Jaguars and Butterflies presents an enchanting world of artwork and poetry for girls of Mexican heritage. It is a celebration of strength and diversity with spectacular images highlighting cultures, art, and geography in Mexico.

From the New York Times–bestselling co-author of The Jesus Incident, a murderer travels between parallel universes in a “tense” thriller (Booklist). In waking life, he is a combat vet with a mysterious sleep disorder, confined to a VA hospital bed. When he sleeps, he roams the plains of another world, invading the minds of the people as they dream and forcing them to do his will. They call him . . . Jaguar. In both worlds, there are those who know the Jaguar’s secret. They are learning to link their minds across the void between worlds, following the dreampaths the Jaguar created—all the way back to where his body lies helpless . . . an easy target for their justice. “A thoroughly competent psychological horror novel, with a good deal to say about the corrupting influences of both power and [war].” —Roland J. Green, author of Voyage to Eneh

With electrifying boldness, Holland-Batt confronts what it means to be mortal in an astonishing and deeply humane portrait of a father's Parkinson's Disease, and a daughter forged by grief. Opening and closing with startling elegies set in the charged moments before and after a death, and fearlessly probing the body's animal endurance, appetites and metamorphoses, The Jaguar is marked by Holland-Batt's lyric intensity and linguistic mastery, along with a stark new clarity of voice.Here, Holland-Batt is at her most exacting and uncompromising: these ferociously intelligent, insistent poems refuse to look away, and challenge us to view ruthless witness as a form of love. The Jaguar is an indelible collection by a poet at the height of her powers.

Compelling reading for anyone seeking the courage to make more conscious choices and live fully awake, The Necktie and The Jaguar is a memoir with thought-provoking questions that encourage self-exploration. Author Carl Greer—businessman, philanthropist, and retired Jungian analyst and clinical psychologist—offers an illuminating roadmap to individuation and personal transformation. Greer found security in conforming to the cultural expectations of a postwar, midwestern, middle-class upbringing after a childhood tragedy taught him to constrict his emotions. Becoming president of an independent oil and gas company, he drove his team to success and built his wealth only to find in midlife that his spiritual self was crying out for expression. Undergoing Jungian analysis and becoming an analyst himself offered some soul nourishment. So did studying and practicing martial arts, whose principles helped him navigate challenges in the world of work. Still, it wasn’t until Greer took a deep dive into shamanic training and practice that he was able to embody the qualities and emotions he had long denied and turn his attention to philanthropy. Writing about his spiritual practices and reflecting on his vulnerabilities, Greer tells of honoring his longings for purpose and meaning, journeying to transpersonal realms, reinventing his life, and devoting himself to service to others while living with deep respect for Pachamama, Mother Earth. His memoir is an inspirational testament to the power of self-discovery. As Carl Greer learned, you don’t have to feel trapped in a story someone else has written for you.

Icons of Power investigates why the image of the cat has been such a potent symbol in the art, religion and mythology of indigenous American cultures for three thousand years. The jaguar and the puma epitomize ideas of sacrifice, cannibalism, war, and status in a startling array of graphic and enduring images. Natural and supernatural felines inhabit a shape-shifting world of sorcery and spiritual power, revealing the shamanic nature of Amerindian world views. This pioneering collection offers a unique pan-American assessment of the feline icon through the diversity of cultural interpretations, but also striking parallels in its associations with hunters, warriors, kingship, fertility, and the sacred nature of political power. Evidence is drawn from the pre-Columbian Aztec and Maya of Mexico, Peruvian, and Panamanian civilizations, through recent pueblo and Iroquois cultures of North America, to current Amazonian and Andean societies. This well-illustrated volume is essential reading for all who are interested in the symbolic construction of animal icons, their variable meanings, and their place in a natural world conceived through the lens of culture. The cross-disciplinary approach embraces archaeology, anthropology, and art history.

Is she the girl next door . . . or a Mayan sorceress? Chasing the Jaguar introduces Martika Glvez, the Latina Nancy Drew of the new millennium.

As his stories unfold, Daniel Dancer reflects on spirituality, indigenous knowledge, quantum physics, psychology, and ecological principles. Humor, synchronicity, delight, and heartfelt struggle are all present in these tales. The result is a breath of wholeness, a gift for our apocalyptic times and for a culture that has forgotten its connection to nature. The sacred, magical role that art has held in everyday life since the dawn of humanity is often lost in modern society. Dancer's timely work is a quest to revive this form of art, weaving the shards of our failing culture and fragmented ecosystems into a celebration of possibility. Entertaining, full of surprise at every turn, and beautifully illustrated, Desperate Prayers helps map the way home to our authentic selves.

When a sudden rainstorm disrupts an archeological dig at a remote Mayan site, site supervisor Deborah Miller makes an astonishing discovery: a collection of rubies so precious that generations of men have died -- and killed -- to possess them. Some believe the jewels harbor occult power; others believe they are the key to the arms race; still others see merely their potential for profit. But Deborah doesn't want power or money -- she only wants the truth. And so she sets out to trace the stones' complex history across four centuries and two continents, from Mexico to northern England, where the rubies once played a harrowing role in the Lancashire witch trials of 1612. But she is not the only one obsessed with the jewels; close on her heels is a notorious arms dealer who will stop at nothing, not even murder, to claim the prize for himself.

The Precolumbian ballgame, played on a masonry court, has long intrigued scholars because of the magnificence of its archaeological remains. From its lowland Maya origins it spread throughout the Aztec empire, where the game was so popular that sixteen thousand rubber balls were imported annually into Tenochtitlan. It endured for two thousand years, spreading as far as to what is now southern Arizona. This new collection of essays brings together research from field archaeology, mythology, and Maya hieroglyphic studies to illuminate this important yet puzzling aspect of Native American culture. The authors demonstrate that the game was more than a spectator sport; serving social, political, mythological, and cosmological functions, it celebrated both fertility and the afterlife, war and peace, and became an evolving institution functioning in part to resolve conflict within and between groups. The contributors provide complete coverage of the archaeological, sociopolitical, iconographic, and ideological aspects of the game, and offer new information on the distribution of ballcourts, new interpretations of mural art, and newly perceived relations of the game with material in the Popol Vuh. With its scholarly attention to a subject that will fascinate even general readers, The Mesoamerican Ballgame is a major contribution to the study of the mental life and outlook of New World peoples.