Formed in 1960 in Raleigh, North Carolina, the Student Non-violent Coordinating Committee (SNCC) was a high-profile civil rights collective led by young people. For Howard Zinn in 1964, SNCC members were “new abolitionists,” but SNCC pursued radical initiatives and Black Power politics in addition to reform. It was committed to grassroots organizing in towns and rural communities, facilitating voter registration and direct action through “projects” embedded in Freedom Houses, especially in the South: the setting for most of SNCC’s stories. Over time, it changed from a tight cadre into a disparate group of many constellations but stood out among civil rights organizations for its participatory democracy and emphasis on local people deciding the terms of their battle for social change. Organizers debated their role and grappled with SNCC’s responsibility to communities, to the “walking wounded” damaged by racial terrorism, and to individuals who died pursuing racial justice. SNCC’s Stories examines the organization’s print and publishing culture, uncovering how fundamental self- and group narration is for the undersung heroes of social movements. The organizer may be SNCC’s dramatis persona, but its writers have been overlooked. In the 1960s it was assumed established literary figures would write about civil rights, and until now, critical attention has centered on the Black Arts Movement, neglecting what SNCC’s writers contributed. Sharon Monteith gathers hard-to-find literature where the freedom movement in the civil rights South is analyzed as subjective history and explored imaginatively. SNCC’s print culture consists of field reports, pamphlets, newsletters, fiction, essays, poetry, and plays, which serve as intimate and illuminative sources for understanding political action. SNCC's literary history contributes to the organization's legacy.

When John Calvin Marshall graduated from Harvard in 1956, he was prepared for a life of teaching and relative tranquility. But history had another plan for him: here, a veteran author re-envisions the Martin Luther King Jr. story in fearful, exciting, and violent terms. Political and provocative, And All Our Wounds Forgiven is both a compelling political fable and a striking and tender love story about one of this century's most charismatic black leaders and the two women he loved.

Welcome to a ‘perfect’ world. Where war is illegal, where harmony rules. And where your date of birth marks your destiny. But nothing is perfect. And in a world this broken, who can Amity trust? Set in a daring and distorted echo of 1940s America, Broken Sky is an exhilarating epic of deception, heartbreak and rebellion.

Mircea Eliade's journal of the years 1957-1969, originally published in English under the title No Souvenirs, is the testimony of a "wandering scholar" caught between three worlds: his native Romania, the France he fled to, and his last homeland, the United States. The journal is filled with his work, dreams, memories of his youth, stories of his travels, the reflections of each day.

From the author of "Lovesong: Becoming a Jew" comes this provocative new novel that asks the question: If God exists, then how could he allow the Holocaust to happen?

"Organized into six accessible, easy-to-navigate sections, The Way of the Writer is both a literary reflection on the creative impulse and a utilitarian guide to the writing process. Johnson shares his lessons and exercises from the classroom, starting with word choice, sentence structure, and narrative voice, and delving into the mechanics of scene, dialogue, plot and storytelling before exploring the larger questions at stake for the serious writer. What separates literature from industrial fiction? What lies at the heart of the creative impulse? How does one navigate the literary world? And how are philosophy and fiction concomitant?"--Publisher information.

Belligerent liked to think that he could save himself, and when he realized he couldnt, he liked to think that nobody could save him. Sieve was a man defeated by hubris, for he had no pride in himself. Mondegreen was but a memory and a hopePorphyry a girl destined for tragedy. Perfidious was a man who preferred being broken, and Sam was just a man. Mr. Wightthe mysterious Mr. Wightwho is to say what he wasor is? These are the people who resided beneath a broken sky, and this is the story of their travels.

Reports of the Incidents of fall of large ice blocks from the sky have been appearing in media since times. These ice chunks, also known as “Blue ice” or “Aircraft Ice” happen to be the frozen mixture of human bio-waste and liquid disinfectant, that emerge in the form of the leakage from the defective toilet lines from a commercial airliner or any other transport category aircraft carrying passengers. The book gives an account of more than 600 such cases of ice fall worldwide extracted from various languages. Many people believe that the colour of ice blocks fallen from the aircraft toilets must be Blue or Green, but as a matter of fact, it could be of any colour, blue, green, yellowish, rusty, muddy, ash, white, dirty, or colourless. These ice blocks are potential hazards that are likely to endanger the lives and properties on the ground. As, the incidents are generally viewed from the perspective of weather and therefore, no preventive measures are contemplated against them. However, a majority of them are actually found to be aviation-related, and thus there appears to be some possibility of minimising them provided appropriate precautionary measures are taken and implemented in the matter by the airlines, regulatory authorities for aviation and other concerned. "This is the first occasion that a book on the topic of ice-fall from the sky has been written by an aviation expert, who has done it after conducting high-quality research work considering various aeronautical aspects as well as the facts & figures related to aviation - Satendra Singh, Former DGCA, India"

In a world of supercomputers, genetic engineering, and fiber optics, technological creativity is ever more the key to economic success. But why are some nations more creative than others, and why do some highly innovative societies--such as ancient China, or Britain in the industrial revolution--pass into stagnation? Beginning with a fascinating, concise history of technological progress, Mokyr sets the background for his analysis by tracing the major inventions and innovations that have transformed society since ancient Greece and Rome. What emerges from this survey is often surprising: the classical world, for instance, was largely barren of new technology, the relatively backward society of medieval Europe bristled with inventions, and the period between the Reformation and the Industrial Revolution was one of slow and unspectacular progress in technology, despite the tumultuous developments associated with the Voyages of Discovery and the Scientific Revolution. What were the causes of technological creativity? Mokyr distinguishes between the relationship of inventors and their physical environment--which determined their willingness to challenge nature--and the social environment, which determined the openness to new ideas. He discusses a long list of such factors, showing how they interact to help or hinder a nation's creativity, and then illustrates them by a number of detailed comparative studies, examining the differences between Europe and China, between classical antiquity and medieval Europe, and between Britain and the rest of Europe during the industrial revolution. He examines such aspects as the role of the state (the Chinese gave up a millennium-wide lead in shipping to the Europeans, for example, when an Emperor banned large ocean-going vessels), the impact of science, as well as religion, politics, and even nutrition. He questions the importance of such commonly-cited factors as the spill-over benefits of war, the abundance of natural resources, life expectancy, and labor costs. Today, an ever greater number of industrial economies are competing in the global market, locked in a struggle that revolves around technological ingenuity. The Lever of Riches, with its keen analysis derived from a sweeping survey of creativity throughout history, offers telling insights into the question of how Western economies can maintain, and developing nations can unlock, their creative potential.

In late twentieth-century America, the black middle class has occupied a unique position. It greatly influenced the way African Americans were perceived and presented to the greater society, and it set roles and guidelines for the nation's black masses. Though historically a small group, it has attempted to be a model for inspiration and uplift. As a key force in the "Africanizing" of American culture, the black middle class has been both a shaper and a mirror during the past three decades. This study of that era shows that the fruits of integration have been at once sweet and bitter. This history of a pivotal group in American society will cause reflection, discussion, and debate.