“A black tide of perversity, violence, and lush writing. I loved it.” —Joe Hill A Finalist for the 2019 Shirley Jackson Award! Debut author Jennifer Giesbrecht paints a darkly compelling fantasy of revenge in The Monster of Elendhaven, a dark fantasy about murder, a monster, and the magician who loves both. The city of Elendhaven sulks on the edge of the ocean. Wracked by plague, abandoned by the South, stripped of industry and left to die. But not everything dies so easily. A thing without a name stalks the city, a thing shaped like a man, with a dark heart and long pale fingers yearning to wrap around throats. A monster who cannot die. His frail master sends him out on errands, twisting him with magic, crafting a plan too cruel to name, while the monster’s heart grows fonder and colder and more cunning. These monsters of Elendhaven will have their revenge on everyone who wronged the city, even if they have to burn the world to do it. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Mr. and Mrs. Darcy have an exceedingly passionate marriage in this continuing saga of one of the most exciting, intriguing couples in the Jane Austen Literature. As the Darcy's raise their babies, enjoy their conjugal felicity and manage the great estate of Pemberley, the beloved characters from Jane Austen's original are joined by Linda Berdoll's imaginative new creations for a compelling, sexy and epic story guaranteed to keep you turning the pages and gasping with delight. What people are saying about Mr. Darcy Takes A Wife, the bestselling Pride and Prejudice sequel. "A breezy, satisfying romance." —Chicago Tribune "While there have been other Pride and Prejudice sequels, this one, with its rich character development, has been the most enjoyable." —Library Journal "Wild, bawdy and utterly enjoyable sequel." —Booklist

Works of genre fiction are a source of enjoyment, read during cherished leisure time and in incidental moments of relaxation. This original book takes readers inside three popular genres of fiction, including crime, fantasy, and romance, to reveal how personal tastes, social connections, and industry knowledge shape genre worlds. Attuned to both the pleasure and the profession of producing genre fiction, the authors investigate contemporary developments in the field?the rise of Amazon, self-publishing platforms, transmedia storytelling, and growing global publishing conglomerates?and show how these interact with older practices, from fan conventions to writers? groups. Sitting at the intersection of literary studies, genre studies, fan studies, and studies of the book and publishing cultures, Genre Worlds considers how contemporary genre fiction is produced and circulated on a global scale. Its authors propose an innovative theoretical framework that unfolds genre fiction?s most compelling characteristics: its connected social, industrial, and textual practices. As they demonstrate, genre fiction books are not merely texts; they are also nodes of social and industrial activity involving the production, dissemination, and reception of the texts.

From #1 New York Times bestselling author Chris Colfer comes a funny, heartbreaking, unforgettable novel about friendship and fame. Cash Carter is the young, world famous lead actor of the hit television show Wiz Kids. When four fans jokingly invite him on a cross-country road trip, they are shocked that he actually takes them up on it. Chased by paparazzi and hounded by reporters, this unlikely crew takes off on a journey of a lifetime--but along the way they discover that the star they love has deep secrets he's been keeping. What they come to learn about the life of the mysterious person they thought they knew will teach them about the power of empathy and the unbreakable bond of true friendship. In this touching novel, #1 New York Times bestselling author Chris Colfer takes us on a journey full of laughter, tears, and life-changing memories.

What is fanfiction, and what is it not? Why does fanfiction matter? And what makes it so important to the future of literature? Fic is a groundbreaking exploration of the history and culture of fan writing and what it means for the way we think about reading, writing, and authorship. It's a story about literature, community, and technology—about what stories are being told, who's telling them, how, and why. With provocative discussions from both professional and fan writers, on subjects from Star Trek to The X-Files and Buffy the Vampire Slayer to Harry Potter, Twilight, and beyond, Fic sheds light on the widely misunderstood world(s) of fanfiction—not only how fanfiction is transforming the literary landscape, but how it already has. Fic features a foreword by Lev Grossman (author of The Magicians) and interviews with Jonathan Lethem, Doug Wright, Eurydice (Vivean Dean), and Katie Forsythe/wordstrings. Cyndy Aleo (algonquinrt; d0tpark3r) V. Arrow (aimmyarrowshigh) Tish Beaty (his_tweet) Brad Bell Amber Benson Peter Berg (Homfrog) Kristina Busse Rachel Caine Francesca Coppa Randi Flanagan (BellaFlan) Jolie Fontenot Wendy C. Fries (Atlin Merrick) Ron Hogan Bethan Jones Christina Lauren (Christina Hobbs/tby789 and Lauren Billings/LolaShoes) Jacqueline Lichtenberg Rukmini Pande and Samira Nadkarni Chris Rankin Tiffany Reisz Andrew Shaffer Andy Sawyer Heidi Tandy (Heidi8) Darren Wershler Jules Wilkinson (missyjack) Jen Zern (NautiBitz)

Written originally as a fanfiction for the series Twilight, the popularity of Fifty Shades of Grey has made obvious what was always clear to fans and literary scholars alike: that it is an essential human activity to read and retell epic stories of famous heroic characters. The Fanfiction Reader showcases the extent to which the archetypal storytelling exemplified by fanfiction has continuities with older forms: the communal tale-telling cultures of the past and the remix cultures of the present have much in common. Short stories that draw on franchises such as Star Trek, Star Wars, Doctor Who, James Bond, and others are accompanied by short contextual and analytical essays wherein Coppa treats fanfiction—a genre primarily written by women and minorities—as a rich literary tradition in which non-mainstream themes and values can thrive.

