"Fatu Feu'u is an internationally recognised Samoan-New Zealand artist. He has been pivotal in shaping the interest in contemporary Pacific art globally and nurturing a generation of Pacific artists locally, leading to his reputation as the father of contemporary Pacific art. Fatu shares his story, from wilful Samoan-village boy to New Zealand factory-worker immigrant, to leader in his home communities and the global art world. His thoughts on art and life are woven into an inspiring tale that helps us understand not only what drives this artist, but what's behind his art"--Cover jacket.

This book offers a contextual understanding of the contemporary Pacific art movement in New Zealand. As well as examining key individual artists, the book also addresses issues that underlie this movement and the inspirations for creating this art.

"Samoan Art and Artists is a wide-ranging survey of both the traditional and contemporary arts of Samoa. The author has drawn on an extensive research base to present a contemporary and accessible picture of a vibrant culture. The book has a broad sweep, covering all facets of the Samoan arts, including canoe and house building, siapo (tapa) weaving, tattooing, oratory, adornment, all forms of performance art, the visual arts, and literature. An important feature of the book is the inclusion of profiles of living practitioners, both from Samoa and the large Samoan communities in other Pacific countries."--Publisher description.

'Arts in the Margins of World Encounters' presents original contributions that deal with artworks of differently marginalized people—such as ethnic minorities, refugees, immigrants, disabled people, and descendants of slaves—, a wide variety of art forms—like clay figures, textile, paintings, poems, museum exhibits and theatre performances—, and original data based on committed, long-term fieldwork and/or archival research in Brazil, Martinique, Rwanda, India, Indonesia, Japan, Australia, and New Zealand. The volume develops theoretical approaches inspired by innovative theorists and is based on currently debated analytical categories including the ethnographic turn in contemporary art, polycentric aesthetics, and aesthetic cannibalization, among others. This collection also incorporates fascinating and intriguing contemporary cases, but with solid theoretical arguments and grounds. 'Arts in the Margins of World Encounters' will appeal to students at all levels, scholars, and practitioners in arts, aesthetics, anthropology, social inequality, and discrimination, as well as researchers in other fields, including post-colonialism and cultural organizations.

"The historical and cultural backdrop for Etty's life and works is studied throughout the book. Chapters detail his studies in Italy and France, his career as a painter, his work with the York School of Design in the final decade of his life, his place in the fine arts market and his emulators are described"--Provided by publisher.

With more than one hundred illustrations--most in full color--this volume offers a stimulating and insightful account of two dynamic artistic cultures, traditions that have had a considerable impact on modern western art through the influence of artists such as Gauguin. After an introduction to Polynesian and Micronesian art separately, the book focuses on the artistic types, styles, and concepts shared by the two island groups, thereby placing each in its wider cultural context. From the textiles of Tonga to the canoes of Tahiti, Adrienne Kaeppler sheds light on religious and sacred rituals and objects, carving, architecture, tattooing, and much more.

Contributors explore the complex relations among Pacific artists, patrons, collectors, and museums over time, as well as the different meanings given to art objects by each.

"What is Melanesian art today? Who are the artists? What are the subjects of their art? Art and Life in Melanesia provides a timely exploration of contemporary Melanesian artists and their creative voices. It covers major cultural themes including kastom, Christianity, Indigenisation and Globalisation, Markets, Festivals, Diasporas, urban culture and politics. Each theme focuses on ideas, issues and some specific arts practices, drawing examples from a few localities. Art and Life in Melanesia is based n many years of research in the region and will be an extremely welcome and timely addition to the publishing on this subject." --Dust jacket.

A colourful introduction to New Zealand's leading art gallery.