The first novel Stephen Blackmoore's noir urban fantasy series, in which necromancer Eric Carter returns home to find his sister’s killer—and send them straight to hell... Eric Carter has a unique skill—he can talk to the dead. Specifically, communicating with restless spirits—or other, even worse entities—and getting them to move on or move out. Sometimes, they take a lot of convincing. And sometimes, they straight up try to kill him. It’s not your typical way to make a living, but Carter’s managed to make it work. Life is pretty good. At least it was. Because Carter’s little sister has just been brutally killed. By something nightmarish. To find the killer Eric Carter is going to have to return to L.A., which he left fifteen years ago when he made a lot people—and paranormal entities—very angry. And those people have long, unforgiving memories. But Carter is no pushover. He’s got more heavy-duty magical power than most of those with his skill set, and he’s more than happy to use it on anyone or anything who tries to stop him from finding his sister’s killer. And when he does, he is going to make them pray for death—and then he’s going to answer their prayers... Praise for the Eric Carter series: “Blackmoore employs Chandleresque prose to smoothly incorporate a hard-boiled sense of urban despair into a paranormal plot, with occasional leavening provided by smart-aleck humor.” — Publishers Weekly on Dead Things "In a world where Aztec Mythology, dark magic and grim reality blend together, nothing is what it appears to be... Best of all, Blackmoore’s chillingly good storytelling skills ensures that fans will enjoy every step of this adrenaline fueled journey.” — RT Book Reviews (Top Pick) on Broken Souls “This series is so fucking good. Blackmoore can’t write these books fast enough to suit me. BROKEN SOULS is hyper-caffeinated, turbo-bloody face-stomping fun. This is the L.A-noir urban fantasy you’ve been looking for.” — Kevin Hearne, Author of The Iron Druid Chronicles "Carter’s wry voice is amusing as ever, but the grief he carries is palpable, adding depth and a sense of desperation to this action-packed adventure. Readers will be eager for more after this thrilling, emotionally fraught installment.” — Publishers Weekly on Ghost Money, Starred Review Series Order: 1. Dead Things 2. Broken Souls 3. Hungry Ghosts 4. Fire Season 5. Ghost Money 6. Bottle Demon

The celebrated New York Times Bestseller A Best Book of the Year pick at the New York Times, NPR, The New Yorker, TIME, Washington Post, Oprahmag.com, Thrillist, Shelf Awareness, Good Housekeeping and more. What does it take to come back to life? For Jessa-Lynn Morton, the question is not an abstract one. In the wake of her father’s suicide, Jessa has stepped up to manage his failing taxidermy business while the rest of the Morton family crumbles. Her mother starts sneaking into the taxidermy shop to make provocative animal art, while her brother, Milo, withdraws. And Brynn, Milo’s wife—and the only person Jessa’s ever been in love with—walks out without a word. It’s not until the Mortons reach a tipping point that a string of unexpected incidents begins to open up surprising possibilities and second chances. But will they be enough to salvage this family, to help them find their way back to one another? Kristen Arnett’s breakout bestseller is a darkly funny family portrait; a peculiar, bighearted look at love and loss and the ways we live through them together.

'Bright Dead Things buoyed me in this dismal year. I'm thankful for this collection, for its wisdom and generosity, for its insistence on holding tight to beauty even as we face disintegration and destruction.' Celeste Ng, author of Everything I Never Told You A book of bravado and introspection, of feminist swagger and harrowing loss, Bright Dead Things considers how we build our identities out of place and human contact - tracing in intimate detail the ways the speaker's sense of self both shifts and perseveres as she moves from New York City to rural Kentucky, loses a dear parent, ages past the capriciousness of youth and falls in love. In these extraordinary poems Ada Limón's heart becomes a 'huge beating genius machine' striving to embrace and understand the fullness of the present moment. 'I am beautiful. I am full of love. I am dying,' the poet writes. Building on the legacies of forebears such as Frank O'Hara, Sharon Olds and Mark Doty, Limón's work is consistently generous, accessible, and 'effortlessly lyrical' (New York Times) - though every observed moment feels complexly thought, felt and lived.

An ALA Morris Award Finalist​! In this “equal parts heartbreaking and joyful” (School Library Journal) debut YA novel that’s The Coldest Girl in Coldtown meets They Both Die at the End, a teen girl takes a trip to New Orleans with her estranged best friend to find a vampire to save her dying father. Victoria and her dad have shared a love of the undead since the first vampire revealed his existence on live TV. Public fear soon drove the vampires back into hiding, yet Victoria and her father still dream about finding a vampire together. But when her dad is diagnosed with terminal cancer, it’s clear that’s not going to happen. Instead, Victoria vows to find a vampire herself—so that she can become one and then save her father. Armed with research, speculations, and desperation—and helped by her estranged best friend, Henry—Victoria travels to New Orleans in search of a miracle. There she meets Nicholas, a mysterious young man who might give her what she desires. But first, he needs Victoria to prove she loves life enough to live forever. She agrees to complete a series of challenges, from scarfing sugar-drenched beignets to singing with a jazz band, all to show she has what it takes to be immortal. But truly living while her father is dying feels like a betrayal. Victoria must figure out how to experience joy and grief at once, trusting all the while that Nicholas will hold up his end of the bargain…because the alternative is too impossible to imagine.