This unforgettable and suspenseful Star Trek: The Original Series adventure follows the Enterprise crew in a desperate rescue mission to the past to save First Officer Spock and stop the Klingons from changing the future forever. The USS Enterprise is on a peaceful mission at Starbase 12 when a bizarre cosmic phenomenon causes a Klingon ship to suddenly vanish—with Spock aboard for the ride. Spock’s last message from the Klingon ship is cryptic and frightening. The Klingons are traveling into the past, searching for the one man who holds the key to the furure. If they can kill that man, the course of history will be changed—and the Federation will be destroyed!

Mr. Darcy Takes a Wife: The sexiest Austen-inspired novel that has readers talking You thought Bridgerton was steamy? Well hold on to your bonnets! This sexy, epic, hilarious, and romantic sequel to Pride and Prejudice goes far beyond Jane Austen fanfiction to give the curious reader a titillating taste of how it would feel to be Mrs. Darcy. Every woman wants to be Elizabeth Bennet Darcy—beautiful, gracious, universally admired, strong, daring, and outspoken—a thoroughly modern woman in crinolines. And every woman will fall madly in love with Mr. Darcy—tall, dark, and handsome, a nobleman and a heartthrob whose virility is matched only by his utter devotion to his wife. Their passion is consuming and idyllic—essentially, they can't keep their hands off each other—through a sweeping tale of adventure and misadventure, human folly, and numerous mysteries of parentage. Keep your smelling salts handy: this steamy bonnet-ripper is Austen like never before. What Readers Are Saying: "I found myself up until 3AM because I couldn't stop and have read it again and again." "Who says Jane Austen can't be literate AND sexy... I just kept envisioning Colin Firth all hot and sweaty." "A lady needs to have a fan and her smelling salts at hand to read this modern day sequel to Pride and Prejudice." "This is probably my favorite feel-good book; I end up giggling in almost every chapter" "I am reading it for the 8th time since I bought it four years ago." "I laughed, I cried, and I blushed!" "It's the love story we hoped for Lizzy and Darcy. The writing is witty, the language superb and I have gone back to this book many times when I simply didn't have anything else on hand!" "If you want to know what happens to Darcy and Elizabeth after they are married and uncensored, this is the book for you!"

The Robe was the author's most successful book, going through multiple printings and remaining in the number one slot on the New York Times best seller list for almost a year. It was made into a film in which Richard Burton was the lead actor and which was nominated for a number of Academy awards. The book is a fictional telling of the story of the aftermath of the crucifixion of Jesus through the experiences of the Roman tribune Marcellus Gallio, who carried out the crucifixion, and his Greek slave Demetrius. Gallio wins the Robe through a toss of the dice and it comes to have an impact on his thinking and his life. Lloyd C. Douglas was an American minister and author born in Indiana in 1877. He was married and had two children. He did not write his first novel until the age of 50 but was considered to be one of the most popular writers of his time. His works usually had a moral and religious tone. Two of his best known works were The Robe and The Big Fisherman, which were made into major motion pictures. The Robe, written in 1942, sold over two million copies in hardcover alone. It held the number one position on the New York Times Best Seller list for over a year and remained on the list for an additional two years. The film version of The Robe hit the screen in 1953 and starred Richard Burton.

An essential introduction to a rapidly growing field of study, The Fan Fiction Studies Reader gathers in one place the key foundational texts of the fan studies corpus, with a focus on fan fiction. Collected here are important texts by scholars whose groundbreaking work established the field and outlined some of its enduring questions. Editors Karen Hellekson and Kristina Busse provide cogent introductions that place each piece in its historical and intellectual context, mapping the historical development of fan studies and suggesting its future trajectories. Organized into four thematic sections, the essays address fan-created works as literary artifacts; the relationship between fandom, identity, and feminism; fandom and affect; and the role of creativity and performance in fan activities. Considered as literary artifacts, fan works pose important questions about the nature of authorship, the meaning of “originality,” and modes of transmission. Sociologically, fan fiction is and long has been a mostly female enterprise, from the fanzines of the 1960s to online forums today, and this fact has shaped its themes and its standing among fans. The questions of how and why people become fans, and what the difference is between liking something and being a fan of it, have also drawn considerable scholarly attention, as has the question of how fans perform their fannish identities for diverse audiences. Thanks to the overlap between fan studies and other disciplines related to popular and cultural studies—including social, digital, and transmedia studies—an increasing number of scholars are turning to fan studies to engage their students. Fan fiction is the most extensively explored aspect of fan works and fan engagement, and so studies of it can often serve as a basis for addressing other aspects of fandom. These classic essays introduce the field’s key questions and some of its major figures. Those new to the field or in search of context for their own research will find this reader an invaluable resource.