This broad interdisciplinary and comparative study of the ways in which we discursively "make" the world and its things aims to go beyond the "poetic thinking" of Heidegger toward a more pragmatic way of interpreting concrete social, cultural, and political experience. The book outlines three constitutive functions of world-making. Endowing signifies the direct provision of the "wherewithal" that must come into being if anything else is to come into being. Enabling develops or facilitates what is endowed; it is a kind of education in being-in-the-world. Entitling embraces the realm of justice and decision; it concerns what is right for human beings to have and do and be. Placing these functions in contemporary contexts, the book offers as an alternative some perspectives of American pragmatism (Dewey, Peirce, James, Mead, Buchler) and Continental philosophy (Arendt, Merleau-Ponty, Heidegger, Husserl, Barthes, Gramsci). The book closely examines the thinking of Hobbes, Descartes, Vico, Calderón, and Jefferson and several literary figures and thinkers (Yeats, Emerson, Hopkins, Baudelaire, Pascal, Rilke, Frost, Brecht). Throughout, the book investigates and questions the tradition of possessive individualism interpreted by modern scholars, notably Pocock. The book is in five parts. Part I argues a need to move beyond deconstructing toward reconstructing. Part II considers the interactions of endowing, enabling, and entitling. In Part III, the author explores the ways in which discourse works in the Cartesian discourse of reason, and the phenomenon of Manifest Destiny as rendered by Frost. The focus of Part IV is incorporating, which builds on Merleau-Ponty's concept of flesh, or the process by which the body acts and becomes fully worldly. Part V addresses the phenomena of experience in a variety of modes, including the role of story and natality, experimental theater, the epistolary novel, and representations of the heroic Lucretia. A postscript, exploring the "conclusion" with which scholarly books typically end, offers a perspectivist reading of the final text, Emerson's "Experience."

This state of the art collection offers fresh perspectives on why intersections between literature, religion, and ethics can address the fault lines of modernity and are not necessarily the cause of modernity's 'faults.' From a diverse cohort of scholars from around the world, with appointments in comparative literature and other disciplines, the essays suggest that the imagined hegemony of a Judeo-Christian Western project is neither exclusively true nor productive. However, the essays also suggest that elements of the Western religious traditions are important vectors for understanding modernity's complicated relationship to the past.

Literature from the Peripheries: Refrigerated Culture and Pluralism is a collection of chapters dealing with multiple minority cultures from all over the world. The book examines the status of several less known cultures or cultural communities which exist in the peripheries of space and time. In addition to this, the arguments and the discourses running through chapters prove the need of cultural diversity and pluralism. This well-thought and critically written book is a clarion call for humanity to look over the shoulder and see the ghost of civilization receding farther away. The book will interest the readers, scholars, practitioners, and activists who like to explore several cultures and cultural conflicts.

Precariousness and the Performances of Welfare brings together an international group of artists, activists and scholars to explore precarity in the contexts of applied and socially engaged theatre. The policy of austerity pursued by governments across the global North following the financial crisis of 2008 has renewed interest in issues of poverty, economic inequality and social justice. Emerging from European contexts of activism and scholarship, ‘precarity’ has become a shorthand term for the permanently insecure conditions of life under neoliberal capitalism and its associated stripping back of social welfare protections. This collection explores a range of theatre practice, including activist theatres, theatre and health projects, the community work of regional theatres, arts-led social care initiatives, people’s theatres and youth arts programmes. Comprising full-length chapters and shorter pieces, the collection offers new perspectives on social theatre projects as creative occasions of occupation that generate a sense of security in a precarious world. This book was originally published as a special issue of RiDE: The Journal of Applied Theatre and Performance.

The volume ‘Lifescapes’ is a collection of specially commissioned articles related to life narratives. The articles concentrate on myriad trajectories of interdisciplinary areas related to Life Narratives such as Autobiography, Biography, Biopics, Memoirs, Folklore, Mythology, History, Gender and Sexuality etc., and provide valuable inputs to life stories. The anthology will certainly be of great help to the teachers, researchers and scholars of English working on ‘Life Narratives’.

