In this book, Elder William D. Holmes talks about the importance of having faith in God. It is necessary to live a life to please God in true holiness and righteousness. He uses real-life testimonies and experiences of sanctified, Holy Ghost-filled believers he grew up with in the HolinessPentecostal Church. It is through these powerful, real-life testimonies and his own life experiences that cause him to speak with boldness that Jesus truly is a healer, miracle worker, and savior. He also uses Bible accounts of the miracle-working power of God through our lord and savior, Jesus Christ. He explains about the different tactics of Satan and how he will try to hinder a person from getting their deliverance from God, how we can defeat Satan and get our blessing, why it takes so long for God to answer prayers, the difference between healing being made whole, and what divine healing is and how God can work with medical profession to bring about healing. He talks about the different levels of the Spirit a believer can climb in God. This book gives a clear statement that, without holiness, no person shall see the Lord. Jesus came into the world, not only to forgive us of our sins, but to take sin out of us. Jesus also comes to deliver us from all sickness and disease. Through the stripes of Jesus, we can be healed. Take the limit off of God! This is a very powerful book to increase the faith of a believer to trust God through his only begotten son, Jesus Christ, to meet your every need.

"STARTLING . . . FIENDISH . . . MEMNOCH'S TALE IS COMPELLING." --New York Daily News "Like Interview with the Vampire, Memnoch has a half-maddened, fever-pitch intensity. . . . Narrated by Rice's most cherished character, the vampire Lestat, Memnoch tells a tale as old as Scripture's legends and as modern as today's religious strife." --Rolling Stone "SENSUAL . . . BOLD, FAST-PACED." --USA Today "Rice has penned an ambitious close to this long-running series. . . . Fans will no doubt devour this." --The Washington Post Book World "MEMNOCH THE DEVIL OFFERS PASSAGES OF POETIC BRILLIANCE." --Playboy "[MEMNOCH] is one of Rice's most intriguing and sympathetic characters to date. . . . Rice ups the ante, taking Lestat where few writers have ventured: into heaven and hell itself. She carries it off in top form." --The Seattle Times

Welcome to a world where blood, lust, power, loyalty, and desires to kill are taken to their limits. Out of the darkness where that mans lust for power is allowed to exist, the unimaginable emerged. From the forgotten legends of ancient times, they have been called forth into the world once againdevils. From within the shadows, rogue hunters arise, operating for their own reasons but aim for the same goals. The devils do not walk unchallenged. Terror doesnt flourish without resistance, and a battle for survival erupts. An age that changed from peace to violence and sin, trading blood for blood, humanity may be lost. But from the ashes of destroyed hope, a new legend emerges, a figure harbored by death, respectfully feared by devils, and distrusted by humanity. A stolen child who became a devil slayer and who became a devil, his name is Heartnik. Try to kill me if you can, but ready or not, Im coming for you.

The Devil was a commanding figure in Tudor and Stuart England. He played a leading role in the religious and political conflicts of the age, and inspired great works of poetry and drama. During the turmoil of the English Civil War, fears of a secret conspiracy of Devil-worshippers fuelled a witch-hunt that claimed at least a hundred lives. This book traces the idea of the Devel from the English Reformation to the scientific revolution of the late seventeenth century. It shows that he was not only a central figure in the imaginative life of the age, but also a deeply ambiguous and complex one: the avowed enemy of God and his unwilling accomplice, and a creature that provoked fascination, comdey and dread.

