WYNKEN, BLYNKEN AND Nod one night Sailed off in a wooden shoe– Sailed off on a river of crystal light Into a sea of dew . . . So begins Eugene Field’s lovely bedtime poem, which tells of three wee fishermen who sail up to the stars, and a boy who imagines it all before he drifts off to sleep. Field’s timeless text has lulled generations of little listeners into dreamland, and this version, complimented by Giselle Potter’s magical illustrations, is perhaps the most enchanting—and the closest to Fields’ own vision—of all.

Presents illustrated versions of the title poem and seven others, including "Fiddle-Dee-Dee" and "Wynken, Blynken, and Nod."

The whimsical illustrations complement the dreamy style of this classic Victorian bedtime story-poem

In the midst of poverty a leader emerges. A school in which people had given up hope. A prayer warrior and woman of faith steps into the position of principal at Eugene Field Elementary. Faced with unimaginable circumstances as the new administrator at Eugene Field, Cindi Hemm steps up to create the impossible, a community school in which children are learning and thriving. An outstanding school of excellence able to stand up to any school in the nation. Eugene Field Elementary a place where hearts are mended, lives are touched, God is present, the hungry are fed, but it is never easy. Live this journey with Cindi that will change your heart and mind about the amazing miracles that can and will happen if you work hard and believe.

Eugene Field (1850?95) is perhaps best remembered for his children's verse, especially "Little Boy Blue" and "Wynken, Blynken, and Nod." During his journalistic career, however, his column, "Sharps and Flats," in the Chicago Daily News illuminated the shenanigans of local and national politics, captured the excitement of baseball, and praised the cultural scene of Chicago and the West over that of the East Coast and Europe. Field used whimsy, satire, and, at times, unadorned admiration to depict and encapsulate the energy of a young nation reinventing itself and its political ambitions in the closing decades of the nineteenth century. Foremost, Field was a political observer. During his lifetime politics saw more public awareness and involvement than at any other time in American history, and Field's great popularity derived mainly from his near-ceaseless commentary?arch, outlandish, comic, serious?on that arena of affairs. Field also devoted many columns to entertainment and diversions, discussing the baseball "idiocy" that stormed Chicago and championing and criticizing authors and actors.