A generation of outstanding European thinkers emerged out of the rubble of World War II. It was a group unparalleled in their probing of an age that had produced totalitarianism as a political norm, and the Holocaust as its supreme nightmarish achievement. Figures ranging from George Lichtheim, Ignazio Silone, Raymond Aron, Andrei Amalrik, among many others, found a home in Encounter. None stood taller or saw further than François Bondy of Zurich.In a moving tribute to his friend, Melvin J. Lasky, long- time editor of Encounter, writes, "Bondy was a breathtaking spectacle. I had known him to read and walk, to think and talk, all at once--and still make mental notes for his next article.... Early or late, seated or standing, awake or asleep, his incomparable spiritedness would always be darting from point to point, paying attention and idly wandering at once. Taken all in all, he still continues to represent for me perhaps a Henry Jamesian New Man."Bondy's essays themselves represent a broad sweep of major figures and events in the second half of the twentieth century. His spatial outreach went from Budapest to Tokyo and Paris. His political essays extended from George Kennan to Benito Mussolini. And his prime mÚtier, the cultural figures of Europe, covered Sartre, Kafka, Heidegger and Milosz. The analysis was uniformly fair minded but unstinting in its insights. Taken together, the variegated themes he raised in his work as a Zurich journalist, a Paris editor, and a European homme de letres sketch guidelines for an entrancing portrait of the intellectual as cosmopolitan.European Notebooks contains most of the articles that Bondy (1915-2003) wrote for Encounter under the stewardship of Stephen Spender, Irving Kristol, and then for the thirty years that Melvin Lasky served as editor. Bondy was that rare unattached intellectual, "free of every totalitarian temptation" and, as Lasky notes, unfailing in his devotion to the liberties and civilities of a humane social order. European Notebooks offers a window into a civilization that came to maturity during the period in which these essays were written.

Revolutionary Subjects explores the literary and cultural significance of Cold War solidarities and offers insight into a substantial and under-analyzed body of German literature concerned with Latin American thought and action. It shows how literary interest in Latin America was vital for understanding oppositional agency and engaged literature in East and West Germany, where authors developed aesthetic solidarities that anticipated conceptual reorganizations of the world connoted by the transnational or the global. Through a combination of close readings, contextual analysis, and careful theoretical work, Revolutionary Subjects traces the historicity and contingency of aesthetic practices, as well as the geocultural grounds against which they unfolded, in case studies of Volker Braun, F.C. Delius, Hans Magnus Enzensberger and Heiner Müller. The book’s cultural and comparative approach offers an antidote to imprecise engagements with the transnational, historicizing critical impulses that accompany the production of disciplinary boundaries. It paves the way for more reflexive debate on the content and method of German Studies as part of a broader landscape of world literature, comparative literature and Latin American Studies.

The year “1968” marked the climax of protests that simultaneously captured most industrialized Western countries. The protesters challenged the institutions of Western democracies, confronting powerful, established parties and groups with an opposing force and public presence that negated traditional structures of institutional authority and criticized the basic assumptions of the post-war order. Exploring the effects the protest movement of 1968 had on the political, social, and symbolic order of the societies they called into question, this volume focuses on the consequences and echoes of 1968 from different perspectives, including history, sociology, and linguistics.

In the 1960s and 1970s in the Federal Republic of Germany (FRG), or West Germany, newspaper readers and television viewers were appalled by terrible images of fires burning half a world away. The Vietnam War was a decisive catalyst for the era’s wider protest movements and gave rise to an ardent anti-war discourse. This discourse privileged writing in many forms. Within it, poetry and poetic writing were key; and because coverage of the conflict in Vietnam often focused on spectacular, destructive conflagrations ignited by hi-tech machines of war, their dominant trope was fire. Hundreds of poems and related writings about Vietnam circulated in the FRG, yet they are almost entirely forgotten today. Poetic Writing and the Vietnam War in West Germany uncovers and explores some of this rich production in order to present a new history of engaged poetic writing in the FRG in the 1960s and 1970s, and to draw out distinctive characteristics of wider protest culture. In doing so, it makes the case for attending to marginal, non-canonical or neglected literary and cultural forms, and for critical thinking about why they might, over time, have been obscured. This book offers, too, a case study for reflection on the representation of war, on ways in which German oppositional culture could imagine its others, and the ways in which other voices could speak to it in turn, and on the relationship of poetry to the historical world.

Originally published in 1986, this book is an interpretative survey of the development of political writing in the former Federal Republic of Germany. It illustrates how intertwined writing is with politics, whether by the political commitment of writers like Grass or the analysis of Böll, by the exclusion of writers from political debate under Adenauer or their insistence on involvement in the years of the SPD. So many themes central to German life are themselves political – the division of the German state, the interpretation of the German character, the Green Movement. This wide-ranging and thorough study discusses a central issue of European politics and culture.