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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Encyclopaedia Heraldica, or Complete Dictionary of Heraldry, Vol. 3 Duke of Cambridge. Plate XIII. Princess Royal, now Queen Dowager of Wirtemburg, Flg'. 1 Bar Gemel. Princess Augusta Sophia. 2 Baston and quarterly. Princess Elizabeth, now Princess of Hesse 3 Per fesse, a pale counterchanged, three Homburg. Mullets. Princess Mary, now Duchess of Glouces- 4 Per saltier. Ter. 5 Bar, per base, erased, Bar, per base, or Princess Sophia. Bar Meire. The late Princess Amelia. 6 Gyron. The late Duke of Gloucester, now borne 7 Gyronny Of six. By the present Duke and his Sister, the 8 Gyronny of eight. Princess Sophia Matilda of Gloucester. 9 Cheveron, h.r.h. The Prince of Saxe Cobourg. 10 Quarter. Distinctions of Families. 11 Pile, surmounted of a cheverpn. 12 Pile wavy. 13 Piles. Plate XII. 14 Piles, in bend, on each point a fleur - de - Iis. Pale between two annulets. 15 Piles, meeting in base. Pallet. 16 Fesse and canton conjoined. Three Pallets. 17 Flanches chequy. Indorse between two square flasques. 18 Flasque. Pale between two indorses. 19 Orle. Pale, fitohée in the foot. 20 Ditto. Pale radiant. 21 Fret. Pale champaine on the dexter side, pale 22 F'retty. Angled, and pale bevilled. 23 Lozenge. Pale double arched. 24 Barry of six, a.fusil. Pale wavy. 25 Lozengé, or Lozengy. Pale dancettee. 26 Voiders and mascle. Pale indented. 27 Mascles conjoined. Pale bretessed. 28 Tressure, double-flory, counter-flory. Pale engrailed Within a bordure. 29 Fret couped. Pale invected. 30 Fret, interlaced with an annulet. Pale gules, engrailed or. 31 Fret engrailed. Pale fracted, or removed. 32 Cheque, or Cheeky. Per pale. 33 Fesse. Pale ragq. 34 Per fesse; in chief a J ew's harp. Paly Of 5154. 35 Per pale, three roundles counterchanged. Barry_benc1y. 36 Base esquire. Pale engrailed, between two palets. 37 Fesse, charged with five music bars. Barry bendy sinister. 38 Gore. Barry pily. 39 Gusset. Ditto 01' three piles barways. 40 Chaplet of roses, and in base a plain Barry per fret or Barry point in point. Point. Border quarterly- 41 Wreath, base, chaussé, or a Point chamborder quarterly quartered. Paine. Border inveckedl 42 Knots, viz. Wake's and Harrington's. Border harry. Bars. Bar and per bend. Plate XIV. Billettée counter billettée. Border demi. Fig. 1 Bar, per, and pile. Border indentee. 2 Ditto and cheveron. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.