The history of collecting is a topic of central importance to many academic disciplines, and shows no sign of abating in popularity. As such, scholars will welcome this collection of essays by internationally recognised experts that gathers together for the first time varied and stimulating perspectives on the nineteenth-century collector and art market for French eighteenth-century art, and ultimately the formation of collections that form part of such august institutions as the Louvre and the National Gallery in London. The book is the culmination of a successful conference organised jointly between the Wallace Collection and the Louvre, on the occasion of the acclaimed exhibition Masterpieces from the Louvre: The Collection of Louis La Caze. Exploring themes relating to collectors, critics, markets and museums from France, England and Germany, the volume will appeal to academics and students alike, and become essential reading on any course that deals with the history of collecting, the history of taste and the nineteenth-century craze for the perceived douceur de vivre of eighteenth-century France. It also provides valuable insight into the history of the art markets and the formation of museums.

How small is small? In The Big Book of Tiny Art you’ll discover a dynamic collection of miniature artwork, most no bigger than a large coin, covering a wide range of subjects, from animals and food to people and places. Showcasing painting and drawing, this inspirational guidebook provides an up-close look at the art of the miniature. Learn to paint and draw your own tiny masterpieces as you follow the simple step-by-step instructions. Each section of the book includes a gallery of finished miniature artwork. Packed with amazing illustrations, The Big Book of Tiny Art is a feast for both the eyes and the creative spirit.

Offers a broad and vivid overview of the culture of collecting in France over the long nineteenth-century.