Major Motion Picture based on Dark Alliance and starring Jeremy Renner, "Kill the Messenger," to be be released in Fall 2014 In August 1996, Pulitzer Prize-winning journalist Gary Webb stunned the world with a series of articles in the San Jose Mercury News reporting the results of his year-long investigation into the roots of the crack cocaine epidemic in America, specifically in Los Angeles. The series, titled “Dark Alliance,” revealed that for the better part of a decade, a Bay Area drug ring sold tons of cocaine to Los Angeles street gangs and funneled millions in drug profits to the CIA-backed Nicaraguan Contras. Gary Webb pushed his investigation even further in his book, Dark Alliance: The CIA, The Contras, and the Crack Cocaine Explosion. Drawing from then newly declassified documents, undercover DEA audio and videotapes that had never been publicly released, federal court testimony, and interviews, Webb demonstrates how our government knowingly allowed massive amounts of drugs and money to change hands at the expense of our communities. Webb’s own stranger-than-fiction experience is also woven into the book. His excoriation by the media—not because of any wrongdoing on his part, but by an insidious process of innuendo and suggestion that in effect blamed Webb for the implications of the story—had been all but predicted. Webb was warned off doing a CIA expose by a former Associated Press journalist who lost his job when, years before, he had stumbled onto the germ of the “Dark Alliance” story. And though Internal investigations by both the CIA and the Justice Department eventually vindicated Webb, he had by then been pushed out of the Mercury News and gone to work for the California State Legislature Task Force on Government Oversight. He died in 2004.

Drugs as Weapons Against Us meticulously details how a group of opium-trafficking families came to form an American oligarchy and eventually achieved global dominance. This oligarchy helped fund the Nazi regime and then saved thousands of Nazis to work with the Central Intelligence Agency. CIA operations such as MK-Ultra pushed LSD and other drugs on leftist leaders and left-leaning populations at home and abroad. Evidence supports that this oligarchy further led the United States into its longest-running wars in the ideal areas for opium crops, while also massively funding wars in areas of coca plant abundance for cocaine production under the guise of a &“war on drugs&” that is actually the use of drugs as a war on us. Drugs as Weapons Against Us tells how scores of undercover U.S. Intelligence agents used drugs in the targeting of leftist leaders from SDS to the Black Panthers, Young Lords, Latin Kings, and the Occupy Movement. It also tells how they particularly targeted leftist musicians, including John Lennon, Jimi Hendrix, Kurt Cobain, and Tupac Shakur to promote drugs while later murdering them when they started sobering up and taking on more leftist activism. The book further uncovers the evidence that Intelligence agents dosed Paul Robeson with LSD, gave Mick Jagger his first hit of acid, hooked Janis Joplin on amphetamines, as well as manipulating Elvis Presley, Eminem, the Wu Tang Clan, and others.

When the San Jose Mercury News ran a controversial series of stories in 1996 on the relationship between the CIA, the Contras, and crack, they reignited the issue of the intelligence agency's connections to drug trafficking, initially brought to light during the Vietnam War and then again by the Iran-Contra affair. Broad in scope and extensively documented, Cocaine Politics shows that under the cover of national security and covert operations, the U.S. government has repeatedly collaborated with and protected major international drug traffickers. A new preface discusses developments of the last six years, including the Mercury News stories and the public reaction they provoked.

