Examination of the ritual of hazing practiced by college students, high school clubs, and adult organizations and societies.

It is just after two’clock in the morning in August 2017 as a hurricane churns in the Atlantic ocean. Rod Brown, who is on the early shift at the Caribbean weather station on the island of St. Martin, boots up his computer while wondering how the day will end. The hurricane is headed directly for St. Martin. Even worse, he has just received news that his seventeen-year-old son, Scott, a freshman at Florida’s Sunderland University, is missing. Unfortunately all airplanes are grounded, leaving him feeling helpless. Allegedly involved in a fraternity hazing, Scott was last seen leaving the campus with other students in a SUV. As Rod is eventually evacuated from the island and transported to Puerto Rico, he must rely on his faith as a Unitarian Universalist to carry him through his worries about Scott. Finally as Rod makes his way to Florida amid horrible weather and begins a desperate search to locate and rescue his son, Scott awakens in a dark cavern, alone, frightened, and determined to find his way to the light again. But as he begins exploring the cave, Scott has no idea of what awaits him that will change everything. In this inspirational tale, a father on a quest to find his missing son must rely on his faith for strength as the past rises up to meet the present and reveals a shocking secret.

The witches, they are real… A series of bizarre assaults is mystifying Boston police: an unknown attacker is viciously beating random strangers and leaving a note quoting an old warning about witchcraft. History professor Alex Maple was one of the victims, and now he’s gone missing. Vickie Preston is certain that someone has taken her friend for malicious purposes. She’s having blood-drenched visions that seem to be staining her waking life, and the escalating attacks suggest that a dangerous cult is at work behind the scenes—a cult so powerful that its members would rather die than be apprehended. Vickie is grateful to have Special Agent Griffin Pryce and the FBI’s elite Krewe of Hunters on her side. She and Griffin are finding their way in an increasingly passionate relationship, and Griffin is desperately trying to keep her safe and the two of them sane amid the disturbing investigation. The search for Alex will take them deep into the wilderness of Massachusetts on the trail of a serial killer, and it will take everything they have to survive the ancient evil that awakens and threatens not just the man they’re striving to save but their very souls.

In this shocking exposé, investigative researcher and author S. K. Bain reveals the truth behind the mass-murdering psychopaths responsible for the events of September 11, 2001, and reconstructs the occult-driven script for this Global Luciferian MegaRitual. As Bain uncovers, the framework for the entire event was a psychological warfare campaign built upon a deadly foundation of black magick and high technology. The book details the sinister nature of the defining event of the 21st century and explains the vast scope of the machinery of oppression that has been constructed around us.

Colombia has the largest black population in the Spanish-speaking world, but Afro-Colombians have long remained at the nation's margins. Their recent irruption into the political, social, and cultural spheres is tied to appeals to cultural difference, dramatized by the traditional music of Colombia's majority-black Southern Pacific region, often called currulao. Yet that music remains largely unknown and unstudied despite its complexity, aesthetic appeal, and social importance. Rites, Rights & Rhythms: A Genealogy of Musical Meaning in Colombia's Black Pacific is the first book-length academic study of currulao, inquiring into the numerous ways it has been used: to praise the saints, to grapple with modernization, to dramatize black politics, to perform the nation, to generate economic development and to provide social amelioration in a context of war. Author Michael Birenbaum Quintero draws on both archival and ethnographic research to trace these and other understandings of how currulao has been understood, illuminating a history of struggles over the meanings of currulao that are also struggles over the meanings of blackness in Colombia. Moving from the eighteenth century to the present, Rites, Rights & Rhythms asks how musical meaning is made, maintained, and sometimes abandoned across historical contexts as varied as colonial slavery, twentieth-century national populism, and neoliberal multiculturalism. What emerges is both a rich portrait of one of the hemisphere's most important and understudied black cultures and a theory of history traced through the performative practice of currulao.