The Bloomsbury Research Handbook of Contemporary Japanese Philosophy examines the current vibrant trends in Japanese philosophical thinking. Situating Japanese philosophy within the larger context of global intercultural philosophical discourse and pointing to new topics of research, this Handbook covers philosophy of science, philosophy of peace, philosophy of social justice and healing. Introducing not only new readings of well-known Japanese philosophers, but also work by contemporary Japanese philosophers who are relatively unknown outside Japan, it makes a unique contribution by offering an account of Japanese philosophy from within and going beyond an objective description of it in its various facets. Also featured is the work of a younger generation of scholars and thinkers, who bring in fresh perspectives that will push the field into the future. These critical essays, by leading philosophers and rising scholars, to the past and the present of Japanese philosophy demonstrate ways of doing engaged philosophy in the present globalized age. With suggestions for further reading, a glossary, a timeline and annotated bibliography, The Bloomsbury Research Handbook of Contemporary Japanese Philosophy is an ideal research guide to understanding the origin, transformation, and reception of Japanese philosophy in the 21st century.

The film star is not simply an actor but a historical phenomenon that derives from the production of an actor’s attractiveness, the circulation of his or her name and likeness, and the support of media consumers. This book analyzes the establishment and transformation of the transnational film star system and the formations of historically important film stars—Japanese and non-Japanese—and casts new light on Japanese modernity as it unfolded between the 1910s and 1930s. Hideaki Fujiki illustrates how film stardom and the star system emerged and evolved, touching on such facets as the production, representation, circulation, and reception of performers’ images in films and other media. Examining several individual performers—particularly benshi narrators, Onoe Matsunosuke, Tachibana Teijirō, Kurishima Sumiko, Clara Bow, and Natsukawa Shizue—as well as certain aspects of different star systems that bolstered individual stardom, this study foregrounds the associations of contradictory, multivalent social factors that constituted modernity in Japan, such as industrialization, capitalism, colonialism, nationalism, and consumerism. Through its nuanced treatment of the production and consumption of film stars, this book shows that modernity is not a simple concept, but an intricate, contested, and paradoxical nexus of diverse social elements emerging in their historical contexts.

When army special forces hero Paul Cable is critically injured during a covert operation in Afghanistan, he slumps in to the depths of a deep coma. From his hospital bed he discovers himself barely alive in 'The Waiting State'. Joined by a surprise ally he is taken on a torturous journey of the past: one he had tried to bury. One of dark times in an unforgiving place, during the harshest of circumstances. Only Paul Cable can decide whether he should live or die. 'This Lonely Incubus' is an incredible story through 1970's-80's childhood, 1990's coming of age, until present day. A trip from timid child, via awkward youth, to highly respected trained killer.

This book is intended as a systemic functional contribution to language typology both for those who would like to understand and describe particular languages against the background of generalizations about a wide range of languages and also for those who would like to develop typological accounts that are based on and embody descriptions of the systems of particular languages (rather than isolated constructions). The book is a unique contribution in at least two respects. On the one hand, it is the first book based on systemic functional theory that is specifically concerned with language typology. On the other hand, the book combines the particular with the general in the description of languages: it presents comparable sketches of particular languages while at the same time identifying generalizations based on the languages described here as well as on other languages. The volume explores eight languages, covering seven language families: French, German, Pitjantjatjara, Tagalog, Telugu, Vietnamese, Chinese, and Japanese.

This collection of thirteen essays examines cultural, political, economic, technological and institutional aspects of popular music across Asia, from India to Japan.

At the time of his death in 1965, at the age of 79, Tanizaki Jun’ichiro had been writing fiction, plays, essays, poems, and translations almost without interruption for more than fifty-five years. In this series of meditations on seven of Tanizaki’s novels and novellas, the renowned translator Anthony Chambers focuses on the thread of fantasy that Tanizaki weaves throughout his work. He examines Tanizaki’s subtle use of storytelling devices to evoke his characters’ alternate sense of reality and to encourage the reader’s participation in their fantasies. Employing his intimate knowledge of Tanizaki’s works, Chambers superbly evokes the beauty and truth Tanizaki’s characters find in their ideal worlds.

This important work fills the need for a reasonably priced yet comprehensive volume on major directors in the history of Japanese film. With clear insight and without academic jargon, Jacoby examines the works of over 150 filmmakers to uncover what makes their films worth watching. Included are artistic profiles of everyone from Yutaka Abe to Isao Yukisada, including masters like Kinji Fukasaku, Juzo Itami, Akira Kurosawa, Takashi Miike, Kenji Mizoguchi, Yasujiro Ozu, and Yoji Yamada. Each entry includes a critical summary and filmography, making this book an essential reference and guide. UK-based Alexander Jacoby is a writer and researcher on Japanese film.

How can one construct relationality with the other through the skin, when touch is inevitably mediated by memories of previous contact, accumulated sensations, and interstitial space?

Japanese Christian leader Takakura Tokutaro, 1885-1934, is the focus of this exhaustive historical and theological study. Takakura's life spanned a critical period in developing Japan, a new member of the "modern family of nations." At the age of 21, through the preaching of the immensely influential church leader Uemura Masahisa, Takakura converted to the Christian faith. He later spent over two years in the West, reading extensively in British and German theology. Takakura thus faced the challenge of absorbing numerous lines of influence and re-articulating the Christian faith within his own generation's distinctly Japanese linguistic and religio-cultural context. His personal religious experience was a microcosm of the universalization of Christian theology during the nineteenth and twentieth centuries. Despite having played important leadership roles within the Protestant Church in Japan during the 1920s and early 1930s, Takakura's name is scarcely known outside limited Japanese theological circles. This study lends recognition to his influential role in the Christian Church. It also utilizes Takakura's example to provide further insight into the universalizing trend in Christian thought that continues even today.