To what extent can an animal constitute a ‘juridical species’? This highly original book considers how animals have been integral to law and to legal thinking. Going beyond the traditional approaches to animal rights and the question of whether non-human animals may be considered legal ‘subjects,’ this book follows two types of animal – bears and bees – and asks what existence these species have maintained in juridical thought. Uncovering surprising roles that the animals play in the imagination of and solution to jurisprudential problems, the book offers a counter-argument to the view that juridical thought reduces one’s appreciation for the singularity and independence of their lives. It shows, rather, that the animals exert a remarkable influence on the creative dimensions of law, offering a liveliness to it that is worthy of close attention. Contributing to new directions at the intersection of jurisprudence and human–animal studies, this book will appeal to those with interests in either of these areas.

Bestselling author Christopher Golden brings his epic, innovative trilogy, the Veil, to an astonishing conclusion as the mythic realm of heroes and monsters becomes the site of humanity’s last—and greatest—showdown. In the world of the legendary, every myth and folktale is real. That is what Oliver Bascombe learned on the other side of the Veil, where humanity's legends have hidden away for centuries. But even legends have legends, and Oliver has learned of a prophecy that many believe he and his sister, Collette, have come to the Two Kingdoms to fulfill. Before they can discover the truth, the Bascombe siblings must help to stop an apocalyptic war that threatens to destroy the Two Kingdoms, unravel a conspiracy, and prevent a powerful sorcerer from severing the world of humans from the realm of the legendary forever. But first Oliver will have to plot an escape from an impregnable palace dungeon where he and his allies have been imprisoned . . . for regicide. As old heroes and friends ally themselves for one last battle, even older enemies stand arrayed against them. Is humanity ready to face its legends head-on? For Oliver Bascombe, the price may be dearer than even he could ever imagine. From the Trade Paperback edition.

Women across early modern Europe suffered repressive and restrictive patriarchal measures that denied them education and a voice. Nowhere was this more apparent than in Counter-Reformation Iberia. Yet there is increasing awareness of a wealth of cultural activity by women, produced in spite of long-cherished masculine notions of biological determinism, masculine control, and feminine shame. Women proved that given the opportunity and the education they were equal in reason and intelligence to their male counterparts. Subtle Subversions is the first full-length, contextual, and analytical study of the sonnets of five seventeenth-century women in Spain and Portugal: Luisa de Carvajal y Mendoza, Catalina Clara Ramírez de Guzmán, Sor María de Santa Isabel, Leonor de la Cueva y Silva, and Sor Violante del Cielo. Using the sonnets as a basis for inquiry, Gwyn Fox adds significantly to scholarship on women's interpersonal relationships through nuanced and revealing analyses of family and friendship as seen through the sonnets. She deciphers issues of subjectivity, interpersonal relationships, and power structures and engages with patronage as a major issue in women's writing. As a difficult form of poetry requiring wit, artistry and education, sonnets provided the ideal framework to display intellectual skills and education, but they also allowed the women to create a subtext of criticism of contemporary systems of control. Although their criticisms had to be subtle, since these systems still offered them much in terms of social advancement and privilege, these women and their works revise our understanding of women's lives in Baroque Spain and Portugal. English translations accompany the Spanish quotations throughout the book. Gwyn Fox is honorary research fellow at the University of Auckland, New Zealand, where she teaches Spanish language and literature. Fox is currently translating Los baños de Argel, a previously untranslated play by Miguel de Cervantes. "Fox demonstrates that the fixed form of the sonnet simultaneously allowed women to showcase their intellectual talents and critique predominant masculine norms in an understated fashion. . . . Recommended." -- P.W. Manning, Choice "In this beautifully written study of five early modern Iberian poets, Gwyn Fox offers a revisionary history of women's poetics as well as a challenge to conventional Renaissance hermeneutics. . . . Fox delves deeply into each theme, not only contextualizing, but also historicizing her analysis by comparing these women's writings with a broad range of examples. Indeed a bonus of this book is that it does not limit itself to the five women specified above or solely to their sonnets. Fox speaks knowledgeably about other women writers, such as Maria de Zayas and Sor Juana Ines de la Cruz, to name the most well known, and mentions lesser-known figures such as Inarda de Arteaga. . . . [Fox's] close readings of individual poems are themselves subtle and nuanced. . . . She offers original insights into the poems' social purpose. . . . It is a welcome and much-needed addition to early modern Spanish scholarship." -- Anne J. Cruz, Renaissance Quarterly "Fox's contribution adds to prior rediscoveries and assessments of the poetry of five Iberian women of the Baroque about whose lives, in some cases, very little is known. . . . The critical analysis offered in Subtle Subversions present new insights into the interpersonal relationships of women as well as their engagement with structures of social power, affirming that their sonnets were meant to display these authors' intellect, wit, and education. . . . With her skillful readings of their sonnets, Fox offers a fuller picture of these women's poetic production and contributes to an overall understanding of upperclass women's lives in Spain and Portugal." -- Dana Bultman, Caliope

