In this study, which is first of all a folk-lore study, we pursue principally an anthropo-psychological method of interpreting the Celtic belief in fairies, though we do not hesitate now and then to call in the aid of philology; and we make good use of the evidence offered by mythologies, religions, metaphysics, and physical sciences.

Running with the Fairies: Towards a Transpersonal Anthropology of Religion is a unique account of the living spirituality and mysticism of fairyfolk in Ireland. Fairyfolk are fairyminded people who have had direct experiences with the divine energy and appearance of fairies, and fairypeople, who additionally know that they have been reincarnated from the Fairy Realm. While fairies have been folklore, superstition, or fantasy for most children and adults, now for the first time in a scholarly work, highly educated persons speak frankly about their religious/spiritual experiences, journeys, and transformations in connection with these angel-like spirit beings. Set in academic and popular historical perspectives, this first scholarly account of the Fairy Faith for over a hundred years, since believer Evans-Wentz’s 1911 published doctoral dissertation The Fairy-Faith in Celtic Countries, integrates a participatory, “going native” anthropology with transpersonal psychology. Providing extensive verbatim interviews and discussions, this path-breaking work recognizes the reality of nature spirit beings in a Western context. Through intensive on-site fieldwork, the PhD cultural anthropologist author discovers, describes and interviews authentic mystics aligned with these intermediary deific beings. With an extensive introduction placing fairies in the context of the anthropology of religion, animism, mysticism, and consciousness, this daring ethnography considers notions of “belief”, “perception”, and spiritual “experience”, and with intricate detail extends the focus of anthropological research on spirit beings which previously have been considered as locally real only in indigenous and Eastern cultures.

Fairies, unruly women, and vestigial Catholicism constituted a frequently invoked triad in late sixteenth- and early seventeenth-century drama which has seldom been critically examined and therefore constitutes a significant lacuna in scholarly treatments of early modern theater, including the work of Shakespeare. Fairy tradition has lost out in scholarly critical convention to the more masculine mythologies of Christianity and classical Greece and Rome, in which female deities either serve masculine gods or are themselves masculinized (i.e., Diana as a buckskinned warrior). However, the fairy tradition is every bit as significant in our critical attempts to situate early modern texts in their historical contexts as the references to classical texts and struggles associated with state-mandated religious beliefs are widely agreed to be. fairy, rebellious woman, quasi-Catholic trio repeatedly stages resistance to early modern conceptions of appropriate class and gender conduct and state-mandated religion in A Midsummer Night's Dream, The Merry Wives of Windsor, Cymbeline, All's Well That Ends Well, and Ben Jonson's The Alchemist.

Starting from the assumption of a far greater cultural gulf between the learned and the lay in the medieval world than between rich and poor, Elf Queens explores the church's systematic campaign to demonize fairies and infernalize fairyland and the responses this provoked in vernacular romance.

Happily Ever After? Once upon a time, Rachel and Kirsty were excited to attend the special Fairy Tale Festival at TipTop Castle. But when Jack Frost steals the Fairytale Fairies' magic items, stories everywhere get all jumbled up. Even worse, characters from inside the books are coming to life and finding their way into the human world! Rachel and Kirsty are headed to a Fairy Tale-themed ball. But first, they have to track down Faith's magic glass slipper-or the dance will be a disaster, and Cinderella will be stranded! Find the special fairy object in each book and help save the Fairy Tale Magic!

Dixie is a fairy who is afraid to fly. It doesn't help that all the other fairies in the Land-of-Pixie have four wings while she has only two. Then one day a bumblebee finds himself in trouble and it's up to Dixie to help him. Will she be able to "rise above" and overcome her fears?

The subject of fairies in Celtic cultures is a complex one that seems to endlessly intrigue people. What exactly are fairies? What can they do? How can we interact with them? Answering these questions becomes even harder in a world that is disconnected from the traditional folklore and flooded with modern sources that are often vastly at odds with the older beliefs. This book aims to present readers with a straightforward guide to the older fairy beliefs, covering everything from Fairyland itself to details about the beings within it. The Otherworld is full of dangers and blessings, and this guidebook will help you navigate a safe course among the Good People.

The authorities told folk what they ought to believe, but what did they really believe? Throughout Scottish history, people have believed in fairies. They were a part of everyday life, as real as the sunrise, and as incontrovertible as the existence of God. While fairy belief was only a fragment of a much larger complex, the implications of studying this belief tradition are potentially vast, revealing some understanding of the worldview of the people of past centuries. This book, the first modern study of the subject, examines the history and nature of fairy belief, the major themes and motifs, the demonising attack upon the tradition, and the attempted reinstatement of the reality of fairies at the end of the seventeenth century, as well as their place in ballads and in Scottish literature.

It's an absorbing introduction to the lore of Albion, but readers will also enjoy teasing out similarities between these tales and more familiar ones." — Publishers Weekly Perilous quests, true love, and animals that talk: The traditional stories of Ireland, Scotland, Brittany, and Wales transport us to the fantastical world of Celtic folklore. • This Celtic mythology book features 16 stores that were translated and transcribed by folklorists in the late 19th and 20th centuries that focus on themes such as Tricksters, The Sea, Quests, and Romance and mythological creatures. • These timeless tales brim with wit and magic, and each one is brought to life with elegant silhouette art in this special illustrated edition • Celtic Tales is an extraordinary collection that conjures forgotten realms and rare magical creatures in vivid prose Discover the impactful and stunning illustrations by Kate Forrester in this special edition that is sure to impress any true fan of cultural and mythological literature. Discover delightfully entertaining tales such as Master and Man, The Soul Cages, The Red-Etin, and The Witch of Lok Island. Celtic Tales makes an impressive gift for any fan of greek mythology, roman mythology, Chinese mythology, and folklore and cultural studies from around the globe.

Don’t be fooled by Tinkerbell and her pixie dust—the real fairies were dangerous. In the late seventeenth century, they could still scare people to death. Little wonder, as they were thought to be descended from the Fallen Angels and to have the power to destroy the world itself. Despite their modern image as gauzy playmates, fairies caused ordinary people to flee their homes out of fear, to revere fairy trees and paths, and to abuse or even kill infants or adults held to be fairy changelings. Such beliefs, along with some remarkably detailed sightings, lingered on in places well into the twentieth century. Often associated with witchcraft and black magic, fairies were also closely involved with reports of ghosts and poltergeists. In literature and art, the fairies still retained this edge of danger. From the wild magic of A Midsummer Night’s Dream, through the dark glamour of Keats, Christina Rosetti’s improbably erotic poem “Goblin Market,” or the paintings inspired by opium dreams, the amoral otherness of the fairies ran side-by-side with the newly delicate or feminized creations of the Victorian world. In the past thirty years, the enduring link between fairies and nature has been robustly exploited by eco-warriors and conservationists, from Ireland to Iceland. As changeable as changelings themselves, fairies have transformed over time like no other supernatural beings. And in this book, Richard Sugg tells the story of how the fairies went from terror to Tink.