Who really wrote the classic song "Dixie"? A white musician, or an African American family of musicians and performers?

Much controversy exists concerning Major General Benjamin F. ButlerOCOs administration in New Orleans during the second year of the Civil War. Some historians have extolled the general as a great humanitarian, while others have vilified him as a brazen opportunist, agreeing with the wealthy of occupied New Orleans who labeled him OC BeastOCO Butler. In this thorough examination of ButlerOCOs career in the Crescent City, Chester G. Hearn reveals that both assessments are right.As a criminal lawyer prior to entering politics, Butler learned two great lessonsOCohow to beat the rich and powerful at their own game, and how to succeed as a felon without being caught. In New Orleans, Butler drew on these lessons, visibly enjoying power, removing those who questioned his authority, and delighting in defeating his opponents. Because of his remoteness from Washington, he was able to make up his own rules as he went along, surrounding himself with trusted friends and family members who had no choice but to keep his secrets lest they incriminate themselves.Butler made every effort to humble the rich, who abhorred him and whose sordid characterizations of his regimeOCosome true, some notOCobecame legendary. As Hearn explains, ButlerOCOs legacy of corruption clouded many admirable aspects of his administration. He championed the poor, many of whom would have starved had he not fed and employed them. He also established sanitation policies that helped rid the city of disease and saved the lives of thousands of New OrleansOCO less-fortunate.Vividly describing ButlerOCOs childhood and his political career before and after the war, Hearn deftly places ButlerOCOs New Orleans reign in the context of his life. He also offers new information on Butler, including the first investigation of his suspicious accumulation of great wealth late in life.In a fast-paced, colorful narrative, Hearn shows Butler to be a fascinating case study of contradictions, a remarkable man with a politicianOCOs appetite for wealth and power as well as a sincere empathy for the poor. All Civil War historians and buffs will savor this riveting, insightful portrait of the man behind OC the Beast.OCO"

Rock & roll has transformed American culture more profoundly than any other art form. During the 1960s, it defined a generation of young people as political and social idealists, helped end the Vietnam War, and ushered in the sexual revolution. In Dixie Lullaby, veteran music journalist Mark Kemp shows that rock also renewed the identity of a generation of white southerners who came of age in the decade after segregation -- the heyday of disco, Jimmy Carter, and Saturday Night Live. Growing up in North Carolina in the 1970s, Kemp experienced pain, confusion, and shame as a result of the South's residual civil rights battles. His elementary school was integrated in 1968, the year Kemp reached third grade; his aunts, uncles, and grandparents held outdated racist views that were typical of the time; his parents, however, believed blacks should be extended the same treatment as whites, but also counseled their children to respect their elder relatives. "I loved the land that surrounded me but hated the history that haunted that land," Kemp writes. When rock music, specifically southern rock, entered his life, he began to see a new way to identify himself, beyond the legacy of racism and stereotypes of southern small-mindedness that had marked his early childhood. Well into adulthood Kemp struggled with the self-loathing familiar to many white southerners. But the seeds of forgiveness were planted in adolescence when he first heard Duane Allman and Ronnie Van Zant pour their feelings into their songs. In the tradition of music historians such as Nick Tosches and Peter Guralnick, Kemp masterfully blends into his narrative the stories of southern rock bands --from heavy hitters such as the Allman Brothers Band, Lynyrd Skynyrd, and R.E.M. to influential but less-known groups such as Drive-By Truckers -- as well as the personal experiences of their fans. In dozens of interviews, he charts the course of southern rock & roll. Before civil rights, the popular music of the South was a small, often racially integrated world, but after Martin Luther King Jr.'s assassination, black musicians struck out on their own. Their white counterparts were left to their own devices, and thus southern rock was born: a mix of popular southern styles that arose when predominantly white rockers combined rural folk, country, and rockabilly with the blues and jazz of African-American culture. This down-home, flannel-wearing, ass-kicking brand of rock took the nation by storm in the 1970s. The music gave southern kids who emulated these musicians a newfound voice. Kemp and his peers now had something they could be proud of: southern rock united them and gave them a new identity that went beyond outside perceptions of the South as one big racist backwater. Kemp offers a lyrical, thought-provoking, searingly intimate, and utterly original journey through the South of the 1960s, '70s, '80s, and '90s, viewed through the prism of rock & roll. With brilliant insight, he reveals the curative and unifying impact of rock on southerners who came of age under its influence in the chaotic years following desegregation. Dixie Lullaby fairly resonates with redemption.

A classic tale by Newbery Medalist Kate DiCamillo, America's beloved storyteller. One summer’s day, ten-year-old India Opal Buloni goes down to the local supermarket for some groceries – and comes home with a dog. But Winn-Dixie is no ordinary dog. It’s because of Winn-Dixie that Opal begins to make friends. And it’s because of Winn-Dixie that she finally dares to ask her father about her mother, who left when Opal was three. In fact, as Opal admits, just about everything that happens that summer is because of Winn-Dixie. Featuring a new cover illustration by E. B. Lewis.

