Farah's Guide 12th printing has 556 pages, lists 2745 printings of Nancy Drew between 1930 and 1979, including prices on each book and dust jacket. It contains more than 135 photos of the authors and illustrators, models used for the covers, Nancy Drew collectibles and the oddest items associated with the series. For example, the Guide includes a photo of the ledger page used by Mildred Benson to record her sale of the first Nancy Drew story, a copy of the contract between Benson and the Syndicate for Volume #5, copies of letters between Harriet Adams and Mildred Benson, and between Walter Karig and Mildred Benson, and reproduces the earliest known published article mentioning the series (from 1931), among other great Drewobilia. The Guide includes biographies of Drew writers Mildred Wirt Benson, Walter Karig, Nancy Axelrad, Charles Strong, Margaret Scherf, Alma Sasse, George Waller, illustrators Bill Gillies and Rudy Nappi, and more. The front cover is, well shall we say modestly, a masterpiece.

A forensic psychiatrist’s second opinion on the conditions that led to Ernest Hemingway’s suicide, “mixing biography, literature and medical analysis” (The Washington Post). Hemingway’s Brain is an innovative biography and the first forensic psychiatric examination of Nobel Prize–winning author Ernest Hemingway. After seventeen years researching Hemingway’s life and medical history, Andrew Farah, a forensic psychiatrist, has concluded that the writer’s diagnoses were incorrect. Contrary to the commonly accepted diagnoses of bipolar disorder and alcoholism, he provides a comprehensive explanation of the medical conditions that led to Hemingway’s suicide. Hemingway received state-of-the-art psychiatric treatment at one of the nation’s finest medical institutes, but according to Farah it was for the wrong illness, and his death was not the result of medical mismanagement but medical misunderstanding. Farah argues that despite popular mythology Hemingway was not manic-depressive and his alcohol abuse and characteristic narcissism were simply pieces of a much larger puzzle. Through a thorough examination of biographies, letters, memoirs of friends and family, and even Hemingway’s FBI file, combined with recent insights on the effects of trauma on the brain, Farah pieces together this compelling alternative narrative of Hemingway’s illness, one missing from the scholarship for too long. Though Hemingway’s life has been researched extensively and many biographies written, those authors relied on the original diagnoses and turned to psychoanalysis and conjecture regarding Hemingway’s mental state. Farah has sought to understand why Hemingway’s decline accelerated after two courses of electroconvulsive therapy, and in this volume explains which current options might benefit a similar patient today. Hemingway’s Brain provides a full and accurate accounting of this psychiatric diagnosis by exploring the genetic influences, traumatic brain injuries, and neurological and psychological forces that resulted in what many have described as his tortured final years. It aims to eliminate the confusion and define for all future scholarship the specifics of the mental illnesses that shaped legendary literary works and destroyed the life of a master.

The second novel in Nuruddin Farah's Blood in the Sun trilogy, Gifts is the beguiling tale of a Somali family and the struggles of its powerful matriarch to keep it whole. Duniya is a single mother, raising twins while working as a nurse in a Mogadiscio hospital. Her self-sufficient world is rocked when her rebellious daughter brings home a mysterious foundling infant. And when Duniya accepts a ride to work from a wealthy, romantically interested family friend, her whole life is turned upside down. Meanwhile, the hospital where she works is besieged by a desperate population ravaged by war, drought, disease, and famine. Western relief agencies have invaded Somalia with their charity, and some Somalis chafe at tainted goods and the burden of debts they can never hope to repay. With lyrical, luxuriant prose, Farah weaves a spellbinding tapestry of reportage, dreams, memory, folktales, and family lore. In his hands, Duniya's tale becomes emblematic of the struggles of an entire people. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

Fifth-grader Farah Hajjar and her best friend Allie Liu are hoping to go to the Magnet Academy for their middle school years, instead of Harbortown Elementary/Middle School; but when a new girl Dana Denver starts tormenting Farah and her younger brother, Samir, she decides she can not leave Samir to face the bully alone, especially since the adults and even Allie do not seem to be taking the matter seriously--so Farah comes up with a plan, one which involves lying to those closest to her.

What happens when Americans lose their jobs? In American Made, an illuminating story of ruin and reinvention, Pulitzer Prize-winning journalist Farah Stockman gives an up-close look at the profound role work plays in our sense of identity and belonging, as she follows three workers whose lives unravel when the factory they have dedicated so much to closes down. “With humor, breathtaking honesty, and a historian’s satellite view, American Made illuminates the fault lines ripping America apart.”—Beth Macy, author of Factory Man and Dopesick Shannon, Wally, and John built their lives around their place of work. Shannon, a white single mother, became the first woman to run the dangerous furnaces at the Rexnord manufacturing plant in Indianapolis, Indiana, and was proud of producing one of the world’s top brands of steel bearings. Wally, a black man known for his initiative and kindness, was promoted to chairman of efficiency, one of the most coveted posts on the factory floor, and dreamed of starting his own barbecue business one day. John, a white machine operator, came from a multigenerational union family and clashed with a work environment that was increasingly hostile to organized labor. The Rexnord factory had served as one of the economic engines for the surrounding community. When it closed, hundreds of people lost their jobs. What had life been like for Shannon, Wally, and John, before the plant shut down? And what became of them after the jobs moved to Mexico and Texas? American Made is the story of a community struggling to reinvent itself. It is also a story about race, class, and American values, and how jobs serve as a bedrock of people’s lives and drive powerful social justice movements. This revealing book shines a light on a crucial political moment, when joblessness and anxiety about the future of work have made themselves heard at a national level. Most of all, American Made is a story about people: who we consider to be one of us and how the dignity of work lies at the heart of who we are.

