Marking the 150th anniversary of the National Gallery of Ireland, celebrated Irish writers find inspiration in its magnificent collection In 1864 the National Gallery of Ireland opened to the public in Dublin. It then housed just 112 paintings. Today the gallery holds over 15,000 works of European art and is notable both for its extensive collection of Irish art and its Italian baroque and Dutch masters paintings. For this anthology, published to mark the 150th anniversary of the National Gallery of Ireland, fifty-six Irish writers have contributed short stories, essays, and poems inspired by pictures in the collection. These literary responses to art are by turns profound, playful, and insightful. Authors include acclaimed figures in contemporary Irish literature, such as Colm Tóibín, John Banville, John Boyne, Roddy Doyle, Colum McCann, Paula Meehan, Paul Muldoon, John Montague, and Seamus Heaney. The pictures that the writers have selected are intriguingly diverse. They range from old master paintings by Caravaggio, Rembrandt, El Greco, and Velázquez to works by Impressionist and Post-Impressionist artists such as Claude Monet and Pierre Bonnard, as well as works by Irish artists such as Jack B. Yeats, John Lavery, Gerard Dillon, and Paul Henry. The book is organized alphabetically by writer and each text is illustrated with the chosen work in color. Edited with preface by Janet McLean, Curator of European Art 1850–1950 at the NGI.

This is the first full-colour introduction to Irish painting. It brings together a carefully selected, stimulating and stunning display of paintings and details, creating at once an important picture book and a useful history of Irish painting. Dr Brian P. Kennedy's selection and his essays on the sixty-five painters included reflect his contention that Irish talent has been as evident in the visual arts as it has been in the world of literature. Using over one hundred images from private and public collections, his survey results in a comprehensive history revealing the major developments in Irish painting between 1640 and 1953. The extensive bibliography provides in itself a much-needed resource for anyone interested in Irish painting.

This volume covers 18th century Irish artists, plus those born in the 18th century but who lived into 19th century and painted in the Grand Manner. Those early 19th century artists who painted in a more Victorian idiom will be in Volume 2.

This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.

For Hundreds of Years. . .In Ireland and the New World. . . Irish Women Have Made a Difference From ancient times to the present, Irish women have made their mark in times of peace and war, in Ireland and America. With their accomplishments largely ignored by the history books, these extraordinary women have fought for equality, struggled for independence, and met the challenge of nation building. Courageous, passionate, creative, able to stand tall on the battlefield--and in the kitchen--their stories will inspire brave women everywhere, for the daughters of Maeve have achieved remarkable feats against incredible odds. Meet women such as-- Brigid . . . saint and patroness of Ireland Grace O'Malley . . . pirate queen of Connacht Queen Maeve . . . ancient warrior Clara Dillon Darrow . . . suffragist Mother Jones . . . union leader Jacqueline Bouvier Kennedy . . . U.S. first lady Sinead O'Connor . . . singer Mary Robinson . . . president of Ireland Maureen O'Hara . . . actress Sandra Day O'Connor . . . Supreme Court justice Maud Gonne . . . Irish revolutionary This indispensable reference will move, instruct, and empower readers to reach for their dreams as they stand on the shoulders of great Irish women. 50 Fascinating Profiles Gina Sigillito has studied Irish history, art, literature, and politics at the Irish Arts Centre, Ireland House at New York University, and Trinity College, Dublin. She has served as a guest host and producer on the Irish radio program Radio Free Éireann and has traveled extensively throughout Ireland. She is co-author of The Wisdom of the Celts, also available from Citadel Press.

The first book devoted to Irish performance art and the first attempt at a history of this art form in the north and south of Ireland, this book brings together contributions by prominent Irish artists and major academics. It features rigorous critical and theoretical analysis as well as historical commentaries that provide an absorbing sense of the rich histories of performance art in Ireland. Presenting diverse visual documentation of performance art practices, this collection shows how performance art in Ireland engaged with--and in turn influenced and led by--contemporary performance and live art internationally. Copublished with the Live Art Development Agency.