A governess must return to the Cornish coast amid the insidious rumors of murder that forced her away in this Regency romance. Set in the same time period as Poldark and Bridgerton, The Governess of Penwythe Hall is rich with family secrets, lingering danger, and the captivating allure of new love. Cornwall, England, 1811: Blamed for her husband’s death, Cordelia Greythorne fled Cornwall and accepted a governess position to begin a new life. Years later her employer’s unexpected death and his last request for Delia to watch over his five children force her to reevaluate. She can’t abandon the children now that they’ve lost both parents, but their new guardian lives at the timeworn Penwythe Hall . . . back on the Cornish coast where she’s been warned never to return. Bachelor Jac Twethewey is determined to revive Penwythe Hall’s once-flourishing apple orchards, and he’ll stop at nothing to see his struggling estate profitable again. He hasn’t heard from his elder brother in years, so when his nieces, nephews, and their governess arrive unannounced, he battles both grief at his brother’s death and bewilderment over this sudden responsibility. Jac’s priorities shift as the children take up residence in the ancient halls, but their secretive governess—and the sinister mysteries shrouding her past—might be the end to both Jac and Delia’s carefully laid plans. Praise for The Governess of Penwythe Hall: “Brimming with dangerous secrets, rich characters, and the hauntingly beautiful descriptions Sarah Ladd handles so well, 1800s Cornwall is brought vividly to life in this well-crafted tale that kept me glued to the pages. What a brilliant start to a new series!”—Abigail Wilson, author of Masquerade at Middlecrest Abbey “Absolutely captivating! Once I started reading, I couldn’t put down The Governess of Penwythe Hall. This blend of Jane Eyre, Jane Austen, and Jamaica Inn has it all. Intrigue. Danger. Poignant moments. And best of all a sweet, sweet love story. This is by far my favorite Sarah Ladd book. Don’t hesitate to snatch up this title!”—Michelle Griep, Christy Award–winning author Full-length Regency romance First book in the Cornwall novels (The Governess of Penwythe Hall, The Thief of Lanwyn Manor, and The Light at Wyndcliff), but can be read as a stand-alone story Book length: 94,000 words Includes discussion questions for book clubs

A penniless governess and the dour Laird of Ardmore. Lydia Farnham must travel to a remote Scottish island to work for widower Alasdair MacDonald, who doesn’t trust her or her unconventional teaching methods! Yet as his daughter flourishes, so too does the intense connection between Lydia and Alasdair. Only she should know better than to fall for the handsome laird when it could leave her without a job, or a home… Mills & Boon Historical — Your romantic escape to the past.

The supremely talented Margo Maguire brings us Seducing the Governess—the first in her lush historical series set in England’s colorful Regency Era, featuring the lost heiresses of a powerful duke and their surprising discoveries of fortune, passion, and romance. A thrilling, emotionally rich love story in the vein of Liz Carlyle and Julia London, Seducing the Governess brings a beautiful young lady into the crumbling estate of a tormented, vengeance-seeking earl, forcing him to choose between his duty and his desire.

New York Times and USA Today Bestseller He’s been a bad, bad rake—and it takes a governess to teach him a lesson The accidental governess After her livelihood slips through her fingers, Alexandra Mountbatten takes on an impossible post: transforming a pair of wild orphans into proper young ladies. However, the girls don’t need discipline. They need a loving home. Try telling that to their guardian, Chase Reynaud: duke’s heir in the streets and devil in the sheets. The ladies of London have tried—and failed—to make him settle down. Somehow, Alexandra must reach his heart . . . without risking her own. The infamous rake Like any self-respecting libertine, Chase lives by one rule: no attachments. When a stubborn little governess tries to reform him, he decides to give her an education—in pleasure. That should prove he can’t be tamed. But Alexandra is more than he bargained for: clever, perceptive, passionate. She refuses to see him as a lost cause. Soon the walls around Chase’s heart are crumbling . . . and he’s in danger of falling, hard.

Worlds lie between the marketplaces of India and the halls of a magnificent country estate like Highland Hall. Will Julia be able to find her place when a governess is neither upstairs family nor downstairs help? Missionary Julia Foster loves working alongside her parents, ministering and caring for young girls in India. But when the family must return to England due to illness, she readily accepts the burden for her parents’ financial support. Taking on a job at Highland Hall as governess, she quickly finds that teaching her four privileged, ill-mannered charges at a grand estate is more challenging than expected, and she isn’t sure what to make of the estate’s preoccupied master, Sir William Ramsey. Widowed and left to care for his two young children and his deceased cousin Randolph’s two teenage girls, William is consumed with saving the estate from the financial ruin. The last thing he needs is any distraction coming from the kindhearted-yet-determined governess who seems to be quietly transforming his household with her persuasive personality, vibrant prayer life, and strong faith. While both are tending past wounds and guarding fragile secrets, Julia and William are determined to do what it takes to save their families—common ground that proves fertile for unexpected feelings. But will William choose Julia’s steadfast heart and faith over the wealth and power he needs to secure Highland Hall’s future?

