The common lament was Broadway will never be the same! when My Fair Lady finally ended its stellar run the night of Sunday, September 30, 1962. Millions of people had seen the show over six years and had helped break box-office records, even though Rex Harrison, Julie Andrews, Stanley Holloway, and Robert Coote did not stay with the cast throughout the six-year run. MyFair Lady used the substance and wit of George Bernard Shaw to add a new dimension to the Broadway libretto.

Pygmalion is a play by George Bernard Shaw, named after a Greek mythological figure. It was first presented on stage to the public in 1913.

The fantasy of a male creator constructing his perfect woman dates back to the Greek myth of Pygmalion and Galatea. Yet as technology has advanced over the past century, the figure of the lifelike manmade woman has become nearly ubiquitous, popping up in everything from Bride of Frankenstein to Weird Science to The Stepford Wives. Now Julie Wosk takes us on a fascinating tour through this bevy of artificial women, revealing the array of cultural fantasies and fears they embody. My Fair Ladies considers how female automatons have been represented as objects of desire in fiction and how “living dolls” have been manufactured as real-world fetish objects. But it also examines the many works in which the “perfect” woman turns out to be artificial—a robot or doll—and thus becomes a source of uncanny horror. Finally, Wosk introduces us to a variety of female artists, writers, and filmmakers—from Cindy Sherman to Shelley Jackson to Zoe Kazan—who have cleverly crafted their own images of simulated women. Anything but dry, My Fair Ladies draws upon Wosk’s own experiences as a young female Playboy copywriter and as a child of the “feminine mystique” era to show how images of the artificial woman have loomed large over real women’s lives. Lavishly illustrated with film stills, artwork, and vintage advertisements, this book offers a fresh look at familiar myths about gender, technology, and artistic creation.

Eleanor of Provence, child bride, loving wife, loving mother of Edward Longshanks. Eleanor, hated queen, despised for her spendthrift ways, pelted by the mob. Eleanor, foe of the unnerving, unsettling warrior Simon de Montfort and his barons, who threaten her husband's reign...and life Eleanor, taking vows in a convent in Amesbury, where she vanished from history, even her grave lost in time....

The text of the Broadway musical adapted from George Bernard Shaw's Pygmalion.

Every fantasy epic ends with a war. But what happens when the war is over? After posing as a man to join the army, Jenner Faulds returns home to The Feld for a new start as a "Fairman's a specially licensed private investigator. But sexism didn't end on the battlefield, and as the only "Fairlady," Jenner gets stuck with the cases nobody else wants. Hitting the streets to solve The Feld's overlooked mysteries, Jenner finds that the smallest cases hide the biggest secrets. Collects FAIRLADY #1-5

When a Fairman is declared dead after a mishap with a dragon, his widow hires Jenner Faulds the land's only Fairlady to prove otherwise. Jenner's investigation will bring her head-to-head with the local constabulary, surly Fairmen, and deadly black marketeers.

This book was written in deep thoughts and desire of one’s true self, in dreams, in memories, in wishes. My true loyalty to God, to nature, to moving oceans centered in the mist of a black universe. Cameo, a carved seashell, pink on white, trimmed with gold. Carved by man to show a beautiful reflection of a woman. Mother, daughter, sister, and young child. I was born aside the ocean. I lived most of my life by the ocean and someday to be lain down in ashes back to the ocean. I hope you all enjoy this book of poems.