How to Do Things with Dead People studies human contrivances for representing and relating to the dead. Alice Dailey takes as her principal objects of inquiry Shakespeare's English history plays, describing them as reproductive mechanisms by which living replicas of dead historical figures are regenerated in the present and re-killed. Considering the plays in these terms exposes their affinity with a transhistorical array of technologies for producing, reproducing, and interacting with dead things—technologies such as literary doppelgängers, photography, ventriloquist puppetry, X-ray imaging, glitch art, capital punishment machines, and cloning. By situating Shakespeare's historical drama in this intermedial conversation, Dailey challenges conventional assumptions about what constitutes the context of a work of art and contests foundational models of linear temporality that inform long-standing conceptions of historical periodization and teleological order. Working from an eclectic body of theories, pictures, and machines that transcend time and media, Dailey composes a searching exploration of how the living use the dead to think back and look forward, to rule, to love, to wish and create.

SELLING DEAD PEOPLE'S THINGS is a wry, behind-the-curtain peek into the world of antiques and their obsessive owners--while still alive and after their passing. An amusing observer of the human condition, author Duane Scott Cerny entertains in illuminating, scary, sad, or frightfully funny resale tales and essays. Whether processing the estate of a hoarding beekeeper, disassembling the retro remains of an infamous haunted hospital, or conducting an impromptu appraisal during a shiva gone disturbingly wrong, every day is a twisted treasure hunt for this twenty-first-century antiques dealer. While digging deep into the basements, attics, and souls of the most interesting collectors imaginable, traveling from one odd house call to the curious next, resale predicaments will confound your every turn. Be careful where you step, watch what you touch, and gird your heart--Antiques Roadshow, this ain't!

'An honest, compelling and important account, and a critical plea for a fusion of farming, food and nature to provide global ecological security' CHRIS PACKHAM Why are so many animals facing extinction? Climate change and poaching are not the only culprits. The impact of consumer demand for cheap meat is equally devastating, and it is vital that we confront this problem if we are to stand a chance of reducing its effect on the world around us. · We are falsely led to believe that squeezing animals into factory farms and cultivating crops in vast, chemical-soaked prairies is a necessary evil, an efficient means of providing for an ever-expanding global population while leaving land free for wildlife · Our planet's resources are reaching breaking point: awareness is slowly building that the wellbeing of society depends on a thriving natural world From the author of the internationally acclaimed Farmageddon, Dead Zone takes us on an eye-opening journey across the globe, focussing on a dozen iconic species - from elephants to bumblebees to penguins - and looking at the role that industrial farming is playing in their plight.

Welcome to the Museum of Dead Things. Your expert guides are here to introduce you to the exhibits, from fierce dinosaurs to exploding dead stars. The Big Book of Dead Things is a funny, stylishly-illustrated non-fiction guide to all things dead and gone. The stylish illustrations and engaging animal characters bring a broad range of topics alive, from dinosaurs and prehistoric animals to astronomy and ancient history. Meet Ancient Egyptian mummies and learn their secrets; romp through prehistoric worlds with dinosaurs, and learn all about the death of stars.

First in “a quirky and intriguing crime series in which the eclectic cast often comes close to stealing the show from the plotline” (The Gazette). When the body of a young woman is discovered in the cowshed of Cricket Farm, the tranquility of the British countryside is shattered. Inspector Jess Campbell is on the case, but with few leads, a grumbling partner, and the new superintendent Ian Carter piling on the pressure, she’s beginning to wonder why she chose to be a detective in the first place. The shifty land-owner Eli Smith seems to have something to hide, and as Campbell delves into the gruesome past of the dilapidated farm, the mystery deepens. A flashy Mercedes spotted fleeing the scene of the crime leads to a suspect, but when another body turns up, it looks as though Campbell’s lead is nothing but a dead end . . . Book one in the Campbell and Carter Mysteries, Mud, Muck and Dead Things will thrill fans of M. C. Beaton, Joy Ellis and the Midsomer Murders. Praise for the writing of Ann Granger “A well-written, well-crafted traditional British mystery by a writer with an assured grasp of her technique.” —reviewingtheevidence.com “Characterization, as ever with Granger, is sharp and astringent.” —The Times “The story just gets more complex, mysterious and chilling.” —Good Book Guide “For once a murder novel which displays a gentle touch and a dash of wit.” —The Northern Echo “A clever and lively book.” —Margaret York

When a former sixties radical is murdered during a string of random sniper attacks, the All Souls Legal Cooperative must settle his surprisingly large estate. Then private investigator Sharon McCone comes across a new will, made just days before he died, that disinherits his two children in favor of four unknown and unconnected parties. McCone sifts through Perry Hilderly's belongings but finds little to explain this puzzling change. That is, until she uncovers a .357 with the serial number burned off. As McCone tracks down the new beneficiaries she discovers that the shootings aren't so random after all and that the dead man isn't the only one with a lurid past. To link the heirs to the killings, she must follow a treacherous trail of evidence that travels from the Vietnam years to the present. But along the way the elusive sniper waits in a homicidal rage and takes aim-this time at All Souls and Sharon McCone.