The third novel starring Montana's fly fisherman-cum-detective Sean Stranahan, for fans of C. J. Box and Craig Johnson Wolves howl as a riderless horse returns at sunset to the Culpepper Dude Ranch in the Madison Valley. The missing woman, Nanika Martinelli, is better known as the Fly Fishing Venus, a red-haired river guide who lures clients the way dry flies draw trout. As Sheriff Martha Ettinger follows hoof tracks in the snow, she finds one of the men who has fallen under the temptress’s spell impaled on the antler tine of a giant bull elk, a kill that’s been claimed by a wolf pack. An accident? If not, is the killer human or animal? With painter, fly fisherman, and sometimes private detective Sean Stranahan’s help, Ettinger will follow clues that point to an animal rights group called the Clan of the Three-Clawed Wolf and to their svengali master, whose eyes blaze with pagan fire. In their most dangerous adventure yet, Stranahan and Ettinger find themselves in the crossfire of wolf lovers, wolf haters, and a sister bent on revenge, and on the trail of an alpha male gone terribly wrong.

From the first Police album, Outlandos D'Amour, through Sacred Love, here are the collected lyrics written by Sting, along with his commentary. “Publishing my lyrics separately from their musical accompaniment is something that I’ve studiously avoided until now. The two, lyrics and music, have always been mutually dependent, in much the same way as a mannequin and a set of clothes are dependent on each other; separate them, and what remains is a naked dummy and a pile of cloth. Nevertheless, the exercise has been an interesting one, seeing perhaps for the first time how successfully the lyrics survive on their own, and inviting the question as to whether song lyrics are in fact poetry or something else entirely. And while I’ve never seriously described myself as a poet, the book in your hands, devoid as it is of any musical notation, looks suspiciously like a book of poems. So it seems I am entering, with some trepidation, the unadorned realm of the poet. I have set out my compositions in the sequence they were written and provided a little background when I thought it might be illuminating. My wares have neither been sorted nor dressed in clothes that do not belong to them; indeed, they have been shorn of the very garments that gave them their shape in the first place. No doubt some of them will perish in the cold cruelty of this new environment, and yet others may prove more resilient and become perhaps more beautiful in their naked state. I can’t predict the outcome, but I have taken this risk knowingly and, while no one in their right mind should ever attempt to set “The Waste Land” to music, in the hopeful words of T. S. Eliot, These fragments I have shored against my ruins.” —Sting, from the Introduction

ABOUT THE BOOK: This is the first community edited fiction novel published under a Creative Commons license. It has received tens of thousands of reader contributions, after being posted online as a rough draft in late 2005. It has received good reader reviews, and has been downloaded over 16,000 times. THE STORY: The flip of a switch gives Joe, an ordinary mechanic, superhuman abilities. He discovers his new powers after his aunt saves his life with restricted nanites. When the corporation sanctioned by the military to control all nanotechnology discovers his secret, everyone he knows is thrust into a world of deception and treason. Can Joe give the people of the world life-saving superhuman powers, or will the attempt claim his life?

A brief but extraordinarily powerful novel by the author of Dreams of My Russian Summers and Requiem for a Lost Empire, Music of a Life is set in the period just before, and two decades after, World War II. Alexeï Berg’s father is a well-known dramatist, his mother a famous opera singer. But during Stalin’s reign of terror in the 1930s they, like millions of other Russians, come under attack for their presumed lack of political purity. Harassed and proscribed, they have nonetheless, on the eve of Hitler’s war, not yet been arrested. And young Alexeï himself, a budding classical pianist, has been allowed to continue his musical studies. His first solo concert is scheduled for May 24, 1941. Two days before the concert, on his way home from his final rehearsal, he sees his parents being arrested, taken from their Moscow apartment. Knowing his own arrest will not be far behind, Alexeï flees to the country house of his fiancée, where again betrayal awaits him. He flees, one step ahead of the dreaded secret police until, taking on the identity of a dead soldier, he enlists in the Soviet army. Thus begins his seemingly endless journey, through war and peace, until he lands, two decades later, in a snowbound train station in the Urals, where he relates his harrowing saga to the novel’s narrator. An international bestseller, Music of a Life is, in the words of Le Monde, “extremely powerful . . . a gem.”

