This is the first book by a founding member of Little River Band: the first Australian band to achieve a gold album in the US. 'Every Day of My Life' tells the remarkable tale of how Beeb Birtles, David Briggs, Graeham Goble, George McArdle, Derek Pellicci and Glenn Shorrock conquered the world - and then lost their band. The book also documents how a young Dutch boy named Gerard Bertelkamp arrived in Adelaide, unable to speak English, and ended up in not one but two major bands: Zoot (with Darryl Cotton and Rick Springfield) and Little River Band (with Glenn Shorrock and later John Farnham). As the title suggests, Every Day of My Life is an intensely personal journey. Beeb Birtles might have lost his band but he discovered many other things along the way. LRB's hits include 'Reminiscing', 'Help Is On Its Way', 'Lonesome Loser', 'The Night Owls', 'It's a Long Way There', 'Cool Change', 'Happy Anniversary', 'Lady', 'Curiosity (Killed the Cat)', 'Witchery', and 'Every Day of My Life'. Due to a bizarre copyright case, Beeb Birtles can no longer make music as Little River Band. But he can tell their incredible story - and his own incredible story.

Every Day and Every Way—For Teaching Holidays and Special Days is a quick-reference mini-unit resource and activity book. It is designed for use by classroom teachers, curriculum coordinators and principals. Each mini-unit can readily be converted into a workable lesson plan. As a practicing educator you are well aware of the excitement and spirit that are usually generated in the classroom when holidays, festivals and special days are appropriately observed. Now, more than ever, educators like yourself are beginning to realize that the celebration or remembrance of a special event, historical anniversary or birthday can readily become a catalyst for integrating positive citizenship themes into the instructional program. You will find that your students will enjoy learning about the early origins of special holidays. They will be enriched by the tracing of their development, from past to present.

Alan Jay Lerner wrote the lyrics for some of the most beloved musicals in Broadway and Hollywood history. Most notably, with composer Frederick Loewe he created enduring hits such as My Fair Lady, Gigi, Camelot, and Brigadoon. In The Complete Lyrics of Alan Jay Lerner, editors and annotators Dominic McHugh and Amy Asch bring all of Lerner's lyrics together for the first time, including numerous draft or alternate versions and songs cut from the shows. Compiled from dozens of archival collections, this invaluable resource and authoritative reference includes both Lerner's classic works and numerous discoveries, including his unproduced MGM movie Huckleberry Finn, selections from his college musicals, and lyrics from three different versions of Paint Your Wagon. This collection also includes extensive material from Lerner's two most ambitious musicals: Love Life, to music by Kurt Weill, and 1600 Pennsylvania Avenue, which Lerner wrote with Leonard Bernstein.

Humanity must have food and drink each day in order to survival. Humanity must pause for a time of rest each day in order to maintain the strength to perform the task of the following day. Humanity must enter into some type of relationship with another person each day unless he began to feel isolated and inferior. Just as the physical and psychological aspects of man must have certain needs met each day, so must the spirit of man. We may go with the fl ow for awhile, but deep within the confi des of humanity is the soul. And that soul must experience and enjoy a renewal. Such renewal is found in a daily relationship with the Creator of life. Man must pause from his daily routine and purposefully focus on the Word of God which in turn will enrich, encourage and enable him to face each circumstance and condition that a days activities may confront him. The Bible declares, they that wait upon the Lord shall renew their strength; they shall mount up with wings as eagles; they shall run, and not be weary; and they shall walk, and not faint (Isaiah 4):31 KJV). Within the pages of this daily devotional, you will fi nd strength, stability and satisfaction awaiting you each step of every day.

(Book). Now it can be told! The true, behind-the-scenes story of Casablanca Records, from an eyewitness to the excess and insanity. Casablanca was not a product of the 1970s, it was the 1970s. From 1974 to 1980, the landscape of American culture was a banquet of hedonism and self-indulgence, and no person or company in that era was more emblematic of the times than Casablanca Records and its magnetic founder, Neil Bogart. From his daring first signing of KISS, through the discovery and superstardom of Donna Summer, the Village People, and funk master George Clinton and his circus of freaks, Parliament Funkadelic, to the descent into the manic world of disco, this book charts Bogart's meteoric success and eventual collapse under the weight of uncontrolled ego and hype. It is a compelling tale of ambition, greed, excess, and some of the era's biggest music acts.

Taking a cue from Erving Goffman’s classic work, Asylums, Tia DeNora develops a novel interdisciplinary framework for music, health and wellbeing. Considering health and illness both in medical contexts and in the often-overlooked realm of everyday life, DeNora argues that these identities are by no means mutually exclusive. Moreover, she suggests that the promotion of health and more specifically, mental health, involves a great deal more than a concern with medication, genetic predispositions, clinical and neuro-scientific procedures. Adopting a holistic, interactionist focus, Music Asylums reconnects states of wellness and wellbeing to encounters with others and - critically - to opportunities for aesthetic experience. Building on DeNora's earlier work on music as a technology of self in everyday life, the book presents music as an active ingredient of action, identity, capacity and consciousness. From there, it suggests that access to, and evaluation of, music is an important ethical matter. Intended for scholars and practitioners in psychiatry and psychology, palliative care, socio-music studies, music psychology and the allied health professions, Music Asylums showcases music's role in the existential project of being and staying well, mentally and physically, from moment-to-moment and across all realms of social life.

Why is music so important to most of us? How does music help us both in our everyday lives, and in the more specialist context of music therapy? This book suggests a new way of approaching these topical questions, drawing from Ansdell's long experience as a music therapist, and from the latest thinking on music in everyday life. Vibrant and moving examples from music therapy situations are twinned with the stories of 'ordinary' people who describe how music helps them within their everyday lives. Together this complementary material leads Ansdell to present a new interdisciplinary framework showing how musical experiences can help all of us build and negotiate identities, make intimate non-verbal relationships, belong together in community, and find moments of transcendence and meaning. How Music Helps is not just a book about music therapy. It has the more ambitious aim to promote (from a music therapist's perspective) a better understanding of 'music and change' in our personal and social life. Ansdell's theoretical synthesis links the tradition of Nordoff-Robbins music therapy and its recent developments in Community Music Therapy to contemporary music sociology and music studies. This book will be relevant to practitioners, academics, and researchers looking for a broad-based theoretical perspective to guide further study and policy in music, well-being, and health.

(Applause Books). Gathered together in one volume for the first time, here are all of the incomparable song lyrics of Irving Berlin the lyrics of more than 1,200 songs, 400 of which have never before appeared in print along with anecdotal, historical, and musicological commentary and dozens of photographs. Berlin came from a poor immigrant family and began his career as a singing waiter, but by the time he was nineteen he was publishing his songs and quickly found fame with "Alexander's Ragtime Band" in 1911. In the extraordinary six decades that followed, Berlin wrote one popular hit after another: Blue Skies * Always * Cheek to Cheek * White Christmas * God Bless America * There's No Business Like Show Business * and many more. He also wrote a number of the classics of musical theater's Golden Age, climaxing with Annie Get Your Gun . He penned three Astaire and Rogers films Top Hat, Carefree , and Follow the Fleet as well as the scores of Holiday Inn, Easter Parade , and other films. The breadth of his accomplishment is staggering.