Magic runs in the Drakara bloodline. To seventeen-year-old Ilianna it's a curse. Born a bastard and raised by an abusive uncle, she struggles to conceal her late-bloomed gifts, but it's hard to hide when your uncle is king.The kingdom of Eira recovers from over a decade of warring an overseas enemy. Ilianna trains from youth to fight in her uncle's militia, to keep her people from the grip of the Wraith Queen, even if she's feared by everyone except the one that controls her. When it seems that peace is assured, her uncle offers her up to be married to their neighboring realm. However, Ilianna has no intention of accepting and flees the king's rule only to wind up captured by the very enemy she was promised to.Prince Castiel, a powerful leader and cunning strategist, recognizes a disguised Ilianna the moment he sees her. When his strange prison guest does nothing but patiently wait for three long months, he forces her to make her move. Ilianna must tame her fears and control a rogue power before her uncle kills her for disobedience or worse, reclaims her and her magic.

The word “blood” awakens ancient ideas, but we know little about its historical representation in Western cultures. Anthropologists have customarily studied how societies think about the bodily substances that unite them, and the contributors to this volume develop those questions in new directions. Taking a radically historical perspective that complements traditional cultural analyses, they demonstrate how blood and kinship have constantly been reconfigured in European culture. This volume challenges the idea that blood can be understood as a stable entity, and shows how concepts of blood and kinship moved in both parallel and divergent directions over the course of European history.

Book 17 of Blood on the Stars

A study of the role blood quantum played in the assimilation period between 1887 and 1934 in the United States.

'I have success, money, women. I've been lionised by the public and the media. The world is at my feet. I've spread my wings and here I am, soaring above everything and everyone. But in reality, the descent has already begun.' Thomas Dekker was set to become one of pro cycling’s superstars. But before long, he found himself sucked in by the lure of hedonistic highs and troubled by the intense pressure to perform. In The Descent, Dekker tells his story of hotel room blood bags, shady rendezvous with drug dealers and late-night partying at the Tour de France. This is Dekker’s journey from youthful idealism to a sordid path of excess and doping that lays bare cycling’s darkest secrets like never before.

She is bound to serve. He is meant to kill. Survival is their prison. Choice is their weapon. As the sacred slave of a goddess, Roma is of a lower caste that serves patrons to sustain the balance between gods and men. What she wants is her freedom, but deserters are hunted and hanged, and Roma only knows how to survive in her village where women are vessels without a voice. When her younger brother is condemned to the same wretched fate as hers, Roma must choose between silence and rebellion. Leviathan is the bastard son of an immortal tyrant. Raised in a military city where everyone knows of his blood relation to the persecuted clans, Leviathan is considered casteless. Lowest of the low. Graduating as one of the deadliest soldiers, he executes in his father's name, displaying his worth. When he faces judgement from his mother's people-the clans-Leviathan must confront his demons and forge his own path, if he ever hopes to reclaim his soul. But in the struggle to protect the people they love and rebuild their identities, Roma's and Leviathan's destinies interlock as the tyrant hunts an ancient treasure that will doom humankind should it come into his possession-a living treasure to which Roma and Leviathan are the ultimate key. Set in a colonised Indo-Persian world and inspired by Pre-Islamic Arabian mythology, The Descent of the Drowned is a tale about power, identity, and redemption, and what it takes to hold on to one's humanity in the face of devastation. TW: Physical and emotional abuse, mention of rape and sodomisation, sexual assault, suicide, bigotry, drug abuse, and human trafficking.