A duke's governess, a gentleman scientist, and a castle full of flowers is the perfect setting for a summer romance. As the new governess to the duke's family, Alice Sharpe must learn to control her impulsive ways. Employment in the duke's household is a once in a lifetime opportunity, and could mean living in comfort the rest of her days. Unfortunately, her first encounter with the duke's neighbor, a handsome scientist, proves she may not be ready for the austere role of governess. Rupert Gardiner has one goal: to have his work in botany published by the Royal Society. He is fortunate that his neighbor, the duke, believes in him and enlists Rupert to make a record of all the flora on the castle grounds. But Miss Sharpe's spontaneity and continual appearance during his work is a rather annoying distraction. At least, that's what he tells himself. While Alice struggles to adapt to her new role, constantly battling who she is and the person she believes she must become, she cannot help but admire Rupert's intelligence and focus. The more often they fall in together, the more her admiration deepens. But could a gentleman such as he ever fall in love with the governess? As the first stand-alone novel in a new series by author Sally Britton, this story begins the Clairvoir Castle romances. This is a light-hearted series set in the Regency period. Sally Britton's other works include: The Inglewood Romances: Rescuing Lord Inglewood Discovering Grace Saving Miss Everly Engaging Sir Isaac Reforming Lord Neil and her seven novels in the Branches of Love Series.

Publishers Weekly Best Books in Fiction 2018 The sensational US debut of a major French writer—an intense, delicious meringue of a novella In a large country house shut off from the world by a gated garden, three young governesses responsible for the education of a group of little boys are preparing a party. The governesses, however, seem to spend more time running around in a state of frenzied desire than attending to the children’s education. One of their main activities is lying in wait for any passing stranger, and then throwing themselves on him like drunken Maenads. The rest of the time they drift about in a kind of sated, melancholy calm, spied upon by an old man in the house opposite, who watches their goings-on through a telescope. As they hang paper lanterns and prepare for the ball in their own honor, and in honor of the little boys rolling hoops on the lawn, much is mysterious: one reviewer wrote of the book’s “deceptively simple words and phrasing, the transparency of which works like a mirror reflecting back on the reader.” Written with the elegance of old French fables, the dark sensuality of Djuna Barnes and the subtle comedy of Robert Walser, this semi-deranged erotic fairy tale introduces American readers to the marvelous Anne Serre.

The first of a brand new series by the author of Sons of the Marquess. When Mr Edmund Winterton of Woodside dies, his daughters find themselves penniless and homeless. What can they do? Unless they wish to live on charity, they will have to find genteel employment for themselves. Annabelle becomes governess to the daughters of the recently bereaved Earl of Brackenwood. She has no idea how to teach, but her pupils can learn all they need from books, so how difficult can it be? She'll need all her ingenuity to cope with the rebelliousness of her charges, and the unwanted attentions of their father. But when her past returns to haunt her, she has to make a difficult decision. Allan is slowly getting used to life as a widower, but his mother is determined that he must marry again and produce an heir. He is determined that he won't, although the new governess is just the sort of woman he could fall in love with. But when a face from long ago reappears and stirs up suspicion, he has to consider the possibility that his wife's death was not natural. What is worse, he himself is the obvious suspect. If he can't prove his innocence, he may lose everything - his home, his new love and even his life. A traditional Regency romance, drawing room rather than bedroom.

A paradox haunts the bildungsroman: few protagonists successfully complete the process of maturation and socialization that ostensibly defines the form. From the despondent endings of Dickens’s Great Expectations and Meredith’s The Ordeal of Richard Feverel to the suicide of Balzac’s Lucien de Rubempré and the demise of Eliot’s Maggie and Tom Tulliver, the nineteenth-century bildungsroman offers narratives of failure, paralysis, and destruction: goals cannot be achieved, identities are impossible to forge, and the narrative of socialization routinely crumbles. Examining the novels of Stendhal, Honoré de Balzac, Charles Dickens, Charlotte Brontë, Henry James, Samuel Butler, James Joyce, and Marcel Proust, Falling Short reveals not only a crisis of character development but also a crisis of plotting and narrative structure. From the inception of literary realism in the 1830s to the height of modernism a century later, the bildungsroman presents itself as a key symptom of modern Europe’s inability to envision either coherent subjectivity or successful socialization. Rather than articulating an arc of personal development, Stević argues, the bildungsroman tends to condemn its heroes to failure because our modern understanding of both individual subjectivity and social success remains riddled with contradictions. Placing primary texts in conversation with the central historical debates of their time, Falling Short offers a revisionist history of the realist and modernist bildungsroman, unearthing the neglected role of defeat in the history of the genre.

MYRNA McBRIDE IS HEADING TOWARD HER FUTURE When her train derails in Hillsdale, Michigan, a wealthy stranger offers her shelter—and a position in his household. Grateful yet wary of the mysterious man, Myrna must guard her secrets—and her heart. Returning home upon his brother's death, Dalton Freed is now heir to a grand estate and guardian to his niece. Dalton desperately needs Myrna's help. But even as he looks forward to seeing the beautiful governess each day, he suspects she's keeping secrets. Can she ever earn Dalton's trust and bring light and laughter back to his life?