-step explanation will guide you through all projects in this book. Please read this book alone, or with your family and children, Everyone will find some helpful tips. I hope to boost your creativity and bring the passion of creation to another level. You will have access to all sketches in this book. Just download them and use them along with me.

The Race is a novel about the discovery of fifteen Supermarine Spitfire airplanes buried in Burma at the end of World War II and their subsequent excavation, acquisition, and transformation into state-of-the-art floatplanes, capable of traveling long distances and landing at sea. Fifteen women of different backgrounds are ultimately chosen to pilot the planes in a trans-Pacific race from Tokyo to San Francisco. Beyond their private narratives, each woman experiences a larger dialogue about culture and gender issues, the moral and ecological state of our planet, the human condition, and the universal need for compassion. Evolving around stories and narrative fictions seen as photographic fact, The Race is a logical extension of Nagatani's visual campaigns. His lifelong interests in Buddhism, fiction and poetry, alternative medicine, indigenous cultures, identity, and self-examination all play a prominent part in this epic tale of adventure.

Benita Alvarez, a downtrodden Hispanic woman, is chosen by alien envoys to be the Intermediary in their bid to get humankind to join an interstellar federation of peaceable races who practise Neighbourliness and strive to live ethical and moral lives. But other alien races have their own plans for the verdant, over-populated planet and they have chosen their own contact: a down-and-dirty government Senator. They don't want mankind to join the Federation, though: they just want hunting rights of Earth . . . hunting rights on man . . .

Reproductions of paintings depicting eight U.S. national parks.

An Ode to Living and Gathering in Nature A picnic on the beach. Cocktails and a snack at sunset. Sharing a potluck meal around the fire, and letting the night drift lazily along in the pleasures of roasting marshmallows and swapping stories. Getting together in nature, with food and drink, is among the most restorative rituals we can experience, fostering a kind of intimacy and ease that’s rare in any other setting. Al Fresco, with its fresh, delicious recipes and unexpected ideas, its tips for exploring new ways to get outdoors, its interviews with dozens of kindred spirits, is an inspiring and beautiful playbook for anyone who wants to spend more time outside with friends and family. The credo is simple: Nature opens us up to ourselves, and the food we share opens us up to each other.

by individual essays by Chandler, spotlighting the careers of more than fifty artists currently creating abstract works in Colorado." --Book Jacket.

DIVRecognized authority in the field discusses painting methods used by such masters as Alberti, Cennini, Vasari, and Borghini; also comments on causes of fresco destruction and how to restore works of art. /div

In paintings of natural wonders throughout the galaxy, Wilson Hurley was committed to expressing his love of the richness of reality.

Tiré du site Internet http://www.mackbooks.co.uk: "St Francis of Assisi was the saint who humanised sainthood. He was a man with an ordinary body and ordinary desires. As Tacita Dean writes, 'He rolled naked in the snow to quell his urges and trod the land on paths and roads that are still wending their way through the hills and forests of Umbria today ... His concerns are contemporary : his love of the earth is ecology, his care for its creatures, animal welfare, and his understanding of his fellow humanity is modern-day social science. He is the saint whom mankind can realistically aspire to emulate, because his humanness, his humanity lies just within our mortal reach.' In her work, Buon Fresco, 2014, Dean filmed details of Giotto's frescos in the Upper Basilica in Assisi using a macro lens, in order, she said, to have the perspective of the artist himself. Giotto humanised the depiction of people in painting in a parallel way to St Francis's humanising of sainthood, and this moment, when the radical artist depicted the radical saint is an extremely important juncture in the history of art. Frescoes are meant to be seen from a distance, so this book provides a revelatory view of the minutiae and sophistication of Giotto's brushstrokes, which at times anticipates the future canon of mark marking in Western painting."