Over the past decade Dana Gioia has emerged as a compelling advocate of Christianity's continuing importance in contemporary culture. His incisive and arresting essays have examined the spiritual dimensions of art and the decisive role faith has played in the lives of artists. This new volume collects Gioia's essays on Christianity, literature, and the arts. His influential title essay ignited a national conversation about the role of Catholicism in American literature. Other pieces explore the often-harrowing lives of Christian poets and painters as well as contemplate scripture and modern martyrdom.

The Art of Anthropology collects together the most influential of Gell's writings, which span the past two decades, with a new introductory chapter written by Gell. The essays vividly demonstrate Gell's theoretical and empirical interests and his distinctive contribution to several key areas of current anthropological enquiry. A central theme of the essays is Gel's highly original exploration of diagrammatic imagery as the site where social relations and cognitive processes converge and crystallise. Gell tracks this imagery across studies of tribal market transactions, dance forms, the iconicity of language and his most recent and groundbreaking analyses of artworks.Written with Gell's characteristic fluidity and grace and generously illustrated with Gell's original drawings and diagrams, the book will interest art historians, sociologists and geographers no less than anthropologists, challenging, as it does, established ideas about exchange, representation, aesthetics, cognition and spatial and temporal processes.

This collection of papers on Greek art by pupils and friends is offered to John Boardman on his seventieth birthday. Many of the objects discussed here in his honour are published for the first time. Contents include: The Hesiodic myth of the five races and the tolerance of plurality in Greek mythology (Christiane Sourvinou-Inwood) ; A Minoan Ringstone from the Idaean Cave (Yannis Sakellarakis) ; A Mycenaean Sealstone from Gla (Spyros Iakovidis) ; A Geometric electrum band from a tomb on Skyros (Effie Sapouna-Sakellaraki) ; A new Geometric amphora in the Benaki Museum (Nota Kourou) ; The orientalising period in Macedonia (Stephi Korti-Konti) ; East Greek and related pottery at Harvard (Eleutherios Yalouris) ; Rizari, a cemetery in Chios town (Anna Lemos) ; A skyphos by the Affecter in Athens (Maria Pipili) ; An early Attic Ionic capital and the kekropion on the Athenian Acropolis (Manolis Korres) ; A new Aphrodite for John (Angelos Delivorrias) ; Helen, the seductress? (Anthi Dipla) ; Herakles and a "man in need?" (Marilena Carabatea) ; Kraters, libations and Dionysiac imagery in early south Italian red-figure (Maria-Christina Tzannes) ; A symposion scene on an Attic fourth-century calyx-crater in St. Petersburg (Thaleia Sini) ; Eleusinian iconography (Michalis Tiverios) ; Reflections on the Piraeus bronzes (Olga Palagia) ; Greek gem-cutters in Babylonia and beyond (Dimitris Plantzos) ; Spoons in the Greek world (Eleni Zimi) ; Greek gods and heroes in Cyprus

Artists and writers examine the bombardment of information, misinformation, emotion, deception, and secrecy in online and offline life in the post-digital age. Every day we are bombarded by information, misinformation, emotion, deception, and secrecy in our online and offline lives. How does the never-ending flow of data affect our powers of perception and decision making? This richly illustrated and boldly designed collection of essays and artworks investigates visual culture in the post-digital age. The essays, by such leading cultural thinkers as Douglas Coupland and W. J. T. Mitchell, consider topics that range from the future of money to the role of art in a post-COVID-19 world; from mental health in the digital age to online grieving; and from the mediation of visual culture to the thickening of the digital sphere. Accompanying an ambitious exhibition conceived by the Sharjah Art Foundation and volume editor and curator Omar Kholeif, the book is a work of art and a labor of love, emulating the labyrinthine corridors of the exhibition itself. Created by a group of writers, artists, designers, photographers, and publishers, Art in the Age of Anxiety calls upon us to consider what our collective future will be and how humanity will adapt to it.

"Music, American Made draws on a wealth of new research and analysis to offer fresh observations on musical events and developments in American music from the 1820s to the 1970s, and brings into timely relief the extraordinary diversity of music composed and performed in the United States in that pivotal period. The twenty-nine essays in the volume honor John Graziano, a distinguished scholar of American music, Emeritus Professor of Music at The Graduate Center and The City College of The City University of New York, former President of the Society for American Music, and the director of the Music in Gotham project. Topics range from particular interests of the honoree - the reception of European music in New York and other U.S. cities, African-American musical theater, the minstrel show, the film musical - to, among other subjects, the growth of orchestras in the United States, opera, folk music, and hymnody."--Back cover.

Foreign Affections comprises a number of new and revised essays on the influences which shaped the thought of another leading Irishman, Edmund Burke.

This collection of essays investigates the role writing played in transforming early modern Irish culture. This radical new assessment of culture and conflict in sixteenth- and seventeenth-century Ireland covers a wide range of topics, including ethnography, translation practices, and political philosophy.

This book collects twenty-five of the author's essays, each of which addresses a descriptive or a foundational issue that arises at the interface between linguistic semantics and pragmatics, on the one hand, and the philosophy of language, on the other. Arranged into three interconnected parts (I. Matters of Meaning and Truth; II. Matters of Meaning and Force; III. Knowledge Matters), the essays suggest that some key topics in the above-mentioned fields have often been approached in ways that considerably underestimate their empirical or conceptual complexity, and attempt to delineate perspectives from which, and conditions under which, an improved understanding of those topics could be sought. The book will be of interest to linguists working in semantics and pragmatics, and to philosophers working in the philosophy of language and in epistemology.

This collection of original essays, by some of the best known contemporary criminal law theorists, tackles a range of issues about the criminal law's 'special part' - the part of the criminal law that defines specific offences. One of its aims is to show the importance, for theory as well as for practice, of focusing on the special part as well as on the general part which usually receives much more theoretical attention. Some of the issues covered concern the proper scope of the criminal law, for example how far should it include offences of possession, or endangerment? If it should punish only wrongful conduct, how can it justly include so-called 'mala prohibita', which are often said to involve conduct that is not wrongful prior to its legal prohibition? Other issues concern the ways in which crimes should be classified. Can we make plausible sense, for instance, of the orthodox distinction between crimes of basic and general intent? Should domestic violence be definedas a distinct offence, distinguished from other kinds of personal violence? Also examined are the ways in which specific offences should be defined, to what extent those definitions should identify distinctive types of wrongs, and the light that such definitional questions throw on the grounds and structures of criminal liability. Such issues are discussed in relation not only to such crimes as murder, rape, theft and other property offences, but also in relation to offences such as bribery, endangerment and possession that have not traditionally been subjects for in depth theoretical analysis.