The master of wit and irony Published here alongside their evocative original illustrations, these fairy tales, as Oscar Wilde himself explained, were written “partly for children, and partly for those who have kept the childlike faculties of wonder and joy.”

When best friends Jenny and Addie start sixth grade, Jenny quickly discovers that Addie is interested in joining the Pops, the coolest seventh grade clique in school.

Wilde's tales are adapted into a comic book format and use fairy tale elements and Christian symbolism.

Wilde's tales are adapted into a comic book format and use fairy tale elements and Christian symbolism.

P. Craig Russell, the artist best known for adapting literary works to comics, applies his legendary talents to Conan in this adaptation of Robert E. Howard's "The Jewels of Gwahlur," one of Conan's last adventures before becoming king. A young woman, having made a string of bad choices, finds herself the pawn of mercenaries-one of which is Conan of Cimmeria. As the former dancing girl poses as the dead oracle of a primitive cult, Conan puts his experience as a thief and a soldier together in pursuit of some of the most prized jewels in the world-the Teeth of Gwahlur! Featuring a sixteen-page sketchbook and an interview with Russell covering his career and creative process on this book, this handsome book not only highlights one of fantasy art's greatest living talents, it shows once again that Howard's original Conan tales remain unsurpassed.

Oscar Wilde's two collections of children's literature, The Happy Prince and Other Stories (1888) and A House of Pomegranates (1891), have often been marginalised in critical accounts as their apparently conservative didacticism appears at odds with the characterisation of Wilde as an amoral aesthete. In this, the first full-length study of Wilde's fairy tales for children, Jarlath Killeen argues that Wilde's stories are neither uniformly conservative nor subversive, but a blend of both. Killeen contends that while they should be read in relation to a literary tradition of fairy tales that emerged in nineteenth century Europe; Irish issues heavily influenced the work. These issues were powerfully shaped by the 'folk Catholicism' Wilde encountered in the west of Ireland. By resituating the fairy tales in a complex nexus of theological, political, social, and national concerns, Killeen restores the tales to their proper place in the Wilde canon.

In the ancient Scottish ballad "Tam Lin," headstrong Janet defies Tam Lin to walk in her own land of Carterhaugh . . . and then must battle the Queen of Faery for possession of her lover’s body and soul. In this version of "Tam Lin," masterfully crafted by Pamela Dean, Janet is a college student, "Carterhaugh" is Carter Hall at the university where her father teaches, and Tam Lin is a boy named Thomas Lane. Set against the backdrop of the early 1970s, imbued with wit, poetry, romance, and magic, Tam Lin has become a cult classic—and once you begin reading, you’ll know why. This reissue features an updated introduction by the book’s original editor, the acclaimed Terri Windling.

In this new edition, which contains all of Wilde's fairy tales, his rich prose is evoked beautifully with the sumptuous, intricate work of artist Isabelle Brent.

Oscar Wilde, playwright, poet, and man of letters, also wrote some of the most beautiful fairy tales of the Victorian era. This spectacular volume includes the complete tales, luminously illustrated with richly patterned borders accented in gold. Full-color illustrations.