Bestselling author Alan Dean Foster’s new adventure takes place in the amazing Humanx Commonwealth, home of the ever-popular Pip & Flinx. Although the dynamic redhead and his daring minidrag do not appear in Quofum, this knockout thriller sets the stage for their explosive date with destiny in the duo’s final climactic adventure, Flinx Transcendent. The mission to planet Quofum is supposed to be a quickie for Captain Boylan and his crew. Boylan is tasked with delivering four scientists–two men, one woman, and one thranx–to the unknown world, setting up camp while the experts investigate flora and fauna, then ferrying them safely home. The first surprise is that Quofum, which regularly slips in and out of existence on Commonwealth monitors, is actually there when Boylan and company arrive. The second surprise is more about what Quofum is not: The planet is not logical, ordered, or rational. The team encounters three intelligent, warring species–some carbon-based, others silicate-based, all bizarre–along with thousands of unique, often unclassifiable life-forms. Quofum’s wild biodiversity doesn’t appear to be natural. But if it is by design, then by whose, and for what purpose? There are more revelations, more highly evolved species waiting to be identified, even tantalizing clues to a civilization light-years ahead of the Commonwealth’s. But the crew members are not ready for the real shockers, because none of them expect to find a killer in their midst, or to discover that their spaceship is missing and, with it, all means of communication. Of course, the marooned teammates know nothing about the Great Evil racing toward the galaxy, and they certainly have never heard of Flinx, the only person with half a chance to stop it. Nor do they know that Quofum could play a crucial role in defeating the all-devouring monster from beyond. One thing the scientists do know, however, is how to ferret out the truth. But whether that will be enough to alter the course of the oncoming catastrophe is anyone’s guess.

HOW THE WEST WAS WEIRD! From a kill-or-be-killed gunfight with a vampire to an encounter in a steampunk bordello, the weird western is a dark, gritty tale where the protagonist might be playing poker with a sorcerous deck of cards, or facing an alien on the streets of a dusty frontier town. Here are twenty-three original tales—stories of the Old West infused with elements of the fantastic—produced specifically for this volume by many of today’s finest writers. Included are Orson Scott Card’s first “Alvin Maker” story in a decade, and an original adventure by Fred Van Lente, writer of Cowboys & Aliens. Other contributors include: Tobias S. Buckell * David Farland * Alan Dean Foster * Jeffrey Ford * Laura Anne Gilman * Rajan Khanna * Mike Resnick * Beth Revis * Fred Van Lente * Walter Jon Williams * Ben H. Winters * Christie Yant * Charles Yu *

“Mark Matousek has produced [a] riveting account of his search–at age 38, with the help of a private detective–for the father who abandoned him at age four. A searing meditation on the psychic harm suffered by men and women without fathers, this wise odyssey wrestles with questions of life and death and the search for the meaning of one’s existence.” —Publishers Weekly (Starred Review) “I was four years old when my father came back to kidnap me,” begins this gripping memoir about Matousek’s search for James Matousek, the drifter father he never knew. Matousek chronicles his compelling search for his own father by hiring a detective and reveals his own life as he follows the hard-bitten investigator from one dead-end to the next. Described by the New York Times as “ part reminiscence, part detective story, part spiritual musing,” this memoir is more than the story of one man’s search for his father; it is also a look at the meaning of life and how fathers contribute to that meaning.

A classic Agatha Christie short story, available individually for the first time as an ebook.

The discovery of a woman’s body and a link to the events of 9/11 take Detective Superintendent Roy Grace around the world in Dead Man’s Footsteps, by award-winning crime author Peter James. Now a major ITV series, Grace, adapted for television by screenwriter Russell Lewis and starring John Simm. Amid the tragic mayhem of the morning of 9/11, failed Brighton businessman and ne’er-do-well Ronnie Wilson sees the chance of a lifeline: to shed his debts, disappear and reinvent himself in another country. Six years later the discovery of the skeletal remains of a woman’s body in a storm drain in Brighton leads Roy Grace on an enquiry spanning the globe, and into a desperate race against time to save the life of a woman being hunted down like an animal in the streets and alleys of Brighton. Although the Roy Grace novels can be read in any order, Dead Man’s Footsteps is the fourth gripping title in the bestselling series. Enjoy more of the Brighton detective’s investigations in Dead Tomorrow and Dead Like You. Now a major ITV series, Grace, starring John Simm.

A hitman arranges for five other killers to compete to kill him.