First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

This volume represents a contribution to comparative scholarship in Medieval and Renaissance studies in its investigation of the ingenious diversity of roguish practices found in Medieval and Renaissance literature and its recognition of the coherent normative function of tales of tricksters and pranksters. The wide variety of works analysed, from those forming part of the established canon of texts on undergraduate degree schemes to lesser-known works, makes the volume of interest to students and researchers alike. The roguish behaviour of women, priests, foxes and outlaws and the knavery of Eulenspiegel and Panurge are used to illustrate how rituals of inversion and humiliation typical of the medieval carnival are reflected in literary accounts of trickery, and to question whether the restorative function attributed to carnival celebration is equally to be found in the intra-textual and extra-textual outcomes of trickery. This analysis is supported by studies into the trickster in mythology, sociological investigations into the role of disorder, Bakhtinian theories of carnival and the carnivalesque, and theories of black humour.

The New York Times Best Historical Fiction of 2020 The Guardian's Best Fiction of 2020 Thrillist's Best Books of the Year Daniel Kehlmann transports the medieval legend of the trickster Tyll Ulenspiegel to the seventeenth century in an enchanting work of magical realism, macabre humor, and rollicking adventure. Tyll is a scrawny boy growing up in a quiet village until his father, a miller with a forbidden interest in alchemy and magic, is found out by the church. After Tyll flees with the baker’s daughter, he falls in with a traveling performer who teaches him his trade. As a juggler and a jester, Tyll forges his own path through a world devastated by the Thirty Years’ War, evading witch-hunters, escaping a collapsed mine outside a besieged city, and entertaining the exiled King and Queen of Bohemia along the way. The result is both a riveting story and a moving tribute to the power of art in the face of the senseless brutality of history. Translated from the German by Ross Benjamin

Stories from cultures including ancient Babylonia, China, India, Eastern Europe, Morocco.

Explores the Eastern German literary trend of the 1990s employing humor and satire to come to terms with socialism's failure and a difficult unification process. This title surveys ten novels including, works by Brussig, Schulze, and Hensel. These contemporary texts help define Germany today from a specific, East German perspective.

Wide-ranging stories offer a glimpse into witchcraft, magic, Crusaders, astrology, alchemy, pacts with the Devil, chivalry, trial by torture, church councils, mercantile life, other elements of Middle Ages.

'A New History of German Literature' offers some 200 essays on events in German literary history.

Using primary German-language sources, Altmann has gleaned a wonderful assortment of authentic tales to enchant and educate audiences of all ages. The stories are organized in four sections: Animal stories, Comic tales, Fairy tales, and Local legends. Background information on the stories, a description of German life during the 19th century, color photographs, a pronunciation guide for German terms, and traditional German recipes are included. All grade levels. Many people are familiar with the German tales of the Brothers Grimm, but usually in the sugar-coated versions of picture books and Hollywood cartoons. In this book you'll discover some other sides to German folklore. Using primary German-language sources, Altmann has gleaned a wonderful assortment of authentic tales to enchant and educate audiences of all ages. This collection includes many favorite German tales, such as Rapunzel, Snow White, Rumpelstilkskin, Hansel and Gretel, and The Bremen Town Musicians; as well as more obscure tales such as The Seven Swabians and The Master Thief. There are tales for all kinds of listeners and readers—more than 80 stories in all, including tales that may shock you or make your hair stand on end, as well as those that will intrigue or amuse. The stories are organized in four sections: Animal stories (Tiergeschichten, largely fables), Comic tales (Schwanke, which range from the silly to the outrageous), Fairy tales (Zaubermarchen, or wonder tales), Local legends (Sagen, which include stories of ghosts and goblins, and religious legends). Background information and tale type information on the stories, a description of German life during the 19th century, color photos, a pronunciation guide for German terms, and traditional German recipes make this a wonderful resource for introducing audiences to German culture and traditions.

A critical reading of both literary and non-literary German texts published between 1490 and 1540 exposes a populist backlash against perceived social and political disruptions, the dramatic expansion of spatial and epistemological horizons, and the growth of global trade networks. These texts opposed the twin phenomena of pluralization and secularization, which promoted a Humanist tolerance for ambiguity, boosted globalization and spatial expansion around 1500, and promoted new ways of imagining the world. Part I considers threats to the political order and the protestations against them, above all a vigorous defense of the common good. Part II traces the intellectual and epistemological upheaval triggered by the spatial discoveries and the new methods of visual and verbal representation of space. Part III examines the nationalistic backlash triggered by the rising global trade and related abusive trading practices and by perceived undue foreign influences. It is the basic premise of this book that the texts examined here protested the observed disruptions of the status quo and sought to reestablish a stable imperial order in the face of political and social upheaval and of the felt cultural decline of the German nation.

Winner of the Christian Gauss Award for excellence in literary scholarship from the Phi Beta Kappa Society Having excavated the world's earliest novels in his previous book, literary historian Steven Moore explores in this sequel the remarkable flowering of the novel between the years 1600 and 1800-from Don Quixote to America's first big novel, an homage to Cervantes entitled Modern Chivalry. This is the period of such classic novels as Tom Jones, Candide, and Dangerous Liaisons, but beyond the dozen or so recognized classics there are hundreds of other interesting novels that appeared then, known only to specialists: Spanish picaresques, French heroic romances, massive Chinese novels, Japanese graphic novels, eccentric English novels, and the earliest American novels. These minor novels are not only interesting in their own right, but also provide the context needed to appreciate why the major novels were major breakthroughs. The novel experienced an explosive growth spurt during these centuries as novelists experimented with different forms and genres: epistolary novels, romances, Gothic thrillers, novels in verse, parodies, science fiction, episodic road trips, and family sagas, along with quirky, unclassifiable experiments in fiction that resemble contemporary, avant-garde works. As in his previous volume, Moore privileges the innovators and outriders, those who kept the novel novel. In the most comprehensive history of this period ever written, Moore examines over 400 novels from around the world in a lively style that is as entertaining as it is informative. Though written for a general audience, The Novel, An Alternative History also provides the scholarly apparatus required by the serious student of the period. This sequel, like its predecessor, is a “zestfully encyclopedic, avidly opinionated, and dazzlingly fresh history of the most 'elastic' of literary forms” (Booklist).