From the author of the international bestseller Only Time Will Tell, Jeffrey Archer picks up the sweeping story of the Clifton Chronicles with The Sins of the Father. Only days before Britain declares war on Germany, Harry Clifton, hoping to escape the consequences of long-buried family secrets, and forced to accept that his desire to marry Emma Barrington will never be fulfilled, has joined the Merchant Navy. But his ship is sunk in the Atlantic by a German U-boat, drowning almost the entire crew. An American cruise liner, the SS Kansas Star, rescues a handful of sailors, among them Harry and the third officer, an American named Tom Bradshaw. When Bradshaw dies in the night, Harry seizes on the chance to escape his tangled past and assumes his identity. But on landing in America, he quickly learns the mistake he has made, when he discovers what is awaiting Bradshaw in New York. Without any way of proving his true identity, Harry Clifton is now chained to a past that could be far worse than the one he had hoped to escape.

The classic collection of personal prayers updated in modern, accessible language.

Electa Rome Parks paints a powerful portrait of a crazed fan who can't seem to close the book on the affair after a one-night-stand with a famous author—and who will stop at nothing to make him hers. Even if that means killing him. . . Bestselling author Xavier Preston is used to women throwing themselves at him. On top of being a successful writer, he's also tall, dark and sexy as sin. He's always relished the attention, in fact, and is ever-willing to entertain the erotic urges of women wanting to get between more than the covers of his novels. Except once he meets Kendall, he decides it's time to put his womanizing ways behind him and devote himself to her entirely. Well, almost. . . Gorgeous Pilar is the last decadent treat Xavier decides he'll help himself to—thinking they are both on the same "no strings" page. Except behind Pilar's fine façade beats the heart of a raving maniac—a fatally attracted fan addicted to the kind of hot loving only Xavier can give her. And she's not about to let him get away from her so easily. So what starts out as a discreet dalliance soon spirals into a deadly game of obsession and pain—which can only have one winner. . .

To help celebrate the fourth centenary of the birth of St. John of the Cross in 1542, Edith Stein received the task of preparing a study of his writings. She uses her skill as a philosopher to enter into an illuminating reflection on the difference between the two symbols of cross and night. Pointing out how entering the night is synonymous with carrying the cross, she provides a condensed presentation of John's thought on the active and passive nights, as discussed in The Ascent of Mount Carmel and The Dark Night. All of this leads Edith to speak of the glory of resurrection that the soul shares, through a unitive contemplation described chiefly in The Living Flame of Love. In the summer of 1942, the Nazis without warrant took Edith away. The nuns found the manuscript of this profound study lying open in her room. Because of the Nazis' merciless persecution of Jews in Germany, Edith Stein traveled discreetly across the border into Holland to find safe harbor in the Carmel of Echt. But the Nazi invasion of Holland in 1940 again put Edith in danger. The cross weighed down heavily as those of Jewish birth were harassed. Sr. Teresa Benedicta of the Cross's superiors then assigned her a task they thought would take her mind off the threatening situation. The fourth centenary of the birth, of St. John of the Cross (1542) was approaching, and Edith could surely contribute a valuable study for the celebration. It is no surprise that in view of her circumstances she discovered in the subject of the cross a central viewpoint for her study. A subject like this enabled her to grasp John's unity of being as expressed in his life and works. Using her training in phenomenology, she helps the reader apprehend the difference in the symbolic character of cross and night and why the night-symbol prevails in John. She clarifies that detachment is designated by him as a night through which the soul must pass to reach union with God and points out how entering the night is equivalent to carrying the cross. Finally, in a fascinating way Edith speaks of how the heart or fountainhead of personal life, an inmost region, is present in both God and the soul and that in the spiritual marriage this inmost region is surrendered by each to the other. She observes that in the soul seized by God in contemplation all that is mortal is consumed in the fire of eternal love. The spirit as spirit is destined for immortal being, to move through fire along a path from the cross of Christ to the glory of his resurrection. Book includes two photos and fully linked index.

