This book takes a particular perspective on the nature of poetry and follows this through to proposals for teaching. It focuses attention on how the use of language in short poems can set up conditions for individual interpretation and the representation of reality in ways other than those which are established by normal social convention. This view of poetry, it is argued, leads to a recognition of its essential role in education, and provides a set of principles for an approach to teaching it which integrates the study of language and literature.

The first book ever on the much maligned nettles of the world presents a story of these followers of mankind and his cattle throughout history. This study centres on the most abundant and sub-cosmopolitan common stinging nettle (Urtica dioica), but also deals with other nettles throughout the world. Tropical tormentors rich in species include the notorious nettle trees with their formidable stings which fascinated the Europeans after their discovery by botanists on the round-the-world trips of exploration in the 17-19th centuries. Many people on their travels will have met the nettle trees of the Indo-Malay region and other stinging nettles in North and South America, India, etc., which sting and have beautiful flowers but are called nettles; these are also dealt with. The first microscopists and their descriptions of the beautiful stinging hair; the uncovering of the mechanism of its action and the more recent elucidation of the toxins causing the characteristic symptoms is a fascinating one and takes up 3 chapters. The book includes the 100 major scientific works published on the common stinging nettle and never brought to the notice of the general public before. The author spent six years studying the ecology of the nettle patch, its invertebrate herbivores (mainly insects) and vertebrate herbivores (cattle, deer, etc.,) and their interactions with other plants: its secret life is recorded in line drawings and photographs (1000+ individual items). It was not possible to publish these in colour but they are in full colour on a CD-ROM (300 dpi) at the back of the book. Covered also are nettle folklore, fibre use in World War I & II, as a food, fodder, herbal medicine, growth as a competitor plant, habitats, sex (unique exploding stamens), breeding systems, variation, evolution etc.!! Some the world's most beautiful butterflies would not exist without nettles.

Studies writers from the 1920s with regard to their political radicalism. Draws on the works of D. H. Lawrence, Virginia Woolf, Sylvia Townsend Warner, and Patrick Hamilton, among others, to identify the decade as a time of both political activism and of deliberately transgressive behavior, particularly among women. Meets head-on the argument of earlier commentators who take for granted the post-war decade as defined by cynicism and hedonism, and looks at the work and lifestyles of those determined to find ways out of despair. Annotation copyrighted by Book News, Inc., Portland, OR

An introduction to the study of style in language, offering practical advice on how to stylistically analyse texts.

How meaning in poetry is conveyed by the forces of grammar and meter

In Ecology without Nature, Timothy Morton argues that the chief stumbling block to environmental thinking is the image of nature itself. Ecological writers propose a new worldview, but their very zeal to preserve the natural world leads them away from the "nature" they revere. The problem is a symptom of the ecological catastrophe in which we are living. Morton sets out a seeming paradox: to have a properly ecological view, we must relinquish the idea of nature once and for all. Ecology without Nature investigates our ecological assumptions in a way that is provocative and deeply engaging. Ranging widely in eighteenth-century through contemporary philosophy, culture, and history, he explores the value of art in imagining environmental projects for the future. Morton develops a fresh vocabulary for reading "environmentality" in artistic form as well as content, and traces the contexts of ecological constructs through the history of capitalism. From John Clare to John Cage, from Kierkegaard to Kristeva, from The Lord of the Rings to electronic life forms, Ecology without Nature widens our view of ecological criticism, and deepens our understanding of ecology itself. Instead of trying to use an idea of nature to heal what society has damaged, Morton sets out a radical new form of ecological criticism: "dark ecology."

This fascinating study explores the imagination, life and work of Edward Thomas (1878-1917).

Originally published in 1980, this is Dirk Bogarde's first novel. In the uneasy aftermath of WWII, a group of ordinary British soldiers and their families find themselves stationed as peacekeepers at an outpost in the Java Sea. Whilst attempting to return the island to Dutch control, they are subject to violent attacks by the locals who want their freedom. As the Empire crumbles, the island is plunged into chaos and violence amidst a nationalist uprising. Selfishness, sex, greed, fear and revenge, all play their part; though so too do the finer instincts of love, loyalty and concern. At times gloriously funny, never sitting in judgement, Dirk Bogarde portrays mankind's fallible, complex humanity as the thin skin of conventional behaviour, tautened in the corrosive atmosphere of Southeast Asia, gradually begins to split.

Edward Thomas can be seen as the most important poetry critic in the early twentieth century. Thomas was a prose-writer before he was a poet. The Selected Edition of his prose, and especially this volume, shows that he was also a critic before he was a poet. His unusual literary career opens up key questions about the relation between poetry and criticism, as well as between poetry and prose. Thomas wrote books about poetry, but his criticism mainly took the form of reviews. He reviewed collections, editions, and studies of poetry, most regularly, for the Daily Chronicle and the Morning Post. These reviews amount to a unique commentary on the state of poetry and of poetry criticism after 1900. Since reviewing provided Thomas's main income, he also reviewed other kinds of book. Hence the sheer mass of his reviews, the stress he suffered as a literary journalist. Yet his criticism maintains an astonishingly high standard. Thomas's response to contemporary poetry intersects with his readings of older poetry. No critic or poet of the time was so deeply acquainted with the traditions of English-language poetry or so alert to new poetic movements in Ireland and America. Edward Thomas's writings on poetry have a double importance. Besides suggesting the hidden evolution of his own aesthetic, they constitute a lost history and critique of poetry before the Great War. They change our assumptions about that period. Thomas's perspectives on poets such as Yeats, Hardy, Frost, Lawrence, and Pound illuminate the making of modern poetry.