More fun with your dick-for you and your partner(s). The Dick Book is the ultimate gay guide book that gives you the answers to all your questions about your "little willy." Competent advice, facts and trivia worth knowing will help you get your cock in top shape. The Dick Book is open-minded, and of course it's richly illustrated. And don't forget: If you really want to have fun, you should know what makes your dick tick.

Our society emphasizes concepts like time and resource management, but for the most part ignores one very important kind of management: D.I.C.K. Management. An ecology of personal-energy use that studies destructive, testosterone-driven impulses from the perspective of metaphysics and science, D.I.C.K. Management is a new discipline that will teach readers how to redirect sexual energy and discover their more spiritually enlightened, mentally evolved selves.

From a New York Times–bestselling “master of crime fiction and equine thrills,” a private eye investigates the suspicious death of a horseman (Newsday). Dick Francis, Edgar Award–winning master of mystery and suspense, takes you into the thrilling world of horse racing. Champion jockey Robert Sherman has disappeared right before his wife was about to give birth. And right before he was sure to win the National. A coincidence? British investigator David Cleveland doesn’t think so. He’s convinced someone made Sherman disappear, but with every answer David gets, the body count rises. And if he isn’t careful, the next body might just be his own . . . Praise for the writing of Dick Francis: “Dick Francis is a wonder.” —The Plain Dealer “Few things are more convincing than Dick Francis at a full gallop.” —Chicago Tribune “Few match Francis for dangerous flights of fancy and pure inventive menace.” —Boston Herald “[Francis] has the uncanny ability to turn out simply plotted yet charmingly addictive mysteries.” —The Wall Street Journal “Francis is a genius.” —Los Angeles Times “Nobody executes the whodunit formula better.” —Chicago Sun-Times “A rare and magical talent . . . who never writes the same story twice.” —The San Diego Union-Tribune

A self-described failed filmmaker falls obsessively in love with her theorist-husband's colleague: a manifesto for a new kind of feminism and the power of first-person narration. In I Love Dick, published in 1997, Chris Kraus, author of Aliens & Anorexia, Torpor, and Video Green, boldly tore away the veil that separates fiction from reality and privacy from self-expression. It's no wonder that I Love Dick instantly elicited violent controversies and attracted a host of passionate admirers. The story is gripping enough: in 1994 a married, failed independent filmmaker, turning forty, falls in love with a well-known theorist and endeavors to seduce him with the help of her husband. But when the theorist refuses to answer her letters, the husband and wife continue the correspondence for each other instead, imagining the fling the wife wishes to have with Dick. What follows is a breathless pursuit that takes the woman across America and away from her husband and far beyond her original infatuation into a discovery of the transformative power of first person narrative. I Love Dick is a manifesto for a new kind of feminist who isn't afraid to burn through her own narcissism in order to assume responsibility for herself and for all the injustice in world and it's a book you won't put down until the author's final, heroic acts of self-revelation and transformation.

From a New York Times bestseller, “a superb thriller . . . terrific” about a sportswriter who risks his own life investigating a suspicious death (San Francisco Chronicle). Dick Francis, Edgar-Award–winning master of mystery and suspense, takes you into the thrilling world of horse racing. When reporter Bert Chekov falls to his death, his colleague James Tyrone is suspicious. Chekov’s column had recently recommended some ‘can’t-lose’ horses, who then wound up out of the running on race day. Tyrone thinks he can prove it was murder, but he may not live to tell the tale. Because as the dead man has already made clear, there’s no such thing as a sure thing . . . Praise for the writing of Dick Francis: “Dick Francis is a wonder.” —The Plain Dealer “Few things are more convincing than Dick Francis at a full gallop.” —Chicago Tribune “Few match Francis for dangerous flights of fancy and pure inventive menace.” —Boston Herald “[The] master of crime fiction and equine thrills.” —Newsday “[Francis] has the uncanny ability to turn out simply plotted yet charmingly addictive mysteries.” —The Wall Street Journal “Francis is a genius.” —Los Angeles Times “Nobody executes the whodunit formula better.” —Chicago Sun-Times “A rare and magical talent . . . who never writes the same story twice.” —The San Diego Union-Tribune

Short stories originally published from 1953 to 1955.

The first and only complete, fully authorized "biography" of one of TV's most beloved sitcoms, including the first complete viewer's guide to all 158 episodes, as well as special behind-the-scenes trivia and a full chapter concordance. 50 black and white photos.

"A great and calamitous sequence of arguments with the universe: poignant, terrifying, ludicrous, and brilliant. The Exegesis is the sort of book associated with legends and madmen, but Dick wasn't a legend and he wasn't mad. He lived among us, and was a genius."-Jonathan Lethem Based on thousands of pages of typed and handwritten notes, journal entries, letters, and story sketches, The Exegesis of Philip K. Dick is the magnificent and imaginative final work of an author who dedicated his life to questioning the nature of reality and perception, the malleability of space and time, and the relationship between the human and the divine. Edited and introduced by Pamela Jackson and Jonathan Lethem, this will be the definitive presentation of Dick's brilliant, and epic, final work. In The Exegesis, Dick documents his eight-year attempt to fathom what he called "2-3-74," a postmodern visionary experience of the entire universe "transformed into information." In entries that sometimes ran to hundreds of pages, Dick tried to write his way into the heart of a cosmic mystery that tested his powers of imagination and invention to the limit, adding to, revising, and discarding theory after theory, mixing in dreams and visionary experiences as they occurred, and pulling it all together in three late novels known as the VALIS trilogy. In this abridgment, Jackson and Lethem serve as guides, taking the reader through the Exegesis and establishing connections with moments in Dick's life and work.

This novel blends Charles Dickens and characters from his novels into a quest to discover the ending of Dickens' last novel The Mystery of Edwin Drood which was left uncompleted at the author's death in 1870. Ohl's narrator, Francois Daumal nurtures a passion for Dickens. He systematically devours everything Dickens ever wrote, and develops a particular obsession with Edwin Drood. He becomes an expert on the subject, steeped in Dickensian studies, commentaries, critiques of all kinds, from the most specialist to the most exotically alternative. His discovery as a student that his obsession is shared by another, the smoothly urbane and ruthlessly ambitious Michel Mangematin, marks the beginning of a deadly rivalry that will be pursued over the following years with not only academic and worldly success at stake but also love, self-esteem, and even personal identity.