In 'Ruth Fielding Down in Dixie; Or, Great Times in the Land of Cotton' by Alice B. Emerson, readers are taken on a captivating journey through the American South. The book is written in a descriptive and engaging style that transports the reader to the vivid world of the characters. Set against the backdrop of the cotton fields and plantations, the novel delves into themes of friendship, adventure, and facing societal challenges. Emerson excellently captures the spirit of the Southern culture of the time, providing readers with a glimpse into a bygone era. The narrative is rich in detail, showcasing the author's keen observation and storytelling skills. Fans of historical fiction will appreciate the authenticity and depth of the story. Alice B. Emerson, a prolific writer of the early 20th century, was known for her popular Ruth Fielding series, which followed the adventures of a young girl in various settings. It is likely that Emerson's own experiences and interest in the American landscape inspired her to write 'Ruth Fielding Down in Dixie'. Her ability to create relatable and endearing characters has endeared her to generations of readers. I recommend 'Ruth Fielding Down in Dixie; Or, Great Times in the Land of Cotton' to readers who enjoy immersive historical fiction and compelling coming-of-age stories. Emerson's masterful storytelling and vivid descriptions make this book a delightful and enlightening read for those interested in exploring the American South and its rich cultural heritage.

A revisionist history of the radical transformation of the American South during the Civil War examines the economic, social and political deconstruction and rebuilding of Southern institutions as experienced by everyday people. By the award-winning author of Confederate Emancipation.

In an era during which the United States Supreme Court handed down some of its most important decisions, including Brown v. Board of Education (1954), Baker v. Carr (1962), and Miranda v. Arizona (1966), three senators from South Carolina—Olin Johnston, Strom Thurmond, and Ernest “Fritz” Hollings—waged war on the court’s progressive agenda by targeting the federal judicial nominations process. To Face Down Dixie explores these senators’ role in some of the most contentious confirmation battles in recent history, including those of Thurgood Marshall, Abe Fortas, and Clement Haynsworth. In scrutinizing Supreme Court nominees and attempting to restrict the power of the nine justices of the court, these senators defied not only the leadership of the Democratic Party but also the Senate traditions of hierarchy and seniority. Along with South Carolina’s conservative, segregationist political establishment, which maintained ironclad control over the state’s legislature, Johnston, Thurmond, and Hollings effectively drowned out the many moderate voices in South Carolina that remained critical of their obstructionism, thus advancing their own conservative credentials and boosting their chances of reelection. To Face Down Dixie examines for the first time the central role that South Carolina played in turning Supreme Court nomination hearings into confrontational and political public events. James O. Heath argues that the state’s war on the court concealed its antipathy to civil rights by using the confirmation process to challenge the court’s function as the final arbiter of policy on questions relating to law and order, obscenity, communist subversion, and school prayer. Heath’s study illustrates that while South Carolina’s history of “massive resistance” is less prominent than that of other states, its politicians acted as persistent antagonists in the complex and dramatic debates in the U.S. Senate during the era of civil rights.

Fresh from reenacting a Civil War battle, Kyle Sherman, dressed in his Union uniform, is lost in Yewville, South Carolina. Dixie Lee Smith knows such a man should be treated as the enemy?shunned, or at the very least ignored. But with no Southern gentlemen pounding down her door, Dixie finds herself wondering if maybe the state of their potential "union" should be addressed. And once she discovers there's competition for Kyle, this particular rebel belle stops worrying about which side won the war, determined to win the handsome Yankee for herself. She's got a battle on her hands for sure. Because Kyle himself might not be so easy to subdue!

"The Boy Scouts Down in Dixie" from Herbert Carter. American author of boys' stories and dime novels (1854 - 1938).

One of the earliest performers on WSM in Nashville, Uncle Dave Macon became the Grand Ole Opry's first superstar. His old-time music and energetic stage shows made him a national sensation and fueled a thirty-year run as one of America's most beloved entertainers. Michael D. Doubler tells the amazing story of the Dixie Dewdrop, a country music icon. Born in 1870, David Harrison Macon learned the banjo from musicians passing through his parents' Nashville hotel. After playing local shows in Middle Tennessee for decades, a big break led Macon to Vaudeville, the earliest of his two hundred-plus recordings and eventually to national stardom. Uncle Dave--clad in his trademark plug hat and gates-ajar collar--soon became the face of the Opry itself with his spirited singing, humor, and array of banjo picking styles. For the rest of his life, he defied age to tour and record prolifically, manage his business affairs, mentor up-and-comers like David "Stringbean" Akeman, and play with the Delmore Brothers, Roy Acuff, and Bill Monroe.