We are not alone. Some call them devils or demons. But they are real. They are down there. And they are waiting for us to find them. In a cave in the Himalayas, a guide discovers a self-mutilated body with a warning: Satan exists. In the Kalahari Desert, a nun unearths evidence of a proto-human species and a deity called Older-than-Old. In Bosnia, something has been feeding upon the dead in a mass grave. So begins mankind’s most shocking realization: the underworld is a vast geological labyrinth populated by another race of beings. With all of Hell's precious resources and territories to be won, a global race ensues. Nations, armies, religions, and industries rush to colonize and exploit the subterranean frontier. A scientific expedition is launched westward to explore beneath the Pacific Ocean floor, both to catalog the riches there and to learn how life could develop in the sunless abyss. But in the dark underground, as humanity falls away from them, the scientists and mercenaries find themselves prey not only to the savage creatures, but also to their own treachery, mutiny, and greed. One thing is certain: Miles inside the earth, evil is very much alive.

A Breakout NEW YORK TIMES Bestseller A USA Today Bestseller An Indie National Bestseller “Outstanding . . . The days when you had to choose between a great story and a great piece of writing? Gone.” —Esquire “The story unfolds brilliantly, always surprisingly . . . The magic of his prose equals the horror of Johnston’s story; each somehow enhances the other . . . Read this astonishing novel.” —The Washington Post “Tim Johnston’s high-wire literary thriller . . . will leave you gasping.” —Vanity Fair “A riveting literary thriller of the can’t-stop-turning-the-page, stay-up-all-night variety.” —Alice LaPlante, author of A Circle of Wives The Rocky Mountains have cast their spell over the Courtlands, a young family from the plains taking a last summer vacation before their daughter begins college. For eighteen-year-old Caitlin, the mountains loom as the ultimate test of her runner’s heart, while her parents hope that so much beauty, so much grandeur, will somehow repair a damaged marriage. But when Caitlin and her younger brother, Sean, go out for an early morning run and only Sean returns, the mountains become as terrifying as they are majestic, as suddenly this family find themselves living the kind of nightmare they’ve only read about in headlines or seen on TV. As their world comes undone, the Courtlands are drawn into a vortex of dread and recrimination. Why weren’t they more careful? What has happened to their daughter? Is she alive? Will they ever know? Caitlin’s disappearance, all the more devastating for its mystery, is the beginning of the family’s harrowing journey down increasingly divergent and solitary paths until all that continues to bind them together are the questions they can never bring themselves to ask: At what point does a family stop searching? At what point will a girl stop fighting for her life? Written with a precision that captures every emotion, every moment of fear, as each member of the family searches for answers, Descent is a perfectly crafted thriller that races like an avalanche toward its heart-pounding conclusion, and heralds the arrival of a master storyteller.

A bold new indictment of the racialization of science Decades of data cannot be ignored: African American adults are far more likely to develop Type 2 diabetes than white adults. But has science gone so far in racializing diabetes as to undermine the search for solutions? In a rousing indictment of the idea that notions of biological race should drive scientific inquiry, Sweetness in the Blood provides an ethnographic picture of biotechnology’s framings of Type 2 diabetes risk and race and, importantly, offers a critical examination of the assumptions behind the recruitment of African American and African-descent populations for Type 2 diabetes research. James Doucet-Battle begins with a historical overview of how diabetes has been researched and framed racially over the past century, chronicling one company’s efforts to recruit African Americans to test their new diabetes risk-score algorithm with the aim of increasing the clinical and market value of the firm’s technology. He considers African American reticence about participation in biomedical research and examines race and health disparities in light of advances in genomic sequencing technology. Doucet-Battle concludes by emphasizing that genomic research into sub-Saharan ancestry in fact underlines the importance of analyzing gender before attempting to understand the notion of race. No disease reveals this more than Type 2 diabetes. Sweetness in the Blood challenges the notion that the best approach to understanding, managing, and curing Type 2 diabetes is through the lens of race. It also transforms how we think about sugar, filling a neglected gap between the sugar- and molasses-sweetened past of the enslaved African laborer and the high-fructose corn syrup- and corporate-fed body of the contemporary consumer-laborer.

Cursed at birth, the beautiful and ruthless young Erzebet becomes obsessed with achieving eternal youth and begins to bathe in the blood of virgin girls in order to preserve her beauty. Based on the life of the "Blood Countess," who lived in Hungary in the 1500s.