The incomparable Borges delivered these seven lectures in Buenos Aires in 1977; attendees were treated to Borges' erudition on the following topics: Dante's The Divine Comedy, Nightmares, Thousand and One Dreams, Buddhism, Poetry, The Kabbalah, and Blindness.

With a focus both historical and literary, Enrique Anderson-Imbert surveys the literature of Hispanic America. His study is not merely an historical synthesis of names, titles, and dates; it is, rather, a critical analytical appraisal of the verse, prose, and drama written in Spanish in the Americas in the contemporary period.

Jorge Luis Borges (1899-1986), an Argentine writer of serious avant-garde poetry and prose, often wrote of the humor in the works of contemporaneous authors such as Franz Kafka. In response to this humor, Borges created a comedic tradition all his own. Humor in Borges studies the humor embedded in the fiction of a serious and metaphysical literary figure. Ren? de Costa shows how Borges was concerned with making the embedded humor in his work more apparent without abandoning the essential story line. De Costa examines the ways in which Borges transformed established modes of writing-the chronicle, the book review, the obituary, the detective story-into genre parodies. He looks at Borges's canonical collections, identifying the humor in such simple things as a footnote, a false epigraph, or a postscript. Humor in Borges couples elegant scholarship with a comedic edge and is both accessible and enjoyable to read. Scholars and students of twentieth-century Spanish and Latin American literature will delight in this fascinating look at laughter in the work of Jorge Luis Borges.

Tells the story of a hunchback who is a failed writer that has no luck with women. He is a self-described "Bartleby", named after the Herman Melville character; someone who, when asked to reveal information about themselves, will respond that they "would prefer not to."

John Carlos Rowe, considered one of the most eminent and progressive critics of American literature, has in recent years become instrumental in shaping the path of American studies. His latest book examines literary responses to U.S. imperialism from the late eighteenth century to the 1940s. Interpreting texts by Charles Brockden Brown, Poe, Melville, John Rollin Ridge, Twain, Henry Adams, Stephen Crane, W. E. B Du Bois, John Neihardt, Nick Black Elk, and Zora Neale Hurston, Rowe argues that U.S. literature has a long tradition of responding critically or contributing to our imperialist ventures. Following in the critical footsteps of Richard Slotkin and Edward Said, Literary Culture and U.S. Imperialism is particularly innovative in taking account of the public and cultural response to imperialism. In this sense it could not be more relevant to what is happening in the scholarship, and should be vital reading for scholars and students of American literature and culture.

A revised, updated edition of Jean Franco's "Introduction to Spanish-American Literature", first published in 1969.

In this fascinating, informative, and entertaining collection, internationally acclaimed, award-winning author Colm Tóibín turns his attention to the intricacies of family relationships in literature and writing. In pieces that range from the importance of aunts (and the death of parents) in the English nineteenth-century novel to the relationship between fathers and sons in the writing of James Baldwin and Barack Obama, Colm Tóibín illuminates not only the intimate connections between writers and their families but also, with wit and rare tenderness, articulates the great joy of reading their work. In the piece on the Notebooks of Tennessee Williams, Tóibín reveals an artist "alone and deeply fearful and unusually selfish" and one profoundly tormented by his sister's mental illness. Through the relationship between W.B. Yeats and his father, or Thomas Mann and his children, or J.M. Synge and his mother, Tóibín examines a world of family relations, richly comic or savage in its implications. In Roddy Doyle's writing on his parents we see an Ireland reinvented. From the dreams and nightmares of John Cheever's journals Tóibín makes flesh this darkly comic misanthrope and his relationship to his wife and his children.The majority of these pieces were previously published in the Londron Review of Books, the New York Review Review of Books, and the Dublin Review. Three of the thirteen pieces have never appeared before.