A unique and fascinating look at Victorian society through the remarkable lives of an enlightened and philanthropic aristocratic couple, the Marquess and Marchioness of Aberdeen, who tried to change the world for the better but paid a heavy price. This is a true tale of love and loss, fortune and misfortune. In the late 19th century, John and Ishbel Gordon, the Marquess and Marchioness of Aberdeen, were the couple who seemed to have it all: a fortune that ran into the tens of millions, a magnificent stately home in Scotland surrounded by one of Europe’s largest estates, a townhouse in London’s most fashionable square, cattle ranches in Texas and British Columbia, and the governorships of Ireland and Canada where they lived like royalty. Together they won praise for their work as social reformers and pioneers of women’s rights, and enjoyed friendships with many of the most prominent figures of the age, from Britain’s Prime Ministers to Oliver Wendell-Holmes and P.T. Barnum and Queen Victoria herself. Yet by the time they died in the 1930s, this gilded couple’s luck had long since run out: they had faced family tragedies, scandal through their unwitting involvement in one of the “crimes of the century” and, most catastrophically of all, they had lost both their fortune and their lands. This fascinating family quest for the reason for their dramatic downfall is also a moving and colorful exploration of society in Victorian Britain and North America and an inspirational feast for history lovers.

A unique and fascinating look at Victorian society through the remarkable lives of an enlightened and philanthropic aristocratic couple, the Marquess and Marchioness of Aberdeen, who tried to change the world for the better but paid a heavy price. This is a true tale of love and loss, fortune and misfortune. In the late 19th century, John and Ishbel Gordon, the Marquess and Marchioness of Aberdeen, were the couple who seemed to have it all: a fortune that ran into the tens of millions, a magnificent stately home in Scotland surrounded by one of Europe’s largest estates, a townhouse in London’s most fashionable square, cattle ranches in Texas and British Columbia, and the governorships of Ireland and Canada where they lived like royalty. Together they won praise for their work as social reformers and pioneers of women’s rights, and enjoyed friendships with many of the most prominent figures of the age, from Britain’s Prime Ministers to Oliver Wendell-Holmes and P.T. Barnum and Queen Victoria herself. Yet by the time they died in the 1930s, this gilded couple’s luck had long since run out: they had faced family tragedies, scandal through their unwitting involvement in one of the “crimes of the century” and, most catastrophically of all, they had lost both their fortune and their lands. This fascinating family quest for the reason for their dramatic downfall is also a moving and colorful exploration of society in Victorian Britain and North America and an inspirational feast for history lovers.

Vanderbilt: the very name signifies wealth. The family patriarch, "the Commodore," built up a fortune that made him the world's richest man by 1877. Yet, less than fifty years after the Commodore's death, one of his direct descendants died penniless, and no Vanderbilt was counted among the world's richest people. Fortune's Children tells the dramatic story of all the amazingly colorful spenders who dissipated such a vast inheritance.

#1 NEW YORK TIMES BESTSELLER NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Janet Maslin, The New York Times • St. Louis Post-Dispatch When Pulitzer Prize–winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly sixty years, he stumbled through a surprising portal into American history. Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the nineteenth century with a twenty-first-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades. Though she owned palatial homes in California, New York, and Connecticut, why had she lived for twenty years in a simple hospital room, despite being in excellent health? Why were her valuables being sold off? Was she in control of her fortune, or controlled by those managing her money? Dedman has collaborated with Huguette Clark’s cousin, Paul Clark Newell, Jr., one of the few relatives to have frequent conversations with her. Dedman and Newell tell a fairy tale in reverse: the bright, talented daughter, born into a family of extreme wealth and privilege, who secrets herself away from the outside world. Huguette was the daughter of self-made copper industrialist W. A. Clark, nearly as rich as Rockefeller in his day, a controversial senator, railroad builder, and founder of Las Vegas. She grew up in the largest house in New York City, a remarkable dwelling with 121 rooms for a family of four. She owned paintings by Degas and Renoir, a world-renowned Stradivarius violin, a vast collection of antique dolls. But wanting more than treasures, she devoted her wealth to buying gifts for friends and strangers alike, to quietly pursuing her own work as an artist, and to guarding the privacy she valued above all else. The Clark family story spans nearly all of American history in three generations, from a log cabin in Pennsylvania to mining camps in the Montana gold rush, from backdoor politics in Washington to a distress call from an elegant Fifth Avenue apartment. The same Huguette who was touched by the terror attacks of 9/11 held a ticket nine decades earlier for a first-class stateroom on the second voyage of the Titanic. Empty Mansions reveals a complex portrait of the mysterious Huguette and her intimate circle. We meet her extravagant father, her publicity-shy mother, her star-crossed sister, her French boyfriend, her nurse who received more than $30 million in gifts, and the relatives fighting to inherit Huguette’s copper fortune. Richly illustrated with more than seventy photographs, Empty Mansions is an enthralling story of an eccentric of the highest order, a last jewel of the Gilded Age who lived life on her own terms. Praise for Empty Mansions “An amazing story of profligate wealth . . . an outsized tale of rags-to-riches prosperity.”—The New York Times “An evocative and rollicking read, part social history, part hothouse mystery, part grand guignol.”—The Daily Beast “Fascinating . . . [a] haunting true-life tale.”—People “One of those incredible stories that you didn’t even know existed. It filled a void.”—Jon Stewart, The Daily Show “Thrilling . . . deliciously scandalous.”—Publishers Weekly (starred review)

Behind the walls of a vast family estate called Fortune, Wen, a Warrior Rider hired to protect a young heiress, must face a terrifying challenge that will lead her into a confrontation with her ultimate destiny, in a new novel set in the world of the Twelve Houses series.

