A relaxing camping break for Iraqi war vet Harper Jennings and her husband takes an unpleasant turn when Harper stumbles across a dead body Harper Jennings – mother, Iraqi war vet and archaeology graduate – knows she should be counting her blessings that she’s able to enjoy a child-free camping trip with husband Hank. Hank’s recovery from a brain injury after falling from their roof is nothing short of miraculous. But . . . Harper misses baby Chloe. And she worries that, in being so wrapped up in her toddler, she’s lost her own identity. But her worries pale into insignificance when she stumbles across a body in the woods. Accident? Harper doesn’t think so, and nor does Ranger Daniels, who seems to blame local militia known as the Hunt Club – who will do anything, it seems, to protect the land they see as their birthright. Harper wonders what exactly she’s doing, in some dark state forest, tripping over corpses, when she could be at home with her little girl – but when a fellow camper’s husband goes missing, she finds herself reluctantly sucked into the hunt, and into a waking nightmare . . .

The human singing voice holds immense power - to convey mood, emotion, and identity in songs, provide music's undeniable "wow" moments, and communicate a pop song's meaning perhaps more than any other musical parameter. And unlike the other aspects of musical content - like harmony, form, melody, and rhythm, for which generations of scholars have formed sophisticated analyses - scholarly approaches to vocal delivery remain grossly underdeveloped. An exciting and much-needed new approach, A Blaze of Light in Every Word presents a systematic and encompassing conceptual model for analyzing vocal delivery. Author Victoria Malawey focuses on three overlapping areas of inquiry - pitch, prosody, and quality - while drawing on research from music theory and pedagogy as well as gender studies and philosophy to situates the sonic and material aspects of vocal delivery among broader cultural, philosophical, and anthropological approaches to voice. Malawey develops a much-needed and innovative set of analytical tools through in-depth analyses of popular song recordings in genres spanning from hip hop to death metal. A Blaze of Light in Every Word brings new clarity to the relationship between the voice's sonic content and its greater signification, helping us understand the complexity and uniqueness of singing voices.

Explores the many ways glam rock paved the way for new explorations of identity in terms of gender, sexuality, and performance

First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

THE SELLAMILLION is NOT a parody of Tolkien's THE SILMARILLION. That would be pointless because although all Tolkien fans have a copy, only three of them have read past page 40. It is, however, a parody of all that Tolkien created as he worked on LORD OF THE RINGS. The history of the elderly days. Early missing drafts of LORD OF THE RINGS. A correspondence between the author and publisher on whether it should be a Bellybutton Stud of Doom rather than a Ring of Power. An experimental version of LOTR as if written by Dr Seuss. That sort of thing. It'll be funny. Possibly hilarious. The author's told us it will be. Promised even. And he did write THE SODDIT. And that was quite funny.

Reprint of the original, first published in 1860.