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Este libro habla de los varios aspectos de la vida de un pueblo de antaño. Su folklore, sus costumbres, su picardía, su sanidad, sus valores, su moralidad, y sobre todo habla del pensamiento de algunos de sus hombres. Un pueblo en donde todos se conocían y se trataban como familia, en donde no había ni secretos ni intimidades que se pudieran ocultar. Los personajes de Zambrano en estas crónicas son y fueron reales. He cambiado algunos de sus nombres por respeto y deferencia a sus memorias. Los sucesos que a ellos se atribuyen por lo general fueron ciertos, salvo que talvez algunos han podido ser un poco exagerados o embellecidos por las Fuentes que los proveyeron. Parte del lenguaje usado aquí podría ser crudo y tal vez ofensivo para algunas personas.

Giannalberto Bendazzi brings to light some of the lost relics of animation history with his new book, Twice the First: Quirino Cristiani and the Animated Feature Film. Unlike other works, however, Bendazzi focuses on the growth of animation in non-western countries. This book particularly emphasizes the contributions of Quirino Cristiani and how his work influenced other animators. Bendazzi provides in-depth coverage about Cristiani’s life, both professionally and personally. Twice the First takes the reader on an exciting journey through the historical development of animation through the eyes of Quirino Cristiani. Key Features A look back at the modest beginnings of feature film animation. An exciting account of some facts never before revealed in the history and development of animated film Among the fascinating information the reader can learn from this book, is that not all the action in cinematography took place in North America and Western Europe This book provides an important service in documenting the early period of animation and filling in the gaps in the history of the development of animation.

The contributors explore the issues of agency and power which motivate the conflicting discourses surrounding syncretism, that is the mixing of different religious traditions within a culture.

For a quarter century, Luis Antonio Navia worked as a high-level cocaine transporter for all of the major Colombian and Mexican drug cartels, including Pablo Escobar’s Medellín Cartel, and flooded the United States and Europe with cocaine before his dramatic arrest in Venezuela in 2000 during the 12-nation Operation Journey. The story of Navia’s rise, fall, takedown, imprisonment, and redemption is expertly researched and told by acclaimed biographer Jesse Fink, who has gathered interviews with Navia, Navia’s family, and a dozen law-enforcement agents in the United States and Great Britain from agencies such as the DEA, ICE and Her Majesty’s Customs and Excise (now Her Majesty’s Revenue and Customs). Told in vivid detail, this true crime story will captivate the reader from start to finish.

From the award-winning reporter and go-to source on Cuban-Miami politics Ann Louise Bardach comes a riveting, eye-opening account of the last chapter in the life of Fidel Castro: his near death and marathon finale, his enemies and their fifty-year failed battle to eliminate him, and the carefully planned succession and early reign of his brother Raúl. Ann Louise Bardach offers a spellbinding chronicle of the Havana-Washington political showdown, drawing on nearly two decades of reporting and countless interviews with everyone from the Comandante himself, his co-ruler and brother Raúl, and other family members, to ordinary Cubans as well as officials and politicos in Miami, Havana, and Washington. The result is an unforgettable dual portrait of Fidel and Raúl Castro -- arguably the most successful and enduring political brother team in history. Since 1959, Fidel Castro has been the supreme leader of Cuba, deftly checkmating his foes, both from within and abroad; confronting eleven American presidents; and outfoxing dozens of assassination attempts, vanquished only by collapsing health. As night descends on Castro's extraordinary fifty-year reign, Miami, Havana, and Washington are abuzz with anxious questions: What led to the lightning-bolt purge of key Cuban officials in March 2009? Who will be Raúl's heir? Will the U.S. embargo end now? Bardach offers profound and surprising answers to these questions as she meticulously chronicles Castro's protracted farewell and assesses his transformative impact on the world stage and the complex legacy that will long outlive him. She reports from three distinct vantage points: In Miami, where more than one million Cubans have fled, she interviews scores of exiles including Castro's would-be assassins Orlando Bosch and Luis Posada Carriles; in Washington, DC, she reports on the Obama administration's struggle to formulate a post-Castro strategy; in Havanah she permeates the bubble around the fiercely private and officially retired Castro to ascertain the extent of his undisclosed medical condition. Bardach delivers a compelling meditation on one of the most controversial, combative, and charismatic rulers in history. Without Fidel includes never-before-published reporting on Castro, his family, and his half-century grip on the largest country in the Caribbean while assessing how his departure will forever transform politics and policy in the Western Hemisphere -- and the world.

Estimado lector el contenido que está por descubrir es una historia de búsqueda, de evolución, de cambio, merodeada por circunstancias comunes de nuestro personaje principal, un amor envuelto de complicaciones, un sueño abatido por sus discrepancias emocionales, un retrato del hombre moderno, inmerso en un mundo caótico. Es una reflexión de nuestra postura como entes sociales, partícipes de una cadena de causas y efectos, partícipes de un entorno que nos delimita y nos nombra, partícipes de una ciudad llamada Collage y de ese folklor que vive en ella.

Cuba's cultural influence throughout the Western Hemisphere, and especially in the United States, has been disproportionally large for so small a country. This landmark volume is the first comprehensive overview of poetry written over the past sixty years. Presented in a beautiful Spanish-English en face edition, The Whole Island makes available the astonishing achievement of a wide range of Cuban poets, including such well-known figures as Nicolás Guillén, José Lezama Lima, and Nancy Morejón, but also poets widely read in Spanish who remain almost unknown to the English-speaking world—among them Fina García Marruz, José Kozer, Raúl Hernández Novás, and Ángel Escobar—and poets born since the Revolution, like Rogelio Saunders, Omar Pérez, Alessandra Molina, and Javier Marimón. The translations, almost all of them new, convey the intensity and beauty of the accompanying Spanish originals. With their work deeply rooted in Cuban culture, many of these poets—both on and off the island—have been at the center of the political and social changes of this tempestuous period. The poems offered here constitute an essential source for understanding the literature and culture of Cuba, its diaspora, and the Caribbean at large, and provide an unparalleled perspective on what it means to be Cuban.