The New York Times bestselling first book in a dark series that reimagines the Oz saga, from debut author Danielle Paige. Start at the beginning and discover your new series to binge! My name is Amy Gumm—and I'm the other girl from Kansas. I've been recruited by the Revolutionary Order of the Wicked. I've been trained to fight. And I have a mission: Remove the Tin Woodman's heart. Steal the Scarecrow's brain. Take the Lion's courage. And—Dorothy must die. I didn't ask for any of this. I didn't ask to be some kind of hero. But when your whole life gets swept up by a tornado—taking you with it—you have no choice but to go along, you know? Sure, I've read the books. I've seen the movies. I know the song about the rainbow and the happy little blue birds. But I never expected Oz to look like this. To be a place where Good Witches can't be trusted, Wicked Witches may just be the good guys, and winged monkeys can be executed for acts of rebellion. There's still a road of yellow brick—but even that's crumbling. What happened? Dorothy. They say she found a way to come back to Oz. They say she seized power and the power went to her head. And now no one is safe.

A brief biography of Dorothy Day, from her wild and tempestuous youth, to her conversion, to her radical activism as she emerged as an advocate for the poor and marginalized. -- Back cover.

“The novel that foreshadowed Donald Trump’s authoritarian appeal.”—Salon It Can’t Happen Here is the only one of Sinclair Lewis’s later novels to match the power of Main Street, Babbitt, and Arrowsmith. A cautionary tale about the fragility of democracy, it is an alarming, eerily timeless look at how fascism could take hold in America. Written during the Great Depression, when the country was largely oblivious to Hitler’s aggression, it juxtaposes sharp political satire with the chillingly realistic rise of a president who becomes a dictator to save the nation from welfare cheats, sex, crime, and a liberal press. Called “a message to thinking Americans” by the Springfield Republican when it was published in 1935, It Can’t Happen Here is a shockingly prescient novel that remains as fresh and contemporary as today’s news. Includes an Introduction by Michael Meyer and an Afterword by Gary Scharnhorst

During World War II, 110,000 citizens and resident aliens of Japanese ancestry were banished from their homes and confined behind barbed wire for two and a half years. No more blatant violation of civil rights has ever been decreed by an American president, yet so strong were the currents of bigotry and war time hysteria that effective political opposition was impossible. However, a group of University of California social scientists, sensing the enormity of the outrage, organized in 1942 to record and analyze the causes, legal and social consequences, and long-term effects of the detention program. The Spoilage, one of a series of books which resulted, analyzes the experiences of that part of the detained group-some 18,000 in total-whose response was to renounce America as a homeland; it shows the steps by which these "disloyal" citizens were inexorably pushed toward the disaster of denationalization. Essentially the result of years of research by participant observers of Japanese ancestry, it is a factual record of enduring value to the student of America's troubled ethnic relations.

Born in England in 1898, Dorothy Douglas emigrated to the United States in her early teens, graduating Summa Cum Laude from the University of California at Berkeley. She then studied art in Belgium, taught school in the Philippine Islands, and traveled through the world. After recieving her master's degree, Dorothy spent the next several years as a social worker in the San Francisco area. It was there she met my father, Bob Graham Brown, who had emigrated to Canada from England in 1920. Dorothy married Bob in San Francisco in 1930 after a long courtship and moved to Kootenay Lake in British Columbia where Bob had purchased property. Dorothy's life of privilege and refinement had ill-prepared her for the rigors of rural life in a sparsely populated, has-been mining region where they depended on a small creek for electricity and water. Their only means of transport was a small boat on a very large and stormy lake. Dorothy's deep love for her husband, her positive attitude and her eagerness to learn made up for her lack of domestic experience, and she welcomed the challenges of her new life with enthusiasm and a quick wit. In detailed letters, my mother told of learning to cook, mend and attend to the dozens of daily chores necessary in order to survive. She described the unique and sometimes eccentric people who lived around the lake, and she revealed the occasional loneliness she accepted as part of living in an isolated area. Dorothy saved a copy of each letter she wrote, and these copies comprise her colorful, insightful and personal record of life in the backwoods.

