Erotic Transference and Countertransference brings together, for the first time, contemporary views on how psychotherapists and analysts work with and think about the erotic in therapeutic practice. Representing a broad spectrum of psychoanalytic perspectives, including object relations, Kleinian, Jungian and Lacanian thought, the contributors highlight similarities and differences in their approaches to the erotic in transference and countertransference, ranging from love and sexual desire to perverse and psychotic manifestations. Erotic Transferenceand Countertransference offers ways of understanding the erotic which should prove both useful and thought-provoking.

Psychotherapy: An Erotic Relationship challenges the traditional belief that transference and countertransference are merely forms of resistance that jeopardize the therapeutic process. David Mann shows how the erotic feelings and fantasies experienced by clients and therapists can be used to bring about a positive transformation. Combining extensive and lively clinical examples with theoretical insights and new research on infants, David Mann suggests that the development of the erotic derives from interactions between the parent and child and is seldom absent from the therapist-patient relationship. However, while the erotic always contains elements of past relationships, it also expresses hope for a different outcome in the present and future. Individual chapters explore the function of the erotic within the unconscious: erotic pre-Oedipal and Oedipal material; homoeroticism in therapy; sexual intercourse as a metaphor for psychological change; the primal scene in the transference, and the difficulties of working with perversions. The book is as relevant now as it was when originally published. This Classic Edition contains a new introduction by David Mann, summarizing his current ideas since this book was first published in 1997. It brings the therapy setting alive, offering clinicians both an accessible and deeper understanding of the interaction between erotic transference and countertransference; it also gives an explicit picture of how these aspects of therapy can be used to enhance the therapeutic process. It remains an essential resource for psychoanalysts, psychotherapists and counsellors, their clients and anybody with an interest in Eros, desire, or mental health issues.

From the shutdown of Planned Parenthood clinics and rising rates of HIV to opposition to marriage equality and bathroom bills, the New South is the epicenter of the new sex wars. Antagonism toward reproductive freedom, partner rights, and transgender rights has revealed a new and unacknowledged era of southern reconstruction centered on gender and sexuality. In A Dirty South Manifesto, L. H. Stallings celebrates the roots of radical sexual resistance in the New South—a movement that is antiracist, decolonial, and transnational. For people within economically disenfranchised segments of society, those in sexually marginalized communities, and the racially oppressed, the South has been a sexual dystopia. Throughout this book, Stallings delivers hard-hitting manifestos for the new sex wars. With her focus on contemporary Black southern life, Stallings offers an invitation to anyone who has ever imagined a way of living beyond white supremacist heteropatriarchy.

In both feminist theory and Shakespearean criticism, questions of sexuality have consistently been conflated with questions of gender. First published in 1992, this book details the intersections and contradictions between sexuality and gender in the early modern period. Valerie Traub argues that desire and anxiety together constitute the erotic in Shakespearean drama – circulating throughout the dramatic texts, traversing ‘masculine’ and ‘feminine’ sites, eliciting and expressing heterosexual and homoerotic fantasies, embodiments, and fears. This is the first book to present a non-normalizing account of the unconscious and the institutional prerogatives that comprise the erotics of Shakespearean drama. Employing feminist, psychoanalytic, and new historical methods, and using each to interrogate the other, the book synthesises the psychic and the social, the individual and the institutional.

In defiance of the brutal military government that took power in Uruguay in the 1970s, and under which homosexuality is a dangerous transgression, five women miraculously find one another—and, together, an isolated cape that they claim as their own. Over the next thirty-five years, they travel back and forth from this secret sanctuary, sometimes together, sometimes in pairs, with lovers in tow or alone. Throughout it all, they will be tested repeatedly—by their families, lovers, society, and one another—as they fight to live authentic lives. A groundbreaking, genre-defining work, Cantoras is a breathtaking portrait of queer love, community, forgotten history, and the strength of the human spirit.

A trenchant critique of sexuality in an age of discipline, where bodies and pleasures have become sites of regulatory power.

First Published in 1994. The purpose of an encyclopedia is to gather in one place information that otherwise would be difficult to find. Bring together a collection of articles that are authoritative and reflect a variety of viewpoints. The contributors come from a wide range of disciplines— from nursing to medicine, from biology to history— and include sociologists, psychologists, anthropologists, political scientists, literary specialists, academics and non-academics, clinicians and teachers, researchers and generalists.

A Companion to Fritz Lang “Fritz Lang’s movie-making spans a major part of the history of cinema, across genres, styles, and national contexts. With smartness and sharpness, the essays in this essential volume come from many angles to capture the richness of Lang’s cinema and bring great insight to its study.” Dana Polan, Cinema Studies, NYU Fritz Lang’s influence on cinema cannot be overstated, with a career that stretched from the silent era in Germany to the decline of the Hollywood studio system in the late 1950s, from the Weimar Republic to Nazi Germany, from Depression America to the McCarthy era. One of the best known émigrés from Germany’s school of Expressionism, Lang is also credited with influencing the emergence of film noir. A Companion to Fritz Lang offers the first full-scale collection of scholarship available in English on one of the most important filmmakers of all time. Addressing much of Lang’s voluminous body of work, from Metropolis and M, to lesser-known titles such as Western Union and Clash by Night, this volume offers a superb overview of Lang’s cinema with revealing insights into his enduring influence on directors such as Godard, Scorsese, Chabrol, and Tarantino. The two dozen essays presented here are an unrivaled and up-to-the-minute assessment of the prolific and resilient life and vision of one of cinema’s greatest auteurs.

The author builds on previous scholars' work identifying the ways that black women's narratives often contain a form of spirituality rooted in African cosmology, which consistently grounds their characters' self-empowerment and quest for autonomy. What she adds to the discussion is an emphasis on the importance of sexuality in the development of black female subjectivity.