Comprehensive and comparative, this volume investigates African American street novelists since the Chicago Black Renaissance and the semiotic strategies they employ in publication, consumption, and depiction of street life. Divided into three chapters, this text analyzes the content, style, and ethics of “street” narrative through a discursive/rhetorical lens, exploring the development of street literature’s formal and contextual concerns to resolve the sociocultural and political questions surrounding cultural work. The book also gives emphasis to “text” or (post)structural literary analysis by answering questions about the genre’s aesthetic and linguistic techniques that respond to the injustices of urban planning. The last chapter, “Representation,” investigates the phenomenological hermeneutics of more recent street literature and its satire, highlighting the political stakes for authorship, credibility, and subjectivity. Through historical and contemporary studies of urban space, Blackness, and adaptations of street literature, this work attempts to network activists, artists, and scholars with the greater reading public by providing a functional ontology of reading the inner city.

In light of the Egyptian uprising in early 2011, understanding the dynamics that are shaping Egyptian politics and society is more crucial than ever as Egypt seeks to re-define itself after the Mubarak era. One of the most controversial debates concerns the place of religion in Egypt’s political future. This book examines the escalation in religious violence in Egypt since 2005 and the public discourses behind it, revealing some of the complex negotiations that lie behind contestations of citizenship, Muslim-Christian relations and national unity. Focusing on Egypt’s largest religious minority group, the Coptic Orthodox Christians, this book explores how national, ethnic and religious expressions of identity are interwoven in the narratives and usage of the press and Internet. In doing so it offers insights into some of Egypt’s contemporary social and political challenges, and recognises the ways that media are involved in constructing and reflecting formations of identity politics. The author examines in depth the processes through which identity and belonging are negotiated via media discourses within the wider framework of changing political realities in Egypt. Using a combination of methodological approaches - including comprehensive surveys and content analysis - the research offers a fresh perspective on the politics of identity in Egypt.

From Labour's promise to be 'tough on crime, tough on the causes of crime' through to the White Paper and new criminal justice legislation, controlling crime and reforming the criminal justice system has been one of the government's key priorities. This book provides a detailed review of the thinking behind these new plans and legislation, looking at policies and proposals in the field of punishment, particularly those embodied in the Halliday Review of the Sentencing Framework (2001), the government White Paper Justice for All (2002), and the 2002 Criminal Justice Bill. The contributors to the book subject to scrutiny the evidence for the 'evidence-based policy making' that is often claimed as a distinctive new feature to these processes, examining approaches to drug-dependent offenders, dangerous sex offenders, nuisance offenders, procedural and evidential protections in the courts, sentencing guidelines, sentencing management, racism in sentencing, custody plus, custody minus, and reducing the prison population.

In Matthew’s passion narrative, the ethnoracial identity of Jesus comes into sharp focus. The repetition of the title “King of the Judeans” foregrounds the politics of race and ethnicity. Despite the explicit use of terminology, previous scholarship has understood the title curiously in non-ethnoracial ways. This book takes the peculiar omission in the history of interpretation as its point of departure. It provides an expanded ethnoracial reading of the text, and poses a fundamental ideological question that interrogates the pattern in the larger context of modern biblical scholarship. Wongi Park issues a critique of the dominant narrative and presents an alternative reading of Matthew’s passion narrative. He identifies a critical vocabulary and framework of analysis to decode the politics of race and ethnicity implicit in the history of interpretation. Ultimately, the book lends itself to a broader research agenda: the destabilization of the dominant narrative of early Christianity’s non-ethnoracial origins.

The voices that are represented in this collection come from various parts of the world and express the views of practitioners and scholars who have all had first-hand experience working in Zimbabwean theatre from the last days of Rhodesia to Zimbabwe. The collection views the long continuum of developments in local theatre history as a case of the intrusive hegemonies that came with colonial Rhodesia as a conquest society, and localised identities in the form of the persistence of indigenous and syncretic popular forms. With time, all these came together to constitute the makings of a contested post-colony in contemporary theatre practice in Zimbabwe. The primary interest of scholars who are represented here is located at the intersection of political, cultural and performative discourses and the flow of Zimbabwean history. The focus, moreover, is not only on the history of performance cultures in postcolonial Zimbabwe - it extends its critical gaze to include the history of political ideas that gave rise to cultural contestation in the field of theatre and performance.