Rap to Mars, a book of poetry, satire, and prose, attempts by words and art to dissect and sift through diverse aspects of the life of man in his quest to assert himself as the king or queen of the universe. This is even in spite of mans obvious lapses, frailties, and entrapment. During the course of various attempts, sometimes, success smiles on man. But when failures present themselves, arrogant and deceitful man refuses to accept his obvious limitations. Often, in his ever-willing efforts to deceive the more gullible, man in his cowardice plays the monkey that uses the cats paws to extract nuts from the fi re. From a safe distance, the minion, man, details his more gullible fellow men to sacrifi ce themselves and others in silly and assumed defense of the Almighty Maker. The martyr and suicide bomber along with their victims become the willing and unwilling by-products But even in spite of his sometimes comical shenanigans, man, who unsuccessfully plays the angel on Earth, remains man and suffers or causes others to suffer the pains arising from a perpetual struggle between the good and the bad as represented in Rap to Mars by Earths angels, suicide bombers, and whores. At the end of the day, man, mere mortal man, still fi nds himself trapped in his self-imposed cocoon of a shanty or a mansion. In the latter, man again plays the elitist parent of a lone child while the downtrodden fi nd their pleasure by doggedly obeying the injunction of increase and multiply. Rap to Mars is a mixed grill of fun, challenges, and what the evolving society was, what it is, and what it should fi ght hard not to be.

The plays collected in this text provide the reader with a clear picture of Marlowe as a radical theatrical poet of great linguistic and dramatic daring, whose characters constantly strive to break out of the social, religious, and rhetorical binds within which they are confined.

Now a Netflix film starring Tom Holland and Robert Pattinson A dark and riveting vision of 1960s America that delivers literary excitement in the highest degree. In The Devil All the Time, Donald Ray Pollock has written a novel that marries the twisted intensity of Oliver Stone’s Natural Born Killers with the religious and Gothic over­tones of Flannery O’Connor at her most haunting. Set in rural southern Ohio and West Virginia, The Devil All the Time follows a cast of compelling and bizarre characters from the end of World War II to the 1960s. There’s Willard Russell, tormented veteran of the carnage in the South Pacific, who can’t save his beautiful wife, Charlotte, from an agonizing death by cancer no matter how much sacrifi­cial blood he pours on his “prayer log.” There’s Carl and Sandy Henderson, a husband-and-wife team of serial kill­ers, who troll America’s highways searching for suitable models to photograph and exterminate. There’s the spider-handling preacher Roy and his crippled virtuoso-guitar-playing sidekick, Theodore, running from the law. And caught in the middle of all this is Arvin Eugene Russell, Willard and Charlotte’s orphaned son, who grows up to be a good but also violent man in his own right. Donald Ray Pollock braids his plotlines into a taut narrative that will leave readers astonished and deeply moved. With his first novel, he proves himself a master storyteller in the grittiest and most uncompromising American grain.

In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations, and an unparalleled number of illustrations and contextual materials. Innovative, authoritative and comprehensive, The Broadview Anthology of British Literature has established itself as a leader in the field. The full anthology comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible by using the passcode obtained with the purchase of one or more of the bound volumes. For the third edition of this volume a considerable number of changes have been made. Newly prepared, for example, is a substantial selection from Baldassare Castiglione’s The Courtier, presented in Thomas Hoby’s influential early modern English translation. Thomas Kyd’s The Spanish Tragedy is another major addition. Also new to the anthology are excerpts from Thomas Dekker’s plague pamphlets. We have considerably expanded our representation of Elizabeth I’s writings and speeches, as well as providing several more cantos from Edmund Spenser’s Faerie Queene and adding selections from Sir Philip Sidney’s Arcadia. We have broadened our coverage, too, to include substantial selections of Irish, Gaelic Scottish, and Welsh literature. (Perhaps most notable of the numerous authors in this section are two extraordinary Welsh poets, Dafydd ap Gwilym and Gwerful Mechain.) Mary Sidney Herbert’s writings now appear in the bound book instead of on the companion website. Margaret Cavendish, previously included in volume 3 of the full anthology, will now also be included in this volume; we have added a number of her poems, with an emphasis on those with scientific themes. The edition features two new Contexts sections: a sampling of “Tudor and Stuart Humor,” and a section on “Levellers, Diggers, Ranters, and Covenanters.” New materials on emblem books and on manuscript culture have also been added to the “Culture: A Portfolio” contexts section. There are many additions the website component as well—including Thomas Deloney’s Jack of Newbury also published as a stand-alone BABL edition). We are also expanding our online selection of transatlantic material, with the inclusion of writings by John Smith, William Bradford, and Anne Bradstreet.