A critical discussion of Hillary Clinton's speaking fees, focusing on the corporations that paid the fees

This is a fun and vibrant celebration of red hats and the women who wear them. On festive display here are some of the most amazing, unique, elegant, and just plain wacky works of millinery art even designed.

Everything around us is designed and the word 'design' has become part of our everyday experience. But how much do we know about it? Fifty Hats That Changed the World imparts that knowledge listing the top 50 hats and headwear that have made a substantial impact in the world of fashion and design today. From an early fourteenth century Russian crown to Noel Stewart's 2010 Ribboned Landscape hat, each entry offers a short appraisal to explore what has made their iconic status and the designers that give them a special place in design history.

This book presents an illustrated view of 2,000 years of head coverings. Over 800 drawings by the author--adapted from rare paintings, sculptures, and illustrations--accurately depict headgear in various aspects, including gender, class, and nationality. Crowns, wigs, tiaras, and helmets appear among the varied forms of headdresses, which include conical leather caps worn by the Danes in 70 B.C.; metal Viking helmets with horns; feathered Flemish berets (1410); petite straw hats, adorned with a rosette and ribbons (187); handsome English top hats (1957); as well as ecclesiastical regalia, traditional and ethnic styles, and hats and head adornments from far beyond the European shores. Organized chronologically by century, the fetching drawings appear alongside an interpretive text that documents the development of styles, their changes with the passage of time, and the influences that both created and altered them. This reference for designers, art students, and costume historians is also for anyone who appreciates the age-old allure of a fine hat.

For such simple garments, hats have had a devastating impact on wildlife throughout their long history. Made of wild-caught mammal furs, decorated with feathers or whole stuffed birds, historically they have driven many species to near extinction. By the turn of the twentieth century, egrets, shot for their exuberant white neck plumes, had been decimated; the wild ostrich, killed for its feathers until the early 1900s, was all but extirpated; and vast numbers of birds of paradise from New Guinea and hummingbirds from the Americas were just some of the other birds killed to decorate ladies’ hats. At its peak, the hat trade was estimated to be killing 200 million birds a year. At the end of the nineteenth century, it was a trade valued at £20 million (over $25 million) a year at the London feather auctions. Weight for weight, exotic feathers were more valuable than gold. Today, while no wild birds are captured for feather decoration, some wild animals are still trapped and killed for hatmaking. A fascinating read, Hats will have you questioning the history of your headwear.

Over 80 years ago, Heather Firbank packed away her extensive collection of fine clothes, bought from London's very best dressmakers and tailors. These treasures lay undiscovered for the next 30 years, until after her death, they were given to the V&A, laying the foundations for the Museum's world-famous collection. Firbank was an enthusiastic shopper and bought her clothes from the world's leading couture houses, including Lucile, Redfern and Mascotte, as well as private dressmakers and department stores. Her collection forms an invaluable record of fashionable Edwardian taste over a period of some 15 years. Beautifully illustrated with new photography of finely crafted evening gowns, tailored suits and glamorous hats, the book also features contemporary photographs and pages from Heather's own albums of fashion cuttings. It vividly maps out the London couture scene of Edwardian Britain, and charts changes in fashion through the tumultuous first decades of the twentieth century. Through the story of Heather's own life, both joyous and troubled, this book celebrates the central role of clothing in creating a single woman's identity.

Whether you’re in a professional or a community theatre, part of a historical re-enactment, or teaching costume construction, a well-made hat provides a much-needed finishing touch to a costume. Period Reproduction Buckram Hats: The Costumer’s Guidebook is your one-stop resource for learning how to recreate historically accurate buckram hats. Each chapter is devoted to the construction of a particular hat, beginning with a historical image and followed by an list of the exact amount of fabric, tools, and materials needed and the estimated time to complete the construction. Every chapter contains a brief historical background on each hat, a pattern, step-by-step instructions, process photographs, and ideas for altering the pattern to fit your unique production. This book not only provides instruction for the exacting reproduction of historic hats, but it also guides and encourages you to alter patterns and techniques to create your own designs. The final chapters outline general millinery principles that can be applied to almost any hat, allowing you to customize your project.

Hundreds of beautiful hats by important American and European milliners, all illustrated in over 550 color photos. This carefully researched book profiles the creators and lists the most desirable designer and salon labels. It offers special sections with tips on dating, evaluation, and storing and decoration, as well as a useful value guide.

In Edwardian London, a girl dreams of being an artist, despite her family's disapproval. Welcome to the world of the fabulously wealthy in London, 1909, where dresses and houses are overwhelmingly opulent, social class means everything, and women are taught to be nothing more than wives and mothers. Into this world comes seventeen-year-old Victoria Darling, who wants only to be an artist—a nearly impossible dream for a girl. After Vicky poses nude for her illicit art class, she is expelled from her French finishing school. Shamed and scandalized, her parents try to marry her off to the wealthy Edmund Carrick-Humphrey. But Vicky has other things on her mind: her clandestine application to the Royal College of Art; her participation in the suffragette movement; and her growing attraction to a working-class boy who may be her muse—or may be the love of her life. As the world of debutante balls, corsets, and high society obligations closes in around her, Vicky must figure out: just how much is she willing to sacrifice to pursue her dreams?