What are these graceful visitors to our skies? We now know that they bring both life and death and teach us about our origins. Comet begins with a breathtaking journey through space astride a comet. Pulitzer Prize-winning astronomer Carl Sagan, author of Cosmos and Contact, and writer Ann Druyan explore the origin, nature, and future of comets, and the exotic myths and portents attached to them. The authors show how comets have spurred some of the great discoveries in the history of science and raise intriguing questions about these brilliant visitors from the interstellar dark. Were the fates of the dinosaurs and the origins of humans tied to the wanderings of a comet? Are comets the building blocks from which worlds are formed? Lavishly illustrated with photographs and specially commissioned full-color paintings, Comet is an enthralling adventure, indispensable for anyone who has ever gazed up at the heavens and wondered why. Praise for Comet "Simply the best." —The Times of London "Fascinating, evocative, inspiring." —The Washington Post "Comet humanizes science. A beautiful, interesting book." —United Press International "Masterful . . . science, poetry, and imagination." —The Atlanta Journal & Constitution

"highly entertaining and informative... This is a book worth arguing with, written with verve, wit and passion. It is also lavishly illustrated. I enjoyed every minute of it."—The Spectator "as comprehensive a guide as anyone could wish to the appearances of the Evil One in art and literature throughout the age."—The Herald

The appearance of this comet caused so many panicked inquiries to be made of Pierre Bayle, one of the Enlightenment's greatest thinkers, that he decided to formally respond to them, hence the present work, which first appeared in 1682. The book's principle task was to undermine the influence of "superstition" in political life, and it was here that Bayle made the notorious suggestion, unique in the history of political thought until then, that a decent society of atheists is possible in principle. There is no other English translation of this book in print -- the only other version was printed in 1708. This translation is based on a recently revised critical edition of the complete French text and includes a substantial interpretive essay that both elucidates the arguments of the work and indicates the importance of Bayle in the history of the modern Enlightenment.

"A beautiful adventuress from the ancient city of New Dalli sets off to reclaim her missing lover. What secrets does she hide beneath her silk skirts? A gay cowboy flees the Great War in search of true love and the elusive undead poet Whit Waltman, but at what cost? A talking statue sends an abused boy spinning through a great metropolis, dodging pirates and search for a home. On these quests, you will meet macho firefighters, tiny fairies, collapsible musicians, lady devils and vengeful sea witches.""--Cover, p. [4].

In a lively investigation into the boundaries between popular culture and early-modern science, Sara Schechner presents a case study that challenges the view that rationalism was at odds with popular belief in the development of scientific theories. Schechner Genuth delineates the evolution of people's understanding of comets, showing that until the seventeenth century, all members of society dreaded comets as heaven-sent portents of plague, flood, civil disorder, and other calamities. Although these beliefs became spurned as "vulgar superstitions" by the elite before the end of the century, she shows that they were nonetheless absorbed into the science of Newton and Halley, contributing to their theories in subtle yet profound ways. Schechner weaves together many strands of thought: views of comets as signs and causes of social and physical changes; vigilance toward monsters and prodigies as indicators of God's will; Christian eschatology; scientific interpretations of Scripture; astrological prognostication and political propaganda; and celestial mechanics and astrophysics. This exploration of the interplay between high and low beliefs about nature leads to the conclusion that popular and long-held views of comets as divine signs were not overturned by astronomical discoveries. Indeed, they became part of the foundation on which modern cosmology was built.

This book argues that the destruction of Jerusalem is a key explanatory trope for early modern texts.