2016 VOYA Top Shelf Fiction Selection Anna has always been so level-headed, so easy-going, so talented and funny. How could anyone have guessed she wanted to die? Anna is not like other people. She’s always felt like she didn’t belong: not with other kids, not with her family, not in her body. It isn’t until her grandparents are killed in a tragic accident, however, that Anna starts to feel untethered. She begins to wonder what it would be like if she didn’t exist, and the thought of escaping the aimless drifting is the only thing that brings her comfort. When Anna overdoses on prescription painkillers, doctors realize she has been suffering from depression and start looking for a way to help her out of the desperate black hole she never thought she would escape. It’s then that rock bottom comes into sight and the journey back to normal begins.

Reflecting on Montaigne, Virginia Woolf remarked, "The most common actions-a walk, a talk, solitude in one's own orchard-can be enhanced and lit up by the association of the mind." In Quotidiana, Patrick Madden illuminates these common actions and seemingly commonplace moments, making connections that revise and reconfigure the overlooked and underappreciated.

This book re-reads the tangled relations of book culture and literary culture in the early nineteenth century by restoring to view the figure of the bookman and the effaced history of his book clubs. As outliers inserting themselves into the matrix of literary production rather than remaining within that of reception, both provoked debate by producing, writing, and circulating books in ways that expanded fundamental points of literary orientation in lateral directions not coincident with those of the literary sphere. Deploying a wide range of historical, archival and literary materials, the study combines the history and geography of books, cultural theory, and literary history to make visible a bookish array of alterative networks, genres, and locations that were obscured by the literary sphere in establishing its authority as arbiter of the modern book.