He's the sexy demon hunter who just saved her life. Now she's about to show him what salvation's really about. It’s a mission that could cost him his career and his life. But the woman he just rescued—his lover for one unforgettable night—has something Dalton desperately needs. That’s why the fearless demon hunter is risking everything to spirit Isabelle to a secret hideaway in the Louisiana bayou. Saving her is one thing. Banishing the demon inside her is another. Especially when this gorgeous seductress brings out the devil in him. Isabelle can see the passion roaring inside Dalton—and it both frightens and arouses her. Is Dalton her enemy or her savior? All she knows is he’s beyond seductive and igniting all sorts of conflicting feelings. All Dalton knows is that they’re both in big trouble—hunted by demons and demon hunters alike in an all-out war for survival. As their pursuers close in and passion overtakes them both, Dalton must make a stunning choice…. Caught between sin and salvation, between darkness and light, will he make the ultimate sacrifice to save the woman he loves? From the Paperback edition.

In this classic Catholic novel, Bernanos movingly recounts the life of a young French country priest who grows to understand his provincial parish while learning spiritual humility himself. Awarded the Grand Prix for Literature by the Academie Fran?aise, The Diary of a Country Priest was adapted into an acclaimed film by Robert Bresson. A book of the utmost sensitiveness and compassion? it is a work of deep, subtle and singularly encompassing art.? ? New York Times Book Review

The trailblazing memoirist and author of Henry & June recounts her relationships with Henry Miller and others—including her own father. Anaïs Nin wrote in her uncensored diaries like they were a broad-minded confidante with whom she shared the liberating psychosexual dramas of her life. In this continuation of her notorious Henry & June, she recounts a particularly turbulent period between 1932 and 1934, and the men who dominated it: her protective husband, her therapist, and the poet Antonin Artaud. However, most consuming of all is novelist Henry Miller—a man whose genius, said Anaïs, was so demonic it could drive people insane. Here too, recounted in extraordinary detail, is the sexual affair she had with her father. At once loving, exciting, and vengeful, it was the ultimate social transgression for which Anaïs would eventually seek absolution from her analysts. “Before Lena Dunham there was Anaïs Nin. Like Dunham, she’s been accused of narcissism, sociopathy, and sexual perversion time and again. Yet even that comparison undercuts the strangeness and bravery of her work, for Nin was the first of her kind. And, like all truly unique talents, she was worshipped by some, hated by many, and misunderstood by most . . . A woman who’d spent decades on the bleeding edge of American intellectual life, a woman who had been a respected colleague of male writers who pushed the boundaries of acceptable sex writing. Like many great . . . experimentalists, she wrote for a world that did not yet exist, and so helped to bring it into being.” —The Guardian Includes an introduction by Rupert Pole

People in Merit, Wisconsin, always said Jimmy was . . . you know. But people said all sorts of stupid stuff. Nobody really knew anything. Nobody really knew Jimmy. I guess you could say I knew Jimmy as well as anyone (which was not very well). I knew what scared him. And I knew he had dreams—even if I didn't understand them. Even if he nearly ruined my life to pursue them. Jimmy's dead now, and I definitely know that better than anyone. I know about blood and bone and how bodies decompose. I know about shadows and stones and hatchets. I know what a last cry for help sounds like. I know what blood looks like on my own hands. What I don't know is if I can trust my own eyes. I don't know who threw the stone. Who swung the hatchet? Who are the shadows? What do the living owe the dead?

Archdiocese of Washington exorcist Msgr. Stephen Rossetti and his team have a very active caseload of demonic possessions. Msgr. Rossetti presents many of these stories here, without varnish or hype. In these ninety-five detailed cases, two vivid lessons consistently emerge: 1. Demons possess or simply harass people in myriad ways and need to be taken seriously, even when they do not enter a soul. 2. Demons are defeated, decisively, by the power of Christ and His Church, employing prayer, sacramentals, rites of exorcism -- and especially, invocations to the Blessed Mother. "Despite all their bluster and arrogance, demons are cowards," Msgr. Rossetti reveals. In fact, in every section of his work, he offers detailed "Theological Reflections" explaining the meaning of these possessions, why he thinks God permitted each, and the spiritual benefits accrued. The devil is no match for the Lord of Heaven and Earth.