This set looks at evangelical media and popular culture offerings, even delving into lesser-known forms of evangelical popular culture such as comic books, video games, and theme parks. Contributions are from authors who specialize in fields as diverse as history, theology, music, psychology, journalism, film and television studies, advertising, and public relations.

It's everywhere...all around us...so widespread it's almost part of the air we breathe. Some people love it, some people hate it, and some try to shrug it off or pretend it's not there. But, like it or not, notice it or not, popular culture plays a huge role in our day-to-day lives, often influencing the way we think and see the world. Some people respond by trying to pull away from it altogether, and some accept it without question as a blessing. But Ted Turnau reminds us that the issue is not so black-and-white. Popular culture, like any other facet of society, is a messy mixture of both grace and idolatry, and it deserves our serious attention and discernment. Learn how to approach popular culture wisely, separating its gems of grace from its temptations toward idolatry, and practice some popologetics to be an influence of your own. Book jacket.

Grounded in Christian principles, this accessible and engaging book offers an informed and fascinating approach to popular culture. William D. Romanowski provides affectionate yet astute analysis of familiar, well-loved movies and television characters from Indiana Jones to Homer Simpson, and he speaks with historical depth and expertise on films from Casablanca to Crash and music from Bruce Springsteen to U2. Romanowski's confessional approach affirms a role for popular culture in faithful living. Practical, analytical approaches to content, meaning, and artistic style offer the tools to participate responsibly and imaginatively in popular cultural activities. An engaging read, this new edition introduces students and thoughtful readers to popular culture--one of the most influential forces in contemporary society.

Christian popular culture has tremendous influence on many American churchgoers. When we have a choice between studying the Bible and reading novels, downloading movies, or watching television, we become less familiar with Numbers than with Narnia. This book examines popular Christian narratives with rigorous scholarly methods and assumes that they are just as complex, fascinating, and worthy of investigation as the latest secular Netflix series or dystopian novel. While most scholars focus on the religious aspects of Christian texts, this study takes a new approach by analyzing their social responsibility in portraying the complex dynamics of race, class, and gender in a profoundly unequal America. Close readings of six case studies--The Chronicles of Narnia, Francine Rivers's Redeeming Love, Jan Karon's Mitford novels, Left Behind, the films of the Sherwood Baptist Church, and Duck Dynasty--uncover both harmful stereotypes and Christians serving as leaders in social justice.

NEW YORK TIMES BESTSELLER The “paradigm-influencing” book (Christianity Today) that is fundamentally transforming our understanding of white evangelicalism in America. Jesus and John Wayne is a sweeping, revisionist history of the last seventy-five years of white evangelicalism, revealing how evangelicals have worked to replace the Jesus of the Gospels with an idol of rugged masculinity and Christian nationalism—or in the words of one modern chaplain, with “a spiritual badass.” As acclaimed scholar Kristin Du Mez explains, the key to understanding this transformation is to recognize the centrality of popular culture in contemporary American evangelicalism. Many of today’s evangelicals might not be theologically astute, but they know their VeggieTales, they’ve read John Eldredge’s Wild at Heart, and they learned about purity before they learned about sex—and they have a silver ring to prove it. Evangelical books, films, music, clothing, and merchandise shape the beliefs of millions. And evangelical culture is teeming with muscular heroes—mythical warriors and rugged soldiers, men like Oliver North, Ronald Reagan, Mel Gibson, and the Duck Dynasty clan, who assert white masculine power in defense of “Christian America.” Chief among these evangelical legends is John Wayne, an icon of a lost time when men were uncowed by political correctness, unafraid to tell it like it was, and did what needed to be done. Challenging the commonly held assumption that the “moral majority” backed Donald Trump in 2016 and 2020 for purely pragmatic reasons, Du Mez reveals that Trump in fact represented the fulfillment, rather than the betrayal, of white evangelicals’ most deeply held values: patriarchy, authoritarian rule, aggressive foreign policy, fear of Islam, ambivalence toward #MeToo, and opposition to Black Lives Matter and the LGBTQ community. A much-needed reexamination of perhaps the most influential subculture in this country, Jesus and John Wayne shows that, far from adhering to biblical principles, modern white evangelicals have remade their faith, with enduring consequences for all Americans.

A candid, often humorous look at how to find truth in music, movies, television, and other aspects of pop culture. Includes photos, artwork, and sidebars.

In The Culturally Savvy Christian—his incisive critique of contemporary culture and religion—Dick Staub concludes that though it is influential, American popular culture is generally superficial (diversionary, mindless, and celebrity-driven) spiritually delusional (moralistic, therapeutic, and deistic) and soulless (sustained not by art, craft, and ideas, but by the mad pursuit of profit—propped up by marketing and technology). Similarly American Christianity has devolved into its own mindless, diversionary, and celebrity-driven superficiality. Because humans are created in God's image with spiritual, intellectual, creative, moral, and relational capacities, we long for more, yet the true seeker faces the lose-lose alternatives of a soul-numbing culture and a vacuous Christianity-lite. The renaissance we need in both faith and culture will originate in a deep spiritual renewal that restores God's image in us and creates a new breed of culturally savvy, thoughtful creatives who rekindle the spiritual, intellectual, and creative legacy of Christians as enrichers of culture.

Biblical scholars Timothy K. Beal and Tod Linafelt, along with an esteemed group of contributors, offer a provocative range of views on The Passion of the Christ. The book is organized in three parts. The first analyzes the film in terms of its religious foundations, including the Gospels and nonbiblical religious texts. The second group of essays focuses on the ethical and theological implications of the film's presentation of the Christian Gospel. Finally, the third section explores the film as a pop cultural phenomenon.

Skillfully analyzes American popular culture, tracing its development and influence throughout history, and ultimately exposes its impact on character. Part of the Turning Point Christian Worldview series.

The connection between popular culture and religion is an enduring part of American life. With seventy-five percent new content, the third edition of this multifaceted and popular collection has been revised and updated throughout to provide greater religious diversity in its topics and address critical developments in the study of religion and popular culture. Ideal for classroom use, this expanded volume gives increased attention to the implications of digital culture and the increasingly interactive quality of popular culture provides a framework to help students understand and appreciate the work in diverse fields, methods, and perspectives contains an updated introduction, discussion questions, and other instructional tools