Read Along or Enhanced eBook: Young naturalists meet sixteen birds in this elegant introduction to the many uses of feathers. A concise main text highlights how feathers are not just for flying. More curious readers are invited to explore informative sidebars, which underscore specific ways each bird uses its feathers for a variety of practical purposes. A scrapbook design showcases life-size feather illustrations.

creation no falsification falsification Tl rejected creation etc. Figure 1-1 delivers such a result that the theory must be seen as an extension of Popper's rational proce discarded. In this way we come at the same time dure for theory elimination. to the border between science and nonscience: a Popper's naive falsifiability knows only one theory is scientific if it is falsifiable. It is thus way, the elimination of what is weak. The so not scientific to bring additional evidence to phisticated falsifiability, in contrast, knows only bear in vindication of the theory; the theory elimination in combination with the acceptance would thereby take on the character of an un of an alternative. According to sophisticated fal challengeable certainty of belief ('religion'). sifiability, a scientific theory T r is only aban Following Popper, others such as Kuhn, with doned if its place is taken by another theory T2 his paradigm theory, have considerably extended which has the following three characteristics: 1 the range of thought over what is scientific and T 2 has more empirical content than TI; the new what is not.

This beautiful catalog presents the first systematic study of feather mosaics from New Spain in the context of a broader creative exchange between Mesoamerican and European aesthetics and materials. Thirty-three scholars look at these unprecedented artworks that circulated in the sixteenth and seventeeth centuries from a range of vantage points, including art history, anthropology, collecting, natural history, archeology, and conservation. Published to complement a major international exhibition held at the National Museum of Art (MUNAL) in Mexico City in 2011, the book is organized thematically and includes over three hundred color photographs of feather mosaics with astonishing detail, as well as relevant paintings, sculptures, drawings, engravings, books, European illuminated manuscripts, Mesoamerican codices, and studies of natural history. No book has ever brought together so many images of artworks from this tradition, let alone assembled a team of scholars to offer such trenchant analysis. It will be essential for art historians, scholars of colonialism, and historians of the Spanish Empire alike.

Over 400 photos of representative feathers from 379 species.