Trixy is a 1904 novel by the best-selling but largely forgotten American author and women’s rights activist Elizabeth Stuart Phelps. The book decries the then common practice of vivisection, or scientific experiments on live animals. In Trixy, contemporary readers can trace the roots of the early animal rights movement in Phelps’s influential campaign to introduce legislation to regulate or end this practice. Phelps not only presents a narrative polemic against the cruelty of vivisection but argues that training young doctors in it makes them bad physicians. Emily E. VanDette’s introduction demonstrates that Phelps’s protest writing, which included fiction, pamphlets, essays, and speeches, was well ahead of its time. Though not well known today, Phelps’s 1868 spiritualist novel, The Gates Ajar, which offered a comforting view of the afterlife to readers traumatized by the Civil War, was the century’s second best-selling American novel, surpassed only by Uncle Tom’s Cabin. Recently scholars and readers have begun to reexamine Phelps’s significance. As contemporary authors, including Peter Singer, Jonathan Safran Foer, Donna J. Haraway, Gary L. Francione, and Carol J. Adams, have extended her vision, they have also created new audiences for her work.

Six essays exploring social, moral, economic, and gender issues surrounding women's clothing.

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Reprint of the original, first published in 1871.

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This volume brings together for the first time three novels that illustrate the distinguished American writer Elizabeth Stuart Phelps's enduring interest in the afterlife. The daughter of a Calvinist minister, Phelps could not reconcile herself to the idea of a heaven full of spirits who had cut their ties to those left behind on Earth. Rather, she became convinced of the viability of the Spiritualist view that a vital link to earthly life continues in the hereafter. Articulating an alternative to conservative church doctrine, Phelps assured her readers--many of them women bereft of their loved ones by the Civil War--that Spiritualist ideas about the afterlife were not fundamentally at odds with Scripture. Like the protagonist of The Gates Ajar, these readers wanted to believe "something actual, something pleasant" about the world to come, not "glittering generalities" about a "dreadful Heaven" where their loved ones were too busy singing and worshiping to have any thought of those left behind. All three of the novels collected here--The Gates Ajar (1868), Beyond the Gates (1883), and The Gates Between (1887)--describe heaven as a perfected version of earthly life and the afterlife as a chance to make up for opportunities squandered on Earth. A grieving sister finds consolation in the Spiritualist idea of a continued connection with her beloved brother; a dying woman finds her soulmate in the afterlife; an erring husband makes amends across the line between the living and the dead. Tremendously popular in Phelps's lifetime, these novels offer a way of reconciling human beings to earthly loss and sorrow, assuring readers of an afterlife both restorative and compensatory. They also provide an intriguing look at a phenomenon that preoccupied nineteenth-century America and continues to fascinate us in the twenty-first century.