Fashion's great innovations often spring from inspired designers developing unique concepts and challenging the status quo. But how do they do it? To find out, follow ten exceptional fashion design students as they respond to a brief, exploring their diverse strategies and the thinking behind their final collections. This second edition of Fashion Thinking features six new interviews, with insight from the director of Open Style Lab, Grace Jun, and Yeohlee Teng, whose designs have earned a permanent place in the Costume Collection at the Metropolitan Museum of Art, New York. There are also four new case studies, incorporating new technology including adaptive design for the visually impaired and the use of augmented reality. Beautifully illustrated and structured to clearly demonstrate how to take ideas from concept to design, Fashion Thinking demystifies the creative thinking process to help you develop your own unique collection. Fashion Thinking also has its own companion website to this book - with curated videos and websites relating to each designer. Visit: https://www.bloomsburyonlineresources.com/fashion-thinking-creative-approaches-to-the-design-process-2/home

Inspiring ideas, firm convictions, lovely dreams The book ranges from from pyrography to stonecarving. It deals with low-resolution hinting and handwriting therapy for Attention Deficit Hyperactivity Disorder. It contains over a hundred entries of work samples and notes by leading letterforms practitioners.

Geospaces is an extended visual essay of ideas, images, drawings and projects that follows the work of Alper Derinboğaz over the past decade, framing an approach to architecture based on empathy with earth. Architectural history is a fragment of the long evolution of forms of habitat. The shape of the lands and the way we inhabit them are at the root of all architectural endeavors. However, our established conception of architecture is based on a hierarchy between nature and culture. To move towards an architecture more in tune with earth, we need to think in continuities, looking at the emergence of natural forms, the history of human inhabitation and the future of fabrication technologies. What if we see buildings as iterations of nature rather than artificial objects? Exploring architecture through the lens of evolution, Geospaces traces relationships between topography, geology, genetics, ecologies, and construction technologies, arguing that a hybrid approach to making will shape our future habitats.

Todd Saunders (1969) is one of the most important young contemporary Canadian architects working internationally. His architecture, simple yet powerful, incorporates elements of his country’s architectural identity – including the use of wood and carefully picked Modernist influences – bringing it at the same time into the 21st century with excellent execution, carefully chosen materials and a hands-on approach. Saunders (he lives and works in Bergen, Norway) has successfully executed work in both Canada, Norway, and Finland, creating architecture with a strong sense of northern identity, an individual approach that is informed by the strongness of natural landscape. The most important projects: Aurland Lookout, Long Studio, Fogo Island, Tower Studio, Fogo Island, Squish Studio, Fogo Island and Villa G. The first reference monograph on a remarkable young architect working in Scandinavia and Canada. The monograph provides interesting unpublished documents, curated by Jonathan Bell (Architecture Editor, Wallpaper* magazine) and Ellie Stathaki (Deputy Architecture Editor, Wallpaper* magazine) as well as three interviews by Olaf Gipser, Zita Cobb, and Brian MacKay-Lyons. The artwork of the book is by the international renowned graphic designer Henrik Nygren.

Design for Policy is the first publication to chart the emergence of collaborative design approaches to innovation in public policy. Drawing on contributions from a range of the world’s leading academics, design practitioners and public managers, it provides a rich, detailed analysis of design as a tool for addressing public problems and capturing opportunities for achieving better and more efficient societal outcomes. In his introduction, Christian Bason suggests that design may offer a fundamental reinvention of the art and craft of policy making for the twenty-first century. From challenging current problem spaces to driving the creative quest for new solutions and shaping the physical and virtual artefacts of policy implementation, design holds a significant yet largely unexplored potential. The book is structured in three main sections, covering the global context of the rise of design for policy, in-depth case studies of the application of design to policy making, and a guide to concrete design tools for policy intent, insight, ideation and implementation. The summary chapter lays out a future agenda for design in government, suggesting how to position design more firmly on the public policy stage. Design for Policy is intended as a resource for leaders and scholars in government departments, public service organizations and institutions, schools of design and public management, think tanks and consultancies that wish to understand and use design as a tool for public sector reform and innovation.

An essay by firm principals offers an intimate look at the inner workings of the studio, its collaborative and inclusive design approach and its artful application of the latest technologies to communicate and realize design intent. --Book Jacket.

Through cross-disciplinary explorations of and engagements with nature as a forming part of architecture, this volume sheds light on the concepts of both nature and architecture. Nature is examined in a raw intermediary state, where it is noticeable as nature, despite, but at the same time through, man’s effort at creating form. This is done by approaching nature from the perspective of architecture, understood, not only as concrete buildings, but as a fundamental human way both of being in, and relating to, the world. Man finds and forms places where life may take place. Consequently, architecture may be understood as ranging from the simple mark on the ground and primitive enclosure, to the contemporary megalopolis. Nature inheres in many aesthetic forms of expression. In architecture, however, nature emerges with a particular power and clarity, which makes architecture a raw kind of art. Even though other forms of art, as well as aesthetic phenomena outside the arts, are addressed, the analogy to architecture will be evident and important. Thus, by using the concept of ’raw’ as a focal point, this book provides new approaches to architecture in a broad sense, as well as other aesthetic and artistic practices, and will be of interest to readers from different fields of the arts and humanities, spanning from philosophy and theology to history of art, architecture and music.

This outstanding monograph delves into an exciting selection of esteemed works by Morphogenesis, one of India's most creative architecture and design firms, and a world-leader in net zero energy and sustainable design. Another successful addition to IMAGES’ Master Architect Series, this richly illustrated book combines stunning imagery with comprehensive studies outlining the firm’s strong philosophical discourse across a vast range of typologies: residential; institutional; commercial; hospitality; offices; interiors; public; and master planning. Morphogenesis reinterprets India’s architectural roots and consistently employs passive design solutions for a unique contextual language. The Morphogenesis journey is a reflection of a contemporary Indian perspective within the global context, incorporating an inspired, forward-thinking vision while respectfully referencing the spirit of traditional Indian subcontinental architecture in innovative forms. This is a must-have book for those looking to understand work at the vanguard of sustainable architecture.

"Provides a comprehensive overview of every aspect of designing with type"--