The British author shares the “strange . . . inner layers of his playful, guilty imagination” in this glimpse into a brilliant novelist’s subconscious (The New York Times). Culled from nearly eight hundred pages of the author’s “dream diaries” kept between 1965 and 1989, this singular journal reveals “the feverish inner life of an intensely private man, providing an uncanny mirror-image of [his] novelistic obsessions, insecurities, and moral preoccupations” (Publishers Weekly). In what Greene calls My Own World—as opposed to the Common World of shared reality—he accompanies Henry James on a disagreeable riverboat trip to Bogota, is caught in a guerilla crossfire with Evelyn Waugh and W. H. Auden, strolls in the Vatican garden with Pope John Paul II who’s doling out Perugina chocolates like hosts, offers refuge to a suicidal Charlie Chaplin, and stages a disastrous play in blank verse for Elizabeth Taylor and Richard Burton. He also shares his headspace with Goebbels, Castro, Cocteau, Queen Elizabeth, D. H. Lawrence, and talking kittens. And the landscape is just as wide: from Nazi Germany to Haiti to West Africa to Bethlehem 1 AD and to Sweden where he seeks treatment for leprosy. Greene is a criminal, spy, lover, assassin, witness, and writer. Encompassing life, death, war, feuds, and career, and alternately absurdist, frightening, funny, and revealing, these fertile imaginings—many of which found their way into Greene’s fiction—comprise nothing less than “an alternate autobiography . . . a uniquely candid self-portrait” of one of the giants of English literature (Kirkus Reviews).

"Faces in the Fire, and Other Fancies" by Frank Boreham is a book that covers essays on theological topics as well as plain human interest topics. The author presents common events that teach deep, spiritual truths. Excerpt: "It was a chilling experience, that first glimpse of New Zealand! Hour after hour the great ship held on her way up the Cook Straits amidst scenery that made me shudder and that scowled me out of countenance. Rugged, massive, inhospitable, and bare, how sternly those wild and mountainous landscapes contrasted with the quiet beauty that I had surveyed from the same decks as the ship had dropped down Channel! I shaded my eyes with my hands and swept the strange horizon at every point, but nowhere could I see a sign of habitation—no man; no beast; no sheltering roof; no winding road; no welcoming column of smoke! And when, in the twilight of that still autumn evening, I at length descended the gangway, and set foot for the first time on the land of my adoption, I found myself—twelve thousand miles from home—in a country in which not a soul knew me, and in which I knew no single soul. It was not an exhilarating sensation."

A captivating chronicle of building in modern-day Charleston, making a case for architecture based on historical precedent, local context, and the ability to delight Charleston, South Carolina, which boasts America's first historic district, is known for its palmetto-lined streets and picturesque houses. The Holy City, named for its profusion of churches, exudes an irresistible charm. Award-winning author and cultural critic Witold Rybczynski unfolds a series of stories about a group of youthful architects, builders, and developers based in Charleston: a self-taught home builder, an Air Force pilot, a fledgling architect, and a bluegrass mandolin player. Beginning in the 1980s, this cast of characters, exercising a kind of amateur mastery, produced an eclectic array of buildings inspired by the past--including a domed Byzantine drawing room, a fanciful medieval castle, a restored freedman's cottage, a miniature Palladian villa, and a contemporary Mediterranean street. In his careful profiles of these protagonists and the challenges they have overcome in realizing their dreams, Rybczynski compellingly emphasizes the importance of architecture and urban design on a local level, how an old city can remake itself by invention as well as replication, and the role that individuals still play in transforming the urban landscapes around them.