The world's most famous hymn book has been completely revised and now offers the broadest ever range of traditional hymns and modern compositions, from the Psalms to John Bell, Bernadette Farrell and Stuart Townend. Its 847 items have been specially selected for their singability, theological richness and relevance. Organ edition. 2 volume set.

Guli Francis-Dehqani was born in Isfahan, Iran, to a family who were part of the tiny Anglican Church established by 19th century missionaries. Her father, a Muslim convert, became the first indigenous Persian bishop. As the Islamic Revolution of 1979 swept across the country, church properties were raided, confiscated or closed down. Guli’s father was briefly imprisoned before surviving an attack on his life, which injured his wife. Soon after, whilst he was out of the country for meetings, Guli’s 24 year-old brother, Bahram, a university teacher in Tehran, was murdered. No one was ever brought to justice and the family were advised to leave Iran. Guli was 14. They eventually settled in England with refugee status. Drawing on the riches of Persian culture and her own dramatic experience of loss of a homeland, Guli offers memorable and perceptive reflections on Jesus’ seven final sayings from the cross, opening up for Western readers fresh and arresting insights from a Middle Eastern perspective.

Each year, the Holy Week and Easter double issue of the Church Times offers a wealth of seasonal reading and resources for worship and preaching. This volume, like its companion Christmas collection, draws together outstanding features from the past twenty years. It includes: * Meditations on the Stations of the Cross by the poet David Scott; * A short story set in Gethsemane by David Hart; * Timothy Radcliffe on the alternative to conflict symbolised by the Last Supper; * Sam Wells on Pilate and what he - and we - could do differently; * Richard Harries on the art of Good Friday; * Peter Stanford on Judas; * Michael Perham on why Easter celebrations should start in the dark; * Stephen Cleobury on the carols of Easter; * Mark Oakley on the poetry of the cross; * Paula Gooder on why the resurrection is central to faith; * Reflections on the season's lectionary readings, and much besides.

Seven years in development, Singing the Faith is authorised by the Methodist Conference and replaces Hymns and Psalms, published almost 30 years ago. Containing the classic, best loved hymns of the Christian tradition it also incorporates many bold and exciting elements including hymns, songs and liturgical chants from the world church.

Hymns and the music the church sings in worship are tangible means of expressing worship. And while worship is one of, if not the central functions of the church along with mission, service, education, justice, and compassion, and occupies a prime focus of our churches, a renewed sense of awareness to our theological presuppositions and cultural cues must be maintained to ensure a proper focus in worship. Hymns and Hymnody: Historical and Theological Introductions is a sixty-chapter, three-volume introductory textbook describing the most influential hymnists, liturgists, and musical movements of the church. This academically grounded resource evaluates both the historical and theological perspectives of the major hymnists and composers who have impacted the church over the course of twenty centuries. Volume 1 explores the early church and concludes with the Renaissance era hymnists. Volume 2 begins with the Reformation and extends to the eighteenth-century hymnists and liturgists. Volume 3 engages nineteenth century hymnists to the contemporary movements of the twenty-first century. Each chapter contains these five elements: historical background, theological perspectives communicated in their hymns/compositions, contribution to liturgy and worship, notable hymns, and bibliography. The mission of Hymns and Hymnody is (1) to provide biographical data on influential hymn writers for students and interested laypeople, and (2) to provide a theological analysis of what these composers have communicated in the theology of their hymns. We believe it is vital for those involved in leading the worship of the church to recognize that what they communicate is in fact theology. This latter aspect, we contend, is missing—yet important—in accessible formats for the current literature.