Hawai'i's Ambassador of Aloha, Duke Kahanamoku, is remembered for his Olympic medals and as the Father of International Modern Surfing. But those who place leis on his statue in Waik k equally honor him for his strength of character and the Hawaiian ideals he represented. In this moving tribute, filled with photos of Duke, his story and Hawai'i's are intertwined.

From the bestselling author of Husband Material comes a lush, sweeping queer historical romance where sparks fly between childhood friends after a life-changing separation—perfect for fans of Bridgerton, Evie Dunmore, and Lisa Kleypas!​ When Viola Carroll was presumed dead at Waterloo she took the opportunity to live, at last, as herself. But freedom does not come without a price, and Viola paid for hers with the loss of her wealth, her title, and her closest companion, Justin de Vere, the Duke of Gracewood. Only when their families reconnect, years after the war, does Viola learn how deep that loss truly was. Shattered without her, Gracewood has retreated so far into grief that Viola barely recognises her old friend in the lonely, brooding man he has become. As Viola strives to bring Gracewood back to himself, fresh desires give new names to old feelings. Feelings that would have been impossible once and may be impossible still, but which Viola cannot deny. Even if they cost her everything, all over again.

Stuart Hall’s Voice explores the ethos of style that characterized Stuart Hall’s intellectual vocation. David Scott frames the book—which he wrote as a series of letters to Hall in the wake of his death—as an evocation of friendship understood as the moral and intellectual medium in which his dialogical hermeneutic relationship with Hall’s work unfolded. In this respect, the book asks: what do we owe intellectually to the work of those whom we know well, admire, and honor? Reflecting one of the lessons of Hall’s style, the book responds: what we owe should be conceived less in terms of criticism than in terms of listening. Hall’s intellectual life was animated by voice in literal and extended senses: not only was his voice distinctive in the materiality of its sound, but his thinking and writing were fundamentally shaped by a dialogical and reciprocal practice of speaking and listening. Voice, Scott suggests, is the central axis of the ethos of Hall’s style. Against the backdrop of the consideration of the voice’s aspects, Scott specifically engages Hall’s relationship to the concepts of "contingency" and "identity," concepts that were dimensions less of a method as such than of an attuned and responsive attitude to the world. This attitude, moreover, constituted an ethical orientation of Hall’s that should be thought of as a special kind of generosity, namely a "receptive generosity," a generosity oriented as much around giving as receiving, as much around listening as speaking.

For the last two years, acclaimed theologian Amy Laura Hall has written a lively, wide-ranging, opinionated column for her local newspaper. In her column, Hall has sought--without flatly rejecting globalism--to think and act locally. She has also responded to what she sees as a disturbing Christian turn toward asceticism and away from abundance. Drawing from her scholarship, but also from conversations at coffee shops and around the dinner table, Hall's "missives of love" engage topics such as school dress codes, ubiquitous surveillance cameras, LGBTQ dignity, and bullies in the workplace. They draw richly and variously on pop songs, dead saints, young adult literature, and many stories about actual neighbors and family members. Often offbeat and always riveting, they ask how the world around us works and can work much better for the sake of daily truth and flourishing.

Through an examination of caste in sixteenth- and seventeenth-century Mexico, Hall of Mirrors explores the construction of hierarchy and difference in a Spanish colonial setting. Laura A. Lewis describes how the meanings attached to the categories of Spanish, Indian, black, mulatto, and mestizo were generated within that setting, as she shows how the cultural politics of caste produced a system of fluid and relational designations that simultaneously facilitated and undermined Spanish governance. Using judicial records from a variety of colonial courts, Lewis highlights the ethnographic details of legal proceedings as she demonstrates how Indians, in particular, came to be the masters of witchcraft, a domain of power that drew on gendered and hegemonic caste distinctions to complicate the colonial hierarchy. She also reveals the ways in which blacks, mulattoes, and mestizos mediated between Spaniards and Indians, alternatively reinforcing Spanish authority and challenging it through alliances with Indians. Bringing to life colonial subjects as they testified about their experiences, Hall of Mirrors discloses a series of contradictions that complicate easy distinctions between subalterns and elites, resistance and power.

"Sometimes I feel myself to have been the last colonial." This, in his own words, is the extraordinary story of the life and career of Stuart Hall—how his experiences shaped his intellectual, political, and theoretical work and how he became one of his age's brightest intellectual lights. Growing up in a middle-class family in 1930s Kingston, Jamaica, still then a British colony, the young Stuart Hall found himself uncomfortable in his own home. He lived among Kingston's stiflingly respectable brown middle class, who, in their habits and ambitions, measured themselves against the white elite. As colonial rule was challenged, things began to change in Kingston and across the world. In 1951 a Rhodes scholarship took Hall across the Atlantic to Oxford University, where he met young Jamaicans from all walks of life, as well as writers and thinkers from across the Caribbean, including V. S. Naipaul and George Lamming. While at Oxford he met Raymond Williams, Charles Taylor, and other leading intellectuals, with whom he helped found the intellectual and political movement known as the New Left. With the emotional aftershock of colonialism still pulsing through him, Hall faced a new struggle: that of building a home, a life, and an identity in a postwar England so rife with racism that it could barely recognize his humanity. With great insight, compassion, and wit, Hall tells the story of his early life, taking readers on a journey through the sights, smells, and streets of 1930s Kingston while reflecting on the thorny politics of 1950s and 1960s Britain. Full of passion and wisdom, Familiar Stranger is the intellectual memoir of one of our greatest minds.

Not all dukes are created equal. Most are upstanding members of Society. And then there’s the trio known as The Dis-Graces. Hugh Philemon Ancaster, seventh Duke of Ripley, will never win prizes for virtue. But even he draws the line at running off with his best friend’s bride. All he’s trying to do is recapture the slightly inebriated Lady Olympia Hightower and return her to her intended bridegroom. For reasons that elude her, bookish, bespectacled Olympia is supposed to marry a gorgeous rake of a duke. The ton is flabbergasted. Her family’s ecstatic. And Olympia? She’s climbing out of a window, bent on a getaway. But tall, dark, and exasperating Ripley is hot on her trail, determined to bring her back to his friend. For once, the world-famous hellion is trying to do the honorable thing. So why does Olympia have to make it so deliciously difficult for him . . . ?

Selected Political Writings gathers Stuart Hall's best-known and most important essays that directly engage with political issues. Written between 1957 and 2011 and appearing in publications such as New Left Review and Marxism Today, these twenty essays span the whole of Hall's career, from his early involvement with the New Left, to his critique of Thatcherism, to his later focus on neoliberalism. Whether addressing economic decline and class struggle, the Cuban Missile Crisis, or the politics of empire, Hall's singular commentary and theorizations make this volume essential for anyone interested in the politics of the last sixty years.

Writings on Media gathers more than twenty of Stuart Hall's media analyses, from scholarly essays such as “Encoding and Decoding in the Television Discourse” (1973) to other writings addressed to wider publics. Hall explores the practices of news photography, the development of media and cultural studies, the changing role of television, and how the nation imagines itself through popular media. He attends to Britain's imperial history and the politics of race and cultural identity as well as the media's relationship to the political project of the state. Testifying to the range and agility of Hall's critical and pedagogic engagement with contemporary media culture—and also to his collaborative mode of working—this volume reaffirms his stature as an innovative media theorist while demonstrating the continuing relevance of his methods of analysis.

Volume II of this two-volume set traces the artist's life and career month by month from the orchestra's return from an extended European tour in June 1950, to Ellington's death in 1974. Jazz historian and graphic designer Vail presents b & w photographs, newspaper reports, advertisements, reviews, and brief diary-type entries; he includes all known club, concert, theater, television, film, and jam sessions, as well as a selected list of recordings. Annotation copyrighted by Book News, Inc., Portland, OR