The all-too-frequent disregard of historical and social contexts by many wisdom scholars often leads to the distortion of this literature and transforms its teachings into abstract ideas lacking any incarnation in the social and historical world of human living. Leo Perdue here argues from a sociohistorical approach that the proper understanding of ancient wisdom literature requires one to move out of the realm of philosophical idealism into the flesh and blood of human history. Arguing that wisdom was international in practice and outlook, Perdue traces the interaction between both ruling and subject nations and their sages who produced their respective cultures and their foundational worldviews. While not always easy to reconstruct, he acknowledges, the historical and social settings of texts provide necessary contexts for interpretation and engagement by later readers and hearers. Wisdom texts did not transcend their life settings to espouse values regardless of time and circumstance. Rather, they are located in a variety of historical events in an evolving nation, reflecting a vast array of different and changing moral systems, epistemologies, and religious understandings.

Are biblical and prevailing mythologies essential truths but interpreted by witnesses with incomplete comprehension - intentionally misled even? Deluded by whom? Who were the sons of God? Where was Eden and what really happened there? Was Noahs Flood a deliberate act, or an accident - or a little of both? The Underlying Hand weaves an elegant tale re-interpreting those beliefs with modern knowledge, creeping upon the reader into a highly plausible interpretation. It begins in a sci-fi theme but the reader soon comes to recognize that it is essentially a very human drama indeed the origins of humanity. Along the way is a fascinating adventure with ideas that are sure to cause much debate and remain with the reader long after the book is finished.

The museum of contemporary art might be the most advanced recording device ever invented. It is a place for the storage of historical grievances and the memory of forgotten artistic experiments, social projects, or errant futures. But in late nineteenth and early twentieth-century Russia, this recording device was undertaken by artists and thinkers as a site for experimentation. Arseny Zhilyaev’s Avant-Garde Museology presents essays documenting the wildly encompassing progressivism of this period by figures such as Nikolai Fedorov, Aleksandr Rodchenko, Kazimir Malevich, Alexander Bogdanov, and others—many which are translated from the Russian for the first time. Here the urgent question is: How might the contents of the museum be reanimated so as to transcend even the social and physical limits imposed on humankind? Contributors: David Arkin; Vladimir Bekhterev; Alexander Bogdanov; Osip Brik; Vasiliy Chekrygin; Leonid Chetyrkin; Nikolai Druzhinin; Nikolai Fedorov; Pavel Florensky; R. N. Frumkina; M. S. Ilkovskiy; V. I. Karmilov; V. Karpov; Valentin Kholtsov; P. N. Khrapov; Yuriy Kogan; Natalya Kovalenskaya; Nadezhda Krupskaya; S. P. Lebedyansky; A. F. Levitsky; Vera Leykina (Leykina-Svirskaya); Ivan Luppol; Kazimir Malevich; Andrey Platonov; Nikolay Punin; Aleksandr Rodchenko; Yuriy Samarin; I. F. Sheremet; Andrey Shestakov; Natan Shneerson; Ivan Skulenko; M. Vorobiev; N. Vorontsovsky; Boris Zavadovsky; I. M. Zykov.

Sing of rage, Goddess, that bane of Akhilleus,Peleus' son, which caused untold pain for Akhaians,sent down throngs of powerful spirits to Aides, war-chiefs rendered the prize of dogs and everysort of bird. Edward McCrorie’s new translation of Homer’s classic epic of the Trojan War captures the falling rhythms of a doomed Troy. McCrorie presents the sundry epithets and resonant symbols of Homer's verse style and remains as close to the Greek's meaning as research allows. The work is an epic with a flexible contemporary feel to it, capturing the wide-ranging tempos of the original. It underscores the honor of soldiers and dwells upon the machinations of Moira, each man's and woman's portion in life. Noted Homeric scholar Erwin Cook contributes a substantial introduction and extensive notes written to guide both students and general readers through relevant elements of ancient Greek history and culture. This version of the Iliad is ideal for readings and performances.