In this New York Times bestselling sequel to Dorothy Must Die, who is good—and who is actually Wicked? The Wicked Will Rise is perfect for fans of richly reimagined fairy tales and classic tales like Marissa Meyer’s Lunar Chronicles and Gregory Maguire’s Wicked. My name is Amy Gumm—and I’m the other girl from Kansas. After a tornado swept through my trailer park, I ended up in Oz. But it wasn’t like the Oz I knew from books and movies. Dorothy had returned, but she was now a ruthless dictator. Glinda could no longer be called the Good Witch. And the Wicked Witches who were left? They’d joined forces as the Revolutionary Order of the Wicked, and they wanted to recruit me. My mission? Kill Dorothy. Except my job as assassin didn’t work out as planned. Dorothy is still alive. The Order has vanished. And the home I couldn’t wait to leave behind might be in danger. Somehow, across a twisted and divided land, I have to find the Order, protect the true ruler of Oz, take Dorothy and her henchmen down—and try to figure out what I’m really doing here.

A gorgeous, full-color illustrated cookbook and personal cultural history, filled with 100 mouthwatering recipes from around the world, that celebrates the culinary traditions of strong, empowering immigrant women and the remarkable diversity that is American food. As a child of Italian immigrants, Anna Francese Gass grew up eating her mother’s Calabrian cooking. But when this professional cook realized she had no clue how to make her family’s beloved meatballs—a recipe that existed only in her mother’s memory—Anna embarked on a project to record and preserve her mother’s recipes for generations to come. In addition to her recipes, Anna’s mother shared stories from her time in Italy that her daughter had never heard before, intriguing tales that whetted Anna’s appetite to learn more. Reaching out to her friends whose mothers were also immigrants, Anna began cooking with dozens of women who were eager to share their unique memories and the foods of their homelands. In Heirloom Kitchen, Anna brings together the stories and dishes of forty-five strong, exceptional women, all immigrants to the United States, whose heirloom recipes have helped shape the landscape of American food. Organized by region, the 100 tantalizing recipes include: Magda’s Pork Adobo from the Phillippines Shari’s Fersenjoon, a walnut and pomegranate stew, from Iran Tina’s dumplings from Northern China Anna’s mother’s Calabrian Meatballs from Southern Italy In addition to the dishes, these women share their recollections of coming to America, stories of hardship and happiness that illuminate the power of food—how cooking became a comfort and a respite in a new land for these women, as well as a tether to their native cultural identities. Accented with 175 photographs, including food shots, old family photographs, and ephemera of the cooks’ first years in America—such as Soon Sun’s recipe book pristinely handwritten in Korean or Bea’s cherished silver pitcher, a final gift from her own mother before leaving Serbia—Heirloom Kitchen is a testament to empowerment and strength, perseverance and inclusivity, and a warm and inspiring reminder that the story of immigrant food is, at its core, a story of American food.

In this action-packed third book in the New York Times bestselling Dorothy Must Die series, new girl from Kansas Amy Gumm is caught between her home—and Oz. My name is Amy Gumm. Tornadoes must have a thing about girls from Kansas, because—just like Dorothy—I got swept away on one too. I landed in Oz, where Good is Wicked, Wicked is Good, and the Wicked Witches clued me in to my true calling: Assassin. The only way to stop Dorothy from destroying Oz—and Kansas—is to kill her. But I failed. Others died for my mistakes. Because of me, the portal between the worlds has been opened. And if I don’t find a way to close it? Dorothy will make sure I never go home again. Now it’s up to me to: join the Witches, fight for Oz, save Kansas, and stop Dorothy once and for all. Perfect for fans of Marissa Meyer’s Lunar Chronicles and Gregory Maguire’s Wicked, Danielle Paige delivers a dark, high-octane reimagining of L. Frank Baum’s The Wonderful Wizard of Oz.