Familiar and littl-known folk stories from Hungary.

Part of "a vast and precious store of folk-lore...found amongst the Magyars" (preface), including stories of giants, fairies and witches, and superstitions concerning animals, plants, stones, and sundries.

A study of the Szeklers and their folktales.

First published in 1996. There has been no more important relationship between folk artist and folklorist than that between Zsuzsanna Palkó and Linda Dégh. Dégh’s painstaking collection of Mrs. Palkó’s tales attracted the admiration of the Hungarian-speaking world. In 1954 Mrs. Palkó was named Master of Folklore by the Hungarian government and summoned to Budapest to receive ceremonial recognition. The unlettered 74-year-old woman from Kakasd had become “Aunt Zsuzsi” to Linda Dégh—and was about to become one of the world’s best known storytellers, through Dégh’s work.

Amma, what is that great big SPOT? It's gigantic, it's HUGE -this BIG round BLACK DOT. It changes colour, waxes and wanes like the moon, makes Amma look like a fairy queen and comes in the colours red, yellow and green. What is this mysterious dot? Find out the answer in Sheila Dhir s Chandu Pottu.

The king belives almost all of the tales a farm boy tells about his wonderful pig.

Readers of folktales will relish this collection of rare stories from Hungary. Although the tales were told over one hundred years ago, Zalka's research, translation and embellishments have given these almost-lost stories new lives and fresh faces.

The only country in the world with a line in its national anthem as desperate as “this people has already suffered for its past and its future,” Hungary is a nation defined by poverty, despair, and conflict. Its history, of course, took an even darker and more tragic turn during the Holocaust. But the story of the Jews in Hungary is also one of survival, heroism, and even humor—and that is the one acclaimed author Adam Biro sets out to recover in One Must Also Be Hungarian, an inspiring and altogether poignant look back at the lives of his family members over the past two hundred years. A Hungarian refugee and celebrated novelist working in Paris, Biro recognizes the enormous sacrifices that his ancestors made to pave the way for his successes and the envious position he occupies as a writer in postwar Europe. Inspired, therefore, to share the story of his family members with his grandson, Biro draws some moving pictures of them here: witty and whimsical vignettes that convey not only their courageous sides, but also their inner fears, angers, jealousies, and weaknesses—traits that lend an indelible humanity to their portraiture. Spanning the turn of the nineteenth century, two destructive world wars, the dramatic rise of communism, and its equally astonishing fall, the stories here convey a particularly Jewish sense of humor and irony throughout—one that made possible their survival amid such enormous adversity possible. Already published to much acclaim in France, One Must Also Be Hungarian is a wry and compulsively readable book that rescues from oblivion the stories of a long-suffering but likewise remarkable and deservedly proud people.