In the course of 27 short chapters, Linda Fortune draws a vivid picture of a place, time and lifestyle that no longer exist. This book never gets bogged down in politics. Instead, it succeeds in recreating a specific time and specific place with its focus firstly on one family in particular, warts and all. A bigger picture also emerges, that of a whole community: people teachers, shop-keepers, barbers, entertainers and specific places movie-houses, shops, streets and lanes still recalled by many who lived there. Eighteen black and white photographs by photographers such as Cloete Breytenbach, J H Greshoff, George Hallet and Noor Ebrahim, and family snapshots from Linda s own collection, adds to the value of The House in Tyne Street as a recreation of and testament to the District.

No one can complain that in this story Mr. Howells has taken his type from the commonplace. It is a study of life in New York, and the author has brought together such a gallery of odd and strongly differentiated characters as could perhaps be found in no other city on the continent, while the conditions and phases of social life represented are not less distinctive and peculiar. The Marches, it is true, are from Boston, but they serve the purpose of external points of observation, whence to note and sufficiently to emphasize those features of our city life which of necessity strike strangers and outsiders most forcibly and with the greatest freshness of suggestion. A new magazine is founded with the money of old Dryfoos, a "natural gas millionaire," whose primary object is to give his son Conrad — a youth of saint-like character and dominant altruism — opportunity to become a businessman. The prime mover of the venture is Fulkerson, a true Western Yankee, if the phrase be allowable, whose engaging impudence, fluent slang, indomitable assurance, and substantial loyalty and goodness of heart are sure to make him as great a favorite with the reader as he is with all who know him in the story. The Marches, too, are fantastic, and nowhere has Mr. Howells better presented that peculiar American humor which finds motives for half-sarcastic jest and quip in even the most serious things, less out of lightness of heart than from an almost desperate conscious ness of hopeless incongruities and perplexities inherent in the general scheme. The picture is in itself a condemnation of and protest against that rank growth of naked materialism which is the most depressing feature of our time. The character and the faults of society are shown plainly but temperately — the spirit of levity, the love of spectacle, the repugnance to serious thinking, the absence of jealousy of popular rights, constantly encroached upon, ignored and subordinated to selfish corporate or individual interests. The aspects of the city are also most graphically and admirably described in many a wandering of the Marches, and the book exhibits an amount of local study undertaken by the author which speaks well for his conscientiousness, and adds much to the charm and permanent interest of the story. There is, as we have intimated, an unwonted variety and an unwonted force in " A Hazard of New Fortunes." If it can hardly be said to have a dominant note, it is none the less a faithful and carefully elaborated study of New York life, and it presents some of the most salient characteristics of that life in a very impressive and artistic manner. Most readers will, we think, agree with us that the change in method here shown is a change for the better. Never, certainly, has Mr. Howells written more brilliantly, more clearly, more firmly, or more attractively, than in this instance. The reversion to these strong individualizations seems to have put new vigor into his hands, and he deals with the deeper tragedies, the graver emotions of life, with a power which may perhaps be regarded as a practical demonstration of the ultimate supremacy destined to be attained by Nature over Art ; by the true over the false Realism.

The smartest investing options for today’s market from a rental property expert Buying and renting out property can generate steady, reliable income year after year. No one knows this better than “Fixer Jay,” the legendary house-fixer and do-it-yourself investor with more than forty-five years of experience. His step-by-step guide shows investors how to find the right property, fix it up, rent it out, increase income by 50 percent, and retire in style.

Love is real in the town of Grimbaud and Fallon Dupree has dreamed of attending high school there for years. After all, generations of Dupree's have successfully followed the (100% accurate!) love fortunes from Zita's famous Love Charms Shop to happily marry their high school sweethearts. It's a tradition. So she is both stunned and devastated when her fortune states that she will NEVER find love. Fortunately, Fallon isn't the only student with a terrible love fortune, and a rebellion is brewing. Fallon is determined to take control of her own fate—even if it means working with a notorious heartbreaker like Sebastian. Will Fallon and Sebastian be able to overthrow Zita's tyranny and fall in love?

“Michael Gross’s new book…packs [in] almost as many stories as there are apartments in the building. The Jackie Collins of real estate likes to map expressions of power, money and ego… Even more crammed with billionaires and their exploits than 740 Park” (Penelope Green, The New York Times). With two concierge-staffed lobbies, a walnut-lined library, a lavish screening room, a private sixty-seat restaurant offering residents room service, a health club complete with a seventy-foot swimming pool, penthouses that cost almost $100 million, and a tenant roster that’s a roll call of business page heroes and villains, Fifteen Central Park West is the most outrageously successful, insanely expensive, titanically tycoon-stuffed real estate development of the twenty-first century. In this “stunning” (CNN) and “deliciously detailed” (Booklist, starred review) New York Times bestseller, journalist Michael Gross turns his gimlet eye on the new-money wonderland that’s sprung up on the southwest rim of Central Park. Mixing an absorbing business epic with hilarious social comedy, Gross “takes another gossip-laden bite out of the upper crust” (Sam Roberts, The New York Times), whichincludes Denzel Washington, Sting, Norman Lear, top executives, and Russian and Chinese oligarchs, to name a few. And he recounts the legendary building’s inspired genesis, costly construction, and the flashy international lifestyle it has brought to a once benighted and socially déclassé Manhattan neighborhood. More than just an apartment building, 15CPW represents a massive paradigm shift in the lifestyle of New York’s rich and famous—and is a bellwether of the city’s changing social and financial landscape.