From 'the most important African novelist to emerge in the past twenty-five years' (New York Review of Books) comes a novel set in Somalia and Kenya about family, freedom and loyalty When Bella, an internationally known fashion photographer, dazzling and aloof, is forced to return to Nairobi to care for her teenage niece and nephew, she feels an unfamiliar surge of protectiveness and responsibility. But when their mother unexpectedly resurfaces, reasserting her maternal rights and bringing with her a gale of chaos and confusion that mirrors the deepening political instability in the region, Bella must decide whether she can – or must – come to their rescue.

A PBS NewsHour Best Book of the Year A Publishers Weekly Best Book of the Year in Nonfiction Winner of the 2022 Phi Beta Kappa Christian Gauss Award A brilliant scholar imparts the lessons bequeathed by the Black community and its remarkable artists and thinkers. Farah Jasmine Griffin has taken to her heart the phrase "read until you understand," a line her father, who died when she was nine, wrote in a note to her. She has made it central to this book about love of the majestic power of words and love of the magnificence of Black life. Griffin has spent years rooted in the culture of Black genius and the legacy of books that her father left her. A beloved professor, she has devoted herself to passing these works and their wisdom on to generations of students. Here, she shares a lifetime of discoveries: the ideas that inspired the stunning oratory of Frederick Douglass and Malcolm X, the soulful music of Marvin Gaye and Stevie Wonder, the daring literature of Phillis Wheatley and Toni Morrison, the inventive artistry of Romare Bearden, and many more. Exploring these works through such themes as justice, rage, self-determination, beauty, joy, and mercy allows her to move from her aunt’s love of yellow roses to Gil Scott-Heron’s "Winter in America." Griffin entwines memoir, history, and art while she keeps her finger on the pulse of the present, asking us to grapple with the continuing struggle for Black freedom and the ongoing project that is American democracy. She challenges us to reckon with our commitment to all the nation’s inhabitants and our responsibilities to all humanity.

Farah Nayeri addresses the difficult questions plaguing the art world, from the bad habits of Old Masters, to the current grappling with identity politics. For centuries, art censorship has been a top-down phenomenon--kings, popes, and one-party states decided what was considered obscene, blasphemous, or politically deviant in art. Today, censorship can also happen from the bottom-up, thanks to calls to action from organizers and social media campaigns. Artists and artworks are routinely taken to task for their insensitivity. In this new world order, artists, critics, philanthropists, galleries and museums alike are recalibrating their efforts to increase the visibility of marginalized voices and respond to the people’s demands for better ethics in art. But what should we, the people, do with this newfound power? With exclusive interviews with Nan Goldin, Sam Durant, Faith Ringgold, and others, Nayeri tackles wide-ranging issues including sex, religion, gender, ethics, animal rights, and race. By asking and answering questions such as: Who gets to make art and who owns it? How do we correct the inequities of the past? What does authenticity, exploitation, and appropriation mean in art?, Takedown provides the necessary tools to navigate the art world.

Sunshine Girl needs math lessons… Nineteen-year-old Tara Muvvala didn’t mean to lead a double life. But her bone-deep aversion to math + a soul-deep desire to please her mother = her failing math grade + exploding food vlog ‘this masala life’. Enter her mother’s research intern and resident math genius Farah Ahmed. Tara makes a deal with Farah - help her pass the math course and she’ll welcome Farah into the local Bollywood Drama & Dance Society. Grumpy girl gets life lessons… After losing her mom to a heart attack, dumping her small-minded boyfriend (she’s bisexual, not confused) and reluctantly moving to the US to be near her dad - all in the span of eighteen months, twenty-three-year-old Farah has hit the full quota on LIFE. Two things keep her going - her internship with a brilliant statistics professor and the possibility of meeting her dancing idol through the Bollywood Drama & Dance Society. That is, if her new hot-mess housemate will let her. Soon Tara and Farah are bonding over chicken biryani, dancing to Bollywood Beats at midnight and kissing... against all the odds. And maybe beginning to realize that while life’s even more complicated than math, love is the one variable that changes everything! Will they realize that together they have the recipe for a Happily Ever After?

When her little brother faces a lengthy stay in the hospital, Farah is sent visit her grandmother in Florida. Sitti Fayrouz doesn't speak much English, and she has lots of rules. She thinks rocks are dirty, that towels need to hang a certain way, and that hummus must be scooped from the side of the plate. Even worse, Farah managed to make an enemy out of one of her grandmother's neighbors--before she even arrived in Florida! Will Farah find a way to have fun being the only kid in a retirement community, or will she spend the trip worrying about her brother and counting the days until she can go home? Readers will love the fourth book in this series about a strong Palestinian-American girl.