A shocking expose of the CIA’s role as drug baron. On March 18, 1998, the CIA’s Inspector General, Fred Hitz, told astounded US Reps that the CIA had maintained relationships with companies and individuals that the Agency knew to be involved in the drug business. More shocking was the revelation that the CIA had received from Reagan’s Justice Department clearance not to report any knowledge it might have of drug-dealing by CIA assets. Many years’ worth of CIA denials, much of it under oath to Congress, were sunk. Hitz’s admissions made fools of some of the most prominent names in US journalism and vindicated others that had been ruined. Particularly resonant was the case of the San Jose Mercury News, which published a sensational series on CIA involvement in the smuggling of cocaine into black urban neighborhoods, and then under pressure conspired in the destruction of its own reporter, Gary Webb. In Whiteout, Alexander Cockburn and Jeffrey St. Clair finally put the whole story together, from the earliest days, when the CIA’s institutional ancestors cut a deal with America’s premier gangster and drug trafficker, Lucky Luciano. This is a thrilling history that stretches from Sicily in 1944 to the killing fields of Laos and Vietnam, to CIA safe houses in Greenwich Village and San Francisco where CIA men watched Agency-paid prostitutes feed LSD to unsuspecting clients. We meet Oliver North, as he plotted with Manuel Noriega and Central American gangsters. We travel to little-known airports in Costa Rica and Arkansas. We hear from drug pilots and accountants from the Cali Cartel. We learn of DEA agents whose careers were ruined because they tried to tell the truth. Cockburn and St. Clair show how the CIA’s complicity with drug-dealing criminal gangs was part and parcel of its attacks on labor organizers, whether on the docks of New York, Marseilles, or Shanghai. They trace how the Cold War and counter-insurgency led to an alliance between the Agency and the vilest of war criminals like Klaus Barbie, or fanatic opium traders like the mujahedin in Afghanistan. Cockburn and St. Clair horrifyingly affirm charges of outraged black communities that the CIA had undertaken enduring programs of experiments on minorities. They show that the CIA imported Nazi scientists straight from their labs at Dachau and Buchenwald and set to work, developing chemical and biological agents, tested on blacks, some of them in mental hospitals. Cockburn and St. Clair dissect the shameful way American journalists have not only turned a blind eye to the Agency’s misdeeds, but also helped plunge the knife into those who tried to tell the truth. Fact-packed and fast-paced, Whiteout is a richly detailed excavation of the CIA’s dirtiest secrets. For anyone who wants to know the real truth about the Agency, this is the book to start with.

A memoir by a former undercover DEA agent

The bestselling author of All the Shah’s Men and The Brothers tells the astonishing story of the man who oversaw the CIA’s secret drug and mind-control experiments of the 1950s and ’60s. The visionary chemist Sidney Gottlieb was the CIA’s master magician and gentlehearted torturer—the agency’s “poisoner in chief.” As head of the MK-ULTRA mind control project, he directed brutal experiments at secret prisons on three continents. He made pills, powders, and potions that could kill or maim without a trace—including some intended for Fidel Castro and other foreign leaders. He paid prostitutes to lure clients to CIA-run bordellos, where they were secretly dosed with mind-altering drugs. His experiments spread LSD across the United States, making him a hidden godfather of the 1960s counterculture. For years he was the chief supplier of spy tools used by CIA officers around the world. Stephen Kinzer, author of groundbreaking books about U.S. clandestine operations, draws on new documentary research and original interviews to bring to life one of the most powerful unknown Americans of the twentieth century. Gottlieb’s reckless experiments on “expendable” human subjects destroyed many lives, yet he considered himself deeply spiritual. He lived in a remote cabin without running water, meditated, and rose before dawn to milk his goats. During his twenty-two years at the CIA, Gottlieb worked in the deepest secrecy. Only since his death has it become possible to piece together his astonishing career at the intersection of extreme science and covert action. Poisoner in Chief reveals him as a clandestine conjurer on an epic scale.

Scott explores the covert aspects of U.S. foreign policy. He presents compelling evidence to expose the extensive growth of sanctioned but illicit violence in politics and state affairs, especially when related to America's long-standing involvement with the global drug traffic.

The truth about the remaining dark secret of the Iran-Contra scandal- the United States government's collaboration with drug smugglers. Powderburns is the story of Celerino Castillo III who spent 12 years in the Drug Enforcement Administration. During that time, he built cases against organized drug rings in Manhattan, raided jungle cocaine labs in the Amazon, conducted aerial eradication operations in Guatemala, and assembled and trained anti-narcotics units in several countries. The eerie climax of Agent Castillo's career with the DEA took place in El Salvador. One day, he recieved a cable from a fellow agent. He was told to investigate possible drug smuggling by Nicaraguan Contras operating from the ilpango air force base. Castillo quickly discovered that Contra pilots were, indeed, smuggling narcotics back into the United States - using the same pilots, planes, and hangars that the Central Intelligence Agency and the National Security Council, under the Direction of Lt. Col. Oliver North, used to maintain their covert supply operation to the Contras.

The classic thriller about a hostile foreign power infiltrating American politics: “Brilliant . . . wild and exhilarating.” —The New Yorker A war hero and the recipient of the Congressional Medal of Honor, Sgt. Raymond Shaw is keeping a deadly secret—even from himself. During his time as a prisoner of war in North Korea, he was brainwashed by his Communist captors and transformed into a deadly weapon—a sleeper assassin, programmed to kill without question or mercy at his captors’ signal. Now he’s been returned to the United States with a covert mission: to kill a candidate running for US president . . . This “shocking, tense” and sharply satirical novel has become a modern classic, and was the basis for two film adaptations (San Francisco Chronicle). “Crammed with suspense.” —Chicago Tribune “Condon is